Eight Ways to Awesome Photos

One of the worst moments in photography is when you get things back on the computer from a shoot to see that dreaded blur!  If only you had been able to stabilize the camera more.  I can’t tell you how many times I’ve been confidant enough in my own abilities to think “I can hand hold that shot”.

Blurry Shot

The truth of the matter is, most of us can’t!  So, avoid the blur whenever possible When trying to capture images where light is low, a sense of movement is desired, or any other scenario where shutter speeds drop perilously low, getting that camera stable is critical!  Here are eight ways to make that happen:

1.  Use a Tripod – Shots taken with tripods are inherently more stable than their handheld counterparts.  Nothing stabilizes things like an inanimate object!

2.  Use a Monopod – With the tripod police out in force more and more, they are being allowed less and less in a number of areas.  If a tripod isn’t permitted, a monopod may be an alternative worth considering.

3.  Use Your Surroundings – Okay, so the tripod wasn’t allowed, the monopod you forgot, but there’s still a chance to catch that shot.  The answer lies in using your surroundings.  Brace the camera against a tree, a fencepost, a car, or whatever is available.  They key is to make your camera stationary.

4.  Bump the ISO – As much as I try to avoid increasing ISO, the newer cameras available do a great job of smoothing, and even then, software post production options are also pretty advanced at cleanup afterward.  So, if you have to, go ahead and bump the ISO settings to shoot fast and still retain exposure accuracy.

Fireworks

5. Hold that Camera – I know some shooters who claim to be able to hand hold as slow as 1/30th of a second, and one of their “secrets” is a secure grip on the camera.  Make sure you’re holding your camera right and not flapping your arms out beside you, all fingers around the edges (like a camera phone), and you can get better shots.

6.  Shoot between Breaths – Yup, you can shoot between breaths.  It’s key to remember not to hold your breath, but rather inhale slowly, exhale slowly, and that momentary gap between breaths is a moment when your body rhythms are not moving at all, heartbeat included!

7.  Slide that Finger – No, not that one!  Your shutter finger is what I am talking about.  So many people tend to jab the shutter, but that pushes the camera and can introduce movement.  Make it a slow slide with increasing pressure, almost as if the shutter release is an afterthought.

8.  Watch Your Feet – Standing with your feet together like a ballerina is never a good idea when shooting.  Your center of gravity rises, and you are unstable.  When you are unstable, so is your camera.  The same holds in the opposite extreme, so keep your feet about shoulder width apart when shooting.

Pacific Sunset

If you like these tips, keep in mind, there’s 90 more tips just like these in my eBook Combo Kit where you get both 49 Photo Tips, Volumes I and II, as shown at the top of the homepage.  On sale for a limited time, this combo kit is going for $10, so get it now while the savings are available!

There are, of course, other tools and methods to help make your photos better, but these 8 ways to add stability are just a primer to get you on the right track to making the most of your time behind the lens!  Know of any other ways to help stabilize a shot?  Anything I missed or that particularly speaks to you and your own techniques?  Sound off in the comments or via email!

What Moves You?

The question of what moves us as photographers is one that everyone eventually questions at some point.  Whether this comes early in your pursuit or later…at some point everyone considers where their real passion for a particular artistic genre exists.  Whether that art form is painting, sculpting, musical, or photographic in nature, the question is one that will always persist.  I’ve asked this question before in an essay simply titled “Why?”, and there have looked to answer the question from an esoteric perspective.  (Feel free to read the essay yourself from the PDF article here.)

However, today it’s more of a motivational question.  What motivates you to shoot – and what are your real reasons for pursuing any of the arts?  For my own photography, the roots lie in scuba diving.  You see about 20 years ago, I became a Certified PADI diver.  I took to it quite easily, and ever since have been enthralled with scuba diving.  So much so that I considered taking the advanced certifications, which required two specializations.  One was a no-brainer, the other was underwater navigation!  You can imagine what the no-brainer was…

Having seen so many wonderful scenes from artists, showing stunning beaches, the underwater marine life, from sharks to whales, dolphins and fish all along coral reefs, the world of scuba diving and beaches have always drawn me.  Part and parcel with that passion has also been one for sunsets and sunrises.  And since we can all appreciate a sunrise or sunset scene from the beaches of the world, I’m sharing today some of my own personal favorites.  Yes, these are retouched to a degree, but I’ve tried to stay true to the scene as I remember it.

While some day I eventually hope I am able to afford the housings to go back underwater with all this gear I’ve accumulated, but for the time being, I’ll have to survive with these above-water scenes.  Enjoy, and if you’ve got your own favorites, feel free to share those here as well through your own links.  Happy shooting!

Mexican Sunset

Mexican Sunrise

SC Sunrise

Road to Folly

Folly Beach

The value of a sunset (or sunrise)…

We all see them every day – the sun rises and the sun sets.  Most of the time, it’s nothing too spectacular, perhaps some pretty colors are cast with various hues of orange and blue, or red and purple hazes…it’s all well and good.  We may even see some spectacular ones…a crimson or scarlett red, or fire-y orange ones.  They may also have an added impact if they are reflected in a lake, the ocean, or dramatized by their surroundings – palm trees, mountains, boats, or whatever happens to be there.

The spectacular ones are typically the ones we see in print, on calendars, and in magazines.  Yet every day, we find our eyes gazing toward that first and last light…knowing that we could see something magical.  Does this make the ones with more vibrant colors more magical?  The ones with fewer colors less magical?  Perhaps, but consider this – we are always looking for it.  Consider this project: take a picture of the sunrise and/or sunset every day for a week, month, or even a few months.  Take it from the same spot every day.  Find yourself some nice vantage point with some nice accents to the main subject (that being the sunset).  Then, after your specified time period is up, peruse the results and see how many “great” sunsets (or sunrises) you saw.

It could be a fun project not only to help you gauge when the sky will be well suited to sunrises and sunsets, but also to exercise some discipline in taking the same shot from the same vantage point, if only to understand when conditions are ideal.  This could be termed “scouting” in a sense, because you’ve found a nice place, set things up, planned, and then you just wait for the right light.  So many photographers talk about the light, and we hear terms bandied about like “seeing the light”, or “painting with light”.  I’ve heard a few mention the idea of “waiting for the right light”, and it mostly has come from landscape photographers.  This is what they do…they take the same scene over and over and over.

With practice, they can anticipate when the conditions will be favorable.  Their sense are more attuned to things like clouds, weather, and distractions.  Rather than relying on luck and serendipity, they plan, research, and study the scene for long periods of time before they find “the right light”.  Sure, you can manufacture it, and we’ve all seen the wonder shots in the galleries of others – but if you think about the time and energy that goes into capturing that perfect sunrise or sunset, imagine all the “almost” shots, and the time and energy that went into them, I would suspect that many landscape photographers would say there is value in every sunrise or sunset.  Because, even if they didn’t get the light just right in their location, someone – somewhere – when the sun set, nailed it perfectly!

Have you captured your perfect sunrise or sunset yet?  Was it planned or by accident?  Sound off in the comments and let me know if you think there is still value in sunrises and sunsets.  If you’ve got a shot you would like to share, feel free to post that via the upload link too (also in the comments).  Happy shooting, and we’ll see you back here again tomorrow.

Oh yeah, did anyone in Colorado see the sunset today? 🙂  Nothing spectacular to write home about, but it was kind of cool colors, and worthy of showing here to indicate that just because it’s not a portfolio shot, sunset shots (in my mind) have value!  What do you think?

Colorado Sunset

P.S.  Don’t forget, the January Flickr Giveaway is in progress…submit your photos for a chance to win a free copy of Photomatix Pro from the folks at HDR Soft.