Hardware review: The Tether Table

A while ago I was thinking about what would be the best way to set up all the hardware for a studio scenario and blogging about it with the reading audience.  The idea of the Tether Table came to me quickly and on approaching the folks at Tether Tools, it was met with equal enthusiasm.  So, in short order, one was dispatched to me for review here on the blog – this will be the one given away in the upcoming end of month finale for the March Flickr Contest.  So, without further ado, I give you:

The Aero-Master Tether TableTether Table Aero Master

The Tether Table is a pretty straightforward device – it comes with the table itself, made out of T6 Aerospace Aluminum (whatever that is).  Regardless of what the official name is – this table is pretty solid – I have no doubts as to whether it might bend under the weight of a laptop.  What I found to be really nice is that it spins onto a tripod (sans head of course) quite nicely, and just as easily fits over the top of a light stand.  The stability is also pretty equal between the two once it’s locked down.

So, how does the table lock down?  There’s four little Allen screws that tie the female acceptor tube to the bottom of the table through the top.  Their design makes them lay seamlessly flat so no worries about your laptop getting off kilter.  Here’s a few sample shots to show you the design:

Allen Screws (on top side)

Female Acceptor Tube (bottom side)

The other part that bears mentioning is the additonal kit item (not included normally with a Tether Table) is the Jerkstopper – a handy little device that attaches at both the laptop and camera end to avoid getting cables tugged out of your connection points.  They really help to keep equipment from falling, plugs or connectors from getting ripped or damaged, and the add-on value is well worth the $22!  Here’s the product shot from Tether Tools site to give you an idea…

Jerkstopper Kit

The first problem I found was that it does require either a light stand or a tripod.  So, if your camera normally goes on a tripod (mine does) and you have an external flash that goes on the light stand (mine does), then either the flash has to become more of a portable device (enter the wireless trigger system), or you need to get another light stand.  I initially lucked out in that I am/was running the triggers through their paces for my good friend Kerry Garrison over at Blackbelt Lighting for an upcoming review this Friday, but the need for another light stand has become pretty clear to me.  When I am using two-light setups though, things could get complicated, but that’s a personal gear issue, nothing really to do with the Tether Table itself, so no harm no foul there.

The second problem I found was budgetary.  While the sturdy construction and clean polished look and feel are certainly features I can appreciate, being on a budget, the cost of entry to obtain a Tether Table of this caliber is a little pricey for my blood.  At $179 for the Table and another $22 for the Jerkstopper kit, we’re over $200 and while it’s not inconceivable, it’s certainly rich for the enthusiast blood.  For most professionals it is easily justified and likely something you can itemize in an invoice if needed.  So, not completely out of reach, but up there for sure.  Oh well, no one ever said photography was going to be cheap!

When all is said and done, I do think it’s a worthwhile investment.  These can be invaluable in a studio or on-location shoot where you need to be moving around in between shots.  The benefits of both the Tether Table and the companion Jerkstopper could be invaluable in a number of environments, including macro photography, food photography, portrait photography, and most product photography where a dedicated preview monitor would be super handy to have! To that end,  I will be sad to see it go, but alas, the Contest Series gets priority!  Thanks to the folks at Tether Tools for their generous contribution, and best of luck to all the participants!  (If you haven’t entered your photo yet, the theme is FLAT, and the contest link is both here and at the top of the page!)

Have you got an idea for a product review?  Is there something you’d like to see a test drive on?  Sound off in the comments and I’ll try my darndest to make things happen!  See you next time here on the blog.  (And don’t forget the Facebook page where the “Behind-the-Scenes” video is posted on using this very table!…”Likes” and comments there are always appreciated too!).

Focus Stacking: A Primer

With all the talk and hooplah over things like dynamic range, HDR, Megapixels, and the latest and greatest bells and whistles in photography, some of the staples in composition are often over-looked.  Focus stacking is one such area.  Most folks kind of look at me quizzically when I bring this topic up, primarily because it is rather niche and unique, but it does rely on principles of composition that have been around for a while.

First off, focus stacking is used mostly in genres like macro photography, where intricate detail is needed across a range wider than what the aperture will allow for during composition.  The principle is much like the layered approach to HDR imagery – where you stack layers of images with different compositions on top of each other and blend the right portions through the entire image.

Where focus stacking differs from HDR is the types of images that you are layering.  In HDR images, you are compositing images with different exposure values over one another.  In focus stacking, you are not changing the exposure values, rather just the point of focus.  As depth of field drops off both in front of and behind your focusing point, the subject will blur.  While this may be an appreciated blurring technique in some cases, in other cases, getting different depths of field from different focusing points can make for a tack sharp macro throughout the range of the subject.

As is most often the case, explaining a photography concept is best done with images, so let’s take a look at an example.  For easy demonstration, I took a white cordless phone and placed it on a black background.  This way color issues are kept to a minimum…

First Focus Point

Notice on the first focusing point, the sharpest point is right near the front?  It also quickly drops off into the background as I was shooting at f2.8  The low aperture number means I will have a very shallow depth of field, which is what is causing the blurred background.  To bring the rest of it into focus, I need to “stack” more shots that have a different point of focus.  So, let’s add another few to the composite:

Second Focus Point

Third Focus Point

Fourth Focus Point

Fifth Focus Point

The end result from stacking all these together can be accomplished by any one of a number of methods ranging from the most time-consuming of doing it manually inside Lightroom or Photoshop, and the most efficient one of using 3rd party software.  While several options do exist, the one that has become pretty much the industry standard is that of Helicon Focus!  Their quality of processing is, bar none, among the best I’ve seen.  More on that likely later this week.

In the meantime, here’s the result of an image that has been focus-stacked:

The Final Result

It’s a quick edit, and done with only having focus-stacked 5 images.  If I wanted a really detailed depth of field on something more important than a cordless phone from circa 1990’s, I’d likely have taken at least 10-15 images and massaged them through Helicon Focus more carefully.  More details on this entire process are coming up later this week, including reviews of the Tether Table (which will be given away this weekend as the March contest comes to an end), Helicon Focus, and the light triggers from Blackbelt Lighting.

For a behind-the-scenes footage video, stop over to the Facebook page!  (Be sure to “like” it and share a comment while you are there…)

The March Contest Begins

With March now underway, and the February giveaway wrapped up (check my rare weekend posts making this announcement), I thought I’d take a moment and let the cat out of the bag.  This month it’s quite an exciting prize!  The winner is going to be awarded a 17″ Tether Table (a $200 retail value)!  As if that’s not enough, the folks over at Tether Tools have also generously have thrown in a Jerk Stopper tethering kit that prevents your cables from snagging.  If you want to know more about it right now, stop over to their website and check out the product line:  Tether Table Product Page

In the meantime, here’s the nitty gritty details for the contest:

  • The Number:  1 image per person
  • The Size:  Longest side must be between 600-800 pixels.
  • The window:  30 day window for capture date (nothing earlier than February of 2011
  • The theme is:  Flat
  • The deadline:  March 31st at midnight (my time)
  • The rest:  You can read more about it at the Contest Guidelines page and the Rules of Engagement

Good luck everyone, and here’s the link:  March Contest Giveaway

For the record, the Tether Table will be very slightly used, as you know a hardware review is likely forthcoming quite soon on this equipment…but then again, that’s something to look forward to, right?

As a final postscript today, a new poll is up on the sidebar, so if you don’t visit the archives much (maybe take some time soon – lots of good stuff there! 🙂 ), be sure to take a moment and sound off in the latest poll:

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