The train rides again (take two)…

For today’s post you’ve got a special treat coming, because the train rides again!  If you recall, earlier this week I posted the results of a little miniature project where I tried some varying depth of field, angles, and such on a model train.  The project results didn’t yield anything breath-taking in picture, but I did learn where the best areas for focusing are on trains.  I found out what appealed to me, what appealed to others, and filed it away.

Then, as luck would have it – I had my camera with me today on the way home from work (there were some other trains I wanted to capture on my way in – but the clouds and lighting weren’t as conducive as I’d hoped – plus I would have been late…).  A now-defunct set of boxcars were sitting on an unused rail near the house, and as I was driving down the access road, I saw this scene with new appreciation. I felt compelled to stop and try my hand at a life-sized model!

The results are much better in my opinion.  The new problem – post processing.  As I always try to keep an open mind, after a little post work on exposure, sharpness and levels I said to myself “Wonder how this would look as a black and white…”  How is this a problem, you ask?  I like both!  So, it’s the new poll here – which do you like?

bwtrain

colortrain

Feel free to share your thoughts on which should be the “keeper” and why in the comments!  Meanwhile, enjoy my latest choice from WTD as we head into the weekend…

Happy Friday and Happy shooting!  We’ll see y’all back here on Monday! 🙂

Come on Ride the Train

It’s somewhat fitting this week that yours truly is making serious use of the mass transit in Denver because a project that has finally come to fruition is a photo-themed shoot of trains.  I’ve always found them quite interesting, and only recently did I come into possession of a very high quality model train to pose as I desired for specific types of compositional and focal impressions.  Since the podcast isn’t quite finished, I figured now would be as good a time as any to share with you a sampling of my Train project…

_mg_8969

_mg_8959

_mg_8964

_mg_8966

_mg_8967

So, there’s the “Train Series”.  I tried various lighting scenarios, depth of field, and compositional approaches to see the effect each has.  I know which one(s) I like the best – what about you?  Any favorites, thoughts, feedback, criqitues?  What about your own themed projects?  Any sources of inspiration?  feel free to share them in the comments section!   Happy shooting, and we’ll see you back here tomorrow!

Thursday Thoughts with… Scott Eccleston

I am happy to report that the weekly series where I interview fellow photographers and share their thoughts and perspectives here on the blog.  This week, I’d like to welcome Scott Eccleston to the stage.  Scott has his own blog and shares his thoughts and ideas on a regular basis so be sure to stop over at his site where he shares Weekly Photo Tips!

Without further ado, here’s the latest in the revived Thursday thoughts series, with Scott Eccleston!

Q:  Hi Scott, welcome and thanks for agreeing to participate in the latest edition of the Thursday Thoughts series.  Since everyone always wants to know some of the basics, so let’s get a few things out of the way at once here…first up, ow long have you been a photographer?

A:  I got my first digital point and shoot in 2003…

Q:  So, that means you’ve been shooting digital for about 6 years now.  What kind of gear do you shoot with (i.e. Canon, Nikon, Sony, Olympus, Pentax)?

A:  Nikon, not to feed into the “Nikon vs. Canon” feud, it was because of familiarity. My first camera was a Nikon, then I upgraded to a Nikon 8700 (looking back, it was not much of an upgrade), then a D70, then to a D200, and now a D300 (but there is this persistent fantasy that involves a D3x)…

Q:  No worries about brand wars here – I think the CB readership knows it’s about the person behind the lens (and in front).  What about film?  Ever dabbled in that prior to digital?

A:  No film, never shot film – as Vincent Versace says “film is what you grows on your teeth when you don’t brush”  😉

Q:    Who’s Vincent Versace?  Just kidding!  What about post production – do you work on a mac, PC, Linux, or some combo?

A:  PC…

Q:  And let’s go completely off topic for a moment:  Chocolate, Vanilla or Strawberry?

A:  STRAWBERRY!

Q:  Nice!  Well, now that we’ve gotten the basic sundry stuff out of the way, I like to get others insights on various aspects of your work – and this often starts with the critique.  Photographers often enjoy hearing helpful and constructive critiques of their work, as we are aware of how much we can grow from it.  However, we’ve also all had the “nice shot” and “cool” comments when we’ve shared our work.   With that setup, what would you say was the singular most useful critique or comment you’ve ever had on work you’ve shared publicly?

A:  It was a critique about composition – “cinematic approach to photography”. Film makers (and film shooters) do not have the luxury of cropping; thought and planning are an important part of their image composition. Because I started shooting digital I adopted the “I’ll crop that out” that evolved into the “I’ll fix that in Photoshop” mindset that is too common with digital shooters. Confession, I began as a lazy photographer, I used Photoshop as a sledgehammer, now I use it as an emery board. I use it so infrequently now that when I do, it takes me a moment to orient myself to the workspace. And I don’t use it to “fix” an image, I use it for a black and white conversion or to edit something I had no control over at the time of the shoot (like blemish removal). I learned that if I spent more time getting it right in camera not only did I spend less time in post production, I was getting better quality images.

Sorry, I was rambling, but this is fundamental building block in my evolution as a photographer (and I could ramble on, and on, and…).

Q:  Heh, again, no worries – I’ve been known to wax on and on myself.  Speaking of waxing, just the other day I was…oh, wait, sorry, getting off topic there.  Back on the subject of critique… if someone was asking you for an honest critique of their work, what 3 factors would you look at most (excluding friendships or family relatives, we’re talking professional or fellow photographer-types here)?

A:  The first thing would be to determine if they really want an “Honest Critique”. 😉

  1. Intent
  2. Technique
  3. Execution

Q:  What happened to the rambling nature?  Again, just kidding, but I like the approach – it shows how you approach capturing your own images!  Speaking of capturing your own images, as we’ve seen the post process mature in programs like Photoshop and other software options,  new ways to create images are presenting wider options and possibilities. If you had to choose between the gear or the software as the only way to create, which would it be and why?

A:  GEAR! The software should be used to complement your work, not create it.

Q:  Heh, well, it shows in your skillwith which you execute your imagery.  Speaking of which, you’ve got a great body of work!  In that vein, if you had to pick three pictures out of your entire portfolio to represent your approach to photography, or your artistic vision, which ones would you pick and why?

A:  Each of these images represents a first for me…

Scott Eggleston

This was taken with my point and shoot and was the first image that said something to me, that evoked an emotion. It was the image that made me want to learn more about photography (and spend a ton of money on gear in the process).

Scott Eggleston

This was the first of my images that said something to others. I was new to the Portland (Maine) Camera Club and had just started submitting to print competitions, during the critique one of the judges (who is a well established professional photographer) said “this is one of the best black and whites I have seen here”.

Scott Eggleston

This is the first time I had an idea for an image that came out exactly as I had envisioned it.

Q:  Wow!  These are great ones, and I can see why you chose them.  Thanks so much for taking the time to share your thoughts, work, and input here on the blog.  Are there any final thoughts you’d like to share about the state of photography or any catch phrases that you keep in mind when shooting?

A:  There are two things about the state of photography that have drawn me in and make me want to stay:

  • When photographers discover new things, new techniques, instead of hiding it like a closely guarded secret; they share it with the rest of the world. Sites like Strobist and people like you are great examples of this.
  • In keeping with that theme, most photographers seem to have little interest or desire in being better than another photographer, they just have a desire to be a better photographer.

Thank you for inviting me here Jason.

Thank you Scott, the pleasure has been all mine (as is the same for the readers of the blog)!  Remember, you can find out more about Scott, his Weekly Photo Tips, and his professional body of work on the web too, so be sure to stop over and enjoy everything he has to offer!

Some assembly required

As promised from yesterday, here is the assembly line of computes I unboxed:

img_00071

And then here’s the boxes that I consolidated all the accouterments into:

img_0011

img_0009

img_0012

Thankfully, the laptops didn’t come in today, so we had a brief respite.  Monday’s gonna be fun though!  I think I am going to try and enjoy this weekend!  You be sure to do the same.  Happy shooting and we’ll see you back here again on Monday.

Go soak your gear!

It pays to review your web traffic periodically because I just learned a way that your bathtub can be used for photography!  Not only is it a good place to mellow out after a stressful shoot, but it also makes a heckuva softbox!  I was on a forum that had referenced the blog and a guy had some product that he placed in his tub.  I thought it was an interesting idea, and decided to give it a try.  As it turns out, the tub is a great place to put your gear!  Granted, not to soak it (sorry, but I had to tease the title that way), but to act as a great background and softbox combined in one.

Here’s a few sample shots.  For all the tech-types, these are pretty much straight out of camera (or sooc) – all I did was adjust the WB for Flash and adjust the ACR sharpening from 25 to 75.  All are resized to 650px wide for the blog.  Here’s the setup:  I took the Canon kit lens (18-55) on my 40D, threw on the 550EX, and set everything to default values.  Shutter at standard sync speed of 250, aperture at f8 and ISO at 100.  I powered the 550EX at it’s standard setting, on camera (relax strobists – I can hear you shuddering from here),  and started firing a few shots.  I pointed the flash to camera right and got this:

ruler1

Yup, that’s a God-awful shot, with a nasty shadow.  Perhaps I could ditch the shadow.  Since we’re not exactly using conventional wisdom here, let’s try it with the flash pointed straight at the subject:

ruler2

Hey!  That’s actually not too bad.  It’s not that great, and still definitely a “Meh” kind of shot as it’s still got something of a shadow.  So, I spun the flash to fire above me and bounce off the ceiling:

ruler3

Voila!  You know what?  For being a spur of the moment thing, and without a lot of pre-planning or preparation, that’s not bad at all.  And, it was shot in a bathtub!  Anyone else out there have a bathtub?  Try some shots in it for different items.  I used a tape measure, but what about a pen, or a microphone, or a printer, or even a lens?  I bet you could get some pretty cool results with very little setup!  Anyone else have some odd or unusual ways to get clean backgrounds and even lighting on the cheap?  Feel free to share your thoughts, ideas, and feedback in the comments.  Feel free to link your own efforts there too!  Happy shooting all and we’ll see you back here again tomorrow!

Facelift Friday

With February now in the archives, I figured this may be as good a time as any to get a head start on some Spring Cleaning with the blog.  The theme I had been using for the last year or two had been getting a little dated, and the designer has not issued any updates since 2007.  Additionally, some portions of the blog just were taking more muscling to conform to the evolving standards of CSS, XHTML, plugins, and even WordPress itself.  So, consider this a Facelift Friday!

Those of you on the blog, you can see what I am talking about – this new theme is much more photo friendly – the header image is more standardized, so I can start putting more of my images into the rotation for everyone to enjoy.  Plugins also enjoy more support, as does the RSS, calendar, and other sidebar features.  For those of you picking this up via the feeds, please take some time to stop over and enjoy the new layout.  This is, of course, the “first look”, and I will likely be making some adjustments as things settle in, including widening the body width for the main posting area, and dressing up the edges a little.  Any ideas for what to consider?  More pics?  Perhaps some page links?  (I noticed the pages area is now not visible from the main one…)  Feel free to chime in now while I am still in “clean-up” mode!

Okay, so the Spring Cleaning is a little premature, but felt it was needed due not only to update some features, but also due to some coding deficiencies were brought to my attention (thanks, and shout outs to Kerry of Camera Dojo!).  Anyway, on a happy note, I’ll leave you with a little WTD humor since it’s been a while for a comic post:

What the Duck
What the Duck

Have a great weekend, and don’t forget to share your thoughts on the new theme/layout in the comments – it’s now or never to see your feedback implemented!  Happy shooting and we’ll see you back here Monday morning!

Great Green Gobs of Grapes!

This week has been a particularly creatively filled one here on the blog:

  • Monday I shared the HDR image workup from last weekend and published the weekly podcast
  • Tuesday had another shot showcasing the benefits of looking all around for ideas (including behind you!)
  • Wednesday was the more detailed explanation of the Lensbaby Composer and selective focus

And now today, another source of inspiration from the kitchen!  I was cleaning some grapes for lunches and was struck not only by their size (these things were huge!), but also by the cool way the light in the kitchen was bouncing off each grape in the colander.  It helped that the colander is stainless steel and reflected some nice green tones back onto the grapes themselves, making them look even greener.  On instinct, I took a few, and here’s the best of it (and although it was taken with a 70mm Macro, this was not taken from macro range – that should tell you the size of these guys):

Grapes Galore!

Not too shabby for a “spur of the moment” capture.  Nothing like what you’ll see over at Mike Palmer’s blog (he does a lot of cool shallow dof work with food photography, and is a friend-of-the-blog), but a step in the direction of creativity anyway!  Catch an cool colors in your kitchen lately?  Share your thoughts, perspectives, links to other images, ideas and feedback in the comments section!  Keep on shootin’ and we’ll see you back here for the Friday post!

Look out behind you!

We’re always looking forward, upward and downward to find a unique perspective or angle on things – to create something unique and interesting.  Well, today, I’ve got an example of how sometimes the interesting shots are behind you!  In this particular case, it’s doubly true.

This is also from the photo walk out in El Dorado from last weekend, and what makes it doubly true is because we were out looking to capture the beuaty of the mountains, the trees, and the amazing Colorado skies.  At one waypoint between hiking trails, we took a rest stop and used some of the provided *ahem* facilities.  On returning to the vehicle, I saw this reflection in the rear window of the Expedition:

Rear View

So, the view was created from the back window reflection, and I only caught it by turning my eyes away from the mountains, landscapes, and opportunities in front of me!  When’s the last time you turned 180 degrees to get a shot?  Got any fun stories of when it did?  Share them in the comments!

Don’t forget to stop over and pick up the new feed in iTunes for the podcast and share your thoughts about the new show format!  Here’s the link:  iTunes feed Happy shooting all and we’ll see you back here tomorrow!

HDR, Web links, and a podcast!

fissure2

So, this last weekend I went on the photo meetup group outing for the month of February into Eldorado State Park, south of Boulder, and had many an opportunity to capture some landscape and macro work. Some great views were had and I only hope that they all come out as well as this one did. While hiking up a trail of slippery snow and ice (it was cold out Saturday morning), I saw this fissure that was pretty intense looking because it was only partially lit. I thought about it for a second and decided to bracket some exposures to see if it would turn out with some HDR massaging. Not only did it turn out better than I would have thought, I was also very pleased with how Photomatix did with this. I would highly recommend this software to anyone interested in HDR work. Not only is it more intuitive than Photoshop, the results were much more gratifying! You can buy Photomatix for PS, Lightroom and for either Windows or a Mac over at www.HDRsoft.com.

Some other web links I learned about recently also include www.fotoblur.com and www.usefilm.com Both are much more cognizant and respective of photography copyright than other social and photo networking sites like Flickr and Facebook (we all know about the Facebook Terms of Service fiasco, right?). One thing I like about both Fotoblur and Flickr is that you are limited in how many images you can upload daily. This requires you to be more careful about what you publish, and as a result, you are more thoughtful and objective of what work is worth posting and sharing online.

Last but not least, the podcast that I had intended to put out last week was delayed for a few days as I put the finishing touches up on a home improvement project. (We finished out one of the basement rooms – expect to see some photos on that makeover forthcoming!) The good news is that not only is the basement room on the verge of completion, but that the podcast is up for this week. Naturally, the title of the podcast will match the blog post title, as the show notes follow closely to todays content. Stop on over to Personal Life Media for the show, or pick it up in iTunes! (Don’t forget to leave your thoughts in the review section of iTunes too…the more the merrier!)

Until tomorrow, when I’ll have some more HDR shots to share, keep on shooting – hope all your shots are good ones!

Can ordinary be interesting?

A while back I took Tracy out for an afternon/evening in Denver.  I agreed to leave my camera behind, but in case she wanted to catch a moment for posterity’s sake, I grabbed the P&S one she asked for as a Christmas gift.  After her initial interest waned in taking pictures, I ended up with the camera in hand (go figure) and even shared a few here on the blog (remember the bottle caps in the grocery?).  Anyway, it got me to thinking about how to take ordinary scenes and make them interesting.  I guess that’s part of the role of being a photographer:  making the ordinary extraordinary.

We do see the world differently than others, and by capturing our vision, and then sharing it with the world with our particular expression, otherwise ordinary scenes can be seen in a new and different light.  With that idea in mind, here’s one I captured recently (with my own camera) that kind of spoke to me in that way:

_mg_8521

What made this unique for me was the ambient light.  No gels, no lighting tricks or anything – it was on our weekend getaway, and since not very many places outside of mountain cabins have things like wood stoves, the idea hit me to catch this scene.  What makes it (for me) is the fact that the ambient light is very “fireside”.  The tungsten light combined with the sun setting behind the trees outside made this a perfect scene.  So, up went the tripod, the shutter went long, and I kept the aperture up, and noise down.  (5 seconds, f10, and ISO 100 for the techies in the crowd).

I think it worked, but would like to hear from the readers out there.  Does this work?  Can ordinary scenes be made extraordinary?  What about the role a photographer has?  Is there really a “symbolic” or larger purpose for people who enjoy taking pictures?  What do you enjoy about photography?  Feel free to sound off in the comments, as there are no wrong answers here…

In the meantime, happy shooting and we’ll see you back here Friday!