Last night I got the bug to try something I’d seen before – the classic Christmas-y look with a score of music and a shallow depth of field. It was straightforward enough and after putting a piece of sheet music on the piano, and trying it that way, wasn’t getting the drop off in depth-of -field as I had hoped for. So, I took a different approach and put the music sheet flat on a table, knowing the dof would drop off that way, with the foreground out of focus and receding off in the background too.
So, the second one came out okay, but the plain background of the table didn’t really work all that well…it needed something else – Christmas lights! So, I got an extra garland that wasn’t used in the house and threw that down, encircling the paper. But something was still missing…a little color. What goes with green and white? Red! Enter a blanket strategically placed underneath it all to add a touch of color. So, took a few shots, and liked it, but the shadows seemed kind of muted, and the lights were getting a little blown out. Hmmm…could I be dreaming of an HDR Christmas?
An HDR Christmas
The fact that the little star burst off the one light happened was purely incidental, but I think helped the overall composition. How about the reading audience? What are your thoughts? Does it work? Need something else? What about your own holiday-themed work? Feel free to share thoughts, feedback, samples and such in the comments!
In other Friday news, CB now has a Facebook fan page, so if you get a minute – stop by the Facebook page and sign up. I’ll be sharing more photos, tips, tricks, and such there in the weeks to come as well, and you won’t know unless you’re a “fan”! For those of you getting your news from the feed, the direct link to the Facebook page is here.
Don’t forget, the December Giveaway is also still underway – over $400 of super cool prizes including software, books, prints, and papers! Just a cornucopia of prizes, all waiting to be given away for free! Just enter your photo at the Flickr thread: December Giveaway. The theme this month is GIVING. Interpret however you like and good luck to all. The rest of the contest details are here.
That’s about it for this Friday – have a great weekend everyone! Going on a sunrise shoot in the mountains tomorrow wit the Meetup group here in Denver, so it is going to be an early riser for me tomorrow. Start time of 4am! More on that next week! Happy shooting and we’ll see you back here on Monday!
I know – the blog has not gotten much attention lately. My apologies – but after the job loss, and pounding the pavement, my schedule has tightened up considerably, so the “planned posts” have pretty much been exhausted as I let myself get behind. The good news is that with several opportunities on the horizon, I am a little less stressed about “real world” economics, and can dedicate some time back to the blog. A few items of note:
#1 – The Year End Blowout Bash is underway – and LDP/Canon Blogger is giving away a ton of goodies. I posted details about this last week, but in the interests of giving it a little more “face time”, I would encourage everyone to start thinking about their “giving” themed photos – could mean some seriously cool prizes coming your way to start the new year off right! More details on the prize package and such here:
#2 – The 3rd edition of the LDP Newsletter is forthcoming – with some little known tidbits about the guests on most recent podcasts, including nuggets from David DuChemin and Andie Smith, as well as the monthly roundup, great quotes and christmas/holiday ideas for the photo buff in all of us.
#3 – With many things under way both professionally and personally for this time of year – the posting schedule that I had been adhering to for most of the year (hardware, software review, composition, podcast, etc.) is likely not going to be followed as strictly as things will be done more on a “catch as catch can” sort of thing. If you like tuning in for one thing or another – keep on reading because the stuff you like will be there, just maybe not on the schedule you are accustomed to.
#4 – Last up, I’d like to point out that the donations tab is still active, and all are welcome to contribute via that conduit – but in the interests of getting some tangible things back to the reader and listeners that have been so encouraging, I am going to be coming out with some short eBooks (5-10 pages max) and there is a new link for the website to bookmark for that content: https://canonblogger.com/store While I am getting a fairly good idea of things readers and listeners would like to see/hear, feel free to send in questions, comments, suggestions and the like for store content as I am open to input.
So, with the vegetables out of the way, I’d like to delve into the “meat and ‘taters” segment of today’s post and that lies in the title: bokeh
For those of you that may not be aware, bokeh refers to the blurred portions that are out of focus behind your subject matter. The quality and nature of that out of focus portion can really enhance a photo, and can even become the subject matter itself when looked at creatively. Now, I‘ve talked here on the blog about bokeh in the past, but in the spirit of the holidays, I thought it would be fun to share some samples of images where I actually forced the entire scene out of focus, to basically make the bokeh the subject:
The Beauty of Bokeh #1
The Beauty of Bokeh #2
The Beauty of Bokeh #3
The Beauty of Bokeh #4
The Beauty of Bokeh #5
As the samples show, you can make some pretty fun use of blur and bokeh. Shapes lend themselves well, and varieties in colors, as well as monochromes too. Another thing – when getting bokeh and blur – don’t worry too much about noise and crank the ISO if need be – it’s all about your creative mind. You can remove noise if you must, but the idea is to capture something in a new way and getting bokeh this time of year specifically can be a lot of fun. A few suggestions though:
Look for shapes, as suggesting what the subject might really be can catch visual interest by teasing the eye – you know what it is by the shape…
Look for light, because without much variation in light or bright spots, the bokeh will end up looking like just some smudges of a limited tonal range
Use your best lens(es) as these produce softer bokeh – less angular edges, and more rounded or smooth textures, which is usually better for bokeh (“better for bokeh”, did I just say that?)
Shoot wide open, then switch to manual focus and intentionally blur – push the lens further out of focus for variations on your bokeh elements. Watch what happens and adjust to taste.
So, there’s a few ideas for you – there could be an eBook coming out on this later with more samples and suggestions so let me know if this whets your appetite. Do you like the idea? Want to see more? Get more tips on shooting for the abstract? Do the photos above help or hurt the idea? Do you like them or think there are better samples? Got any of your own? Feel free to post links to your own libraries of bokeh and blur for everyone to enjoy – there might even be a newsletter mention in it for ya! 🙂
That’s gonna do it for today – coming up later this week, the aforementioned newsletter, another podcast, and much more, so keep on shooting, until then, may your batteries be charged and your memory cards filled with lots of photos this holiday season. Now get out there and shoot ya some! 🙂
This week is shaping up to be an exciting one here at CB/LDP. Here’s what’s in store for the upcoming week, both on the blog, and for the podcast:
Hardware Review
Software Review
Podcast Publication
Comment Giveaway for Scott Kelby Digital Photography Book, Vol. 3
So, with four days of the week already accounted for, what the heck am I doing on here talking about it rather than doing it? Well, if you are reading this via feed, then get yerself on over to the blog, because something should look drastically different to you! That’s right, the blog has gone through a major update in layout and design change. As you can see, the upper right has a rotating gallery of images, so each time you come back, you will see a new image featured in your browser. You will also notice the headline looks a lot cleaner with tabbed links to major sources of content, including an About Page, a Flickr Page (for contest news and such), and soon to come is the Digital Photography page. A slight shift in layout is taking place there in development mode and will roll out soon with dedicated galleries, client contact forms, and bunches of other stuff. I will also be incorporating a podcast link across the header so you can get your latest fix of podcast news from there as well.
I know, it’s a lot to take in, but I seriously would like some feedback. Is there anything substantial missing that you used to like or enjoy? What about stuff you would like to see (excluding the teaser info above about what’s forthcoming)? Is it too empty? Need more color? I am trying to take advantage of the appeal of “negative space”, but at the same time, don’t want it to be too boring. What would you (the readership) like to see? Sound off in the comments, and who knows what may come of it! 🙂
Here’s a sample view for the feed readers to entice you to seriously stop in for a critique-style visit to the blog:
With the blog updates nearly complete, and the schedule kind of “leaked” a little early for the week, I’ll leave you in the dark as to when each item will come out, so just keep on stopping in for your daily fix. In the meantime, keep on shooting and we’ll see you back here tomorrow for…well, you’ll have to stop in to see, won’t ya? 🙂
Don’t forget the Flickr contest now underway…it’s linked in the header (remember that?) navigation, but here’s a quick link for the less adventerous: November Contest
First off, I’d like to extend a big time “Thanks” to Andie Smith for bravely stepping up to the plate and delivering a home run of a first Guest Blogger post. With 17 responses to her post, it is already ranked among the top five posts ever! Make sure you stop over and check out her blog and portfolio.
For this Friday, I’ve got a fun little photo tip for you and that is to peruse your archives occasionally. You may find something of interest where previously you didn’t. Since inspiration and creativity can strike at any time and anywhere for a different number of reasons, if you don’t like an image immediately, consider just archiving it for a while. I do…and every month or so I peruse my own archives to see if some gem escaped my first glance. Here’s a few that initially didn’t strike my fancy where now I am thinking “Hey, there might be some potential there!” What do you think?
SC Beaches
SC Beaches
Last but not least, don’t forget, the $500 Giveaway for a Topaz Photoshop Plugin Bundle and and Thinktank Multimedia Photo bag system will close for entries tomorrow at midnight! (I had thought it was tonight earlier, but in referencing the Flickr thread, realized it’s tomorrow, so you got a 24 hour window to get your own photo creations in. One person did ask if “Topaz” had to be in the picture and the clarification was made that ANY color is fair game (or even the lack of color if that’s how you interpret it…) The Flickr thread to enter your photos is here: $500 Giveaway
That’s it for this week, have a great weekend, happy shooting and we’ll see you Monday!
Last week’s first ever 5-day series of written work “The Five Elements of Control” featured 5 distinct ways in which you can control and increase the impact of your work. Those elements were through controlling for luminance, color, geometry, context, and composition. Hopefully, the perspective can be one many will find useful in elevating their own work. In taking the task to heart, today (my first day back after a week-long break in beautiful Cabo San Lucas), I am sharing a slideshow of some of my favorite recent shots. So, rather than suggesting others incorporate these techniques, I am trying to apply them to my own efforts as well. Here is where you get the chance to be the critic for my work, so by all means, share your thoughts, comments, feedback, and perspectives below.
In other blog and podcast notes, don’t forget, the $500 giveaway for the Thinktank Photo Multimedia Bag and Topaz Labs plugin bundle is still going on over on the Flickr site. We’re in the last week for submissions so we can wrap things up by the end of September, so time is drawing nigh! The thread to share your pictures (and the guidelines) is here for those interested. It’s a great opportunity to take advantage of some great products from Topaz Labs and Thinktank Photo (and thanks go out to the sponsors for their generous contributions)!
In case you haven’t noticed the sidebar, there are now short little audio tips being offered up courtesy of the folks over at Audioboo. The latest comes the shores of Cabo San Lucas with the peaceful waves of the Pacific crashing in the background! So, for the feed readers out there, stop on over to the blog and check out the audio tips – some hopefully good stuff there too.
Thanks also to the recording capabilities of my wife’s point-and-shoot camera, you are in for a special treat tomorrow in the form of a Quicktime video! Until then, here’s the promised stills from the trip. Happy shooting everyone and we’ll see you back here again tomorrow. (Don’t forget to let me know your thoughts and feedback in the comments!)
Mexican HarborNegative SpaceThe Power of the WavesUmbrella DotsIn Honor of EscherThrough a Window
As a little postscript, since many will ask, I did my post processing in Lightroom and Photomatix (yes, some of these are HDR images). One image did reveal a pretty heavy dust spot on my sensor, so that one did see a round-robin through Photoshop for that one speck.
Have you ever seen something that looks so out of place that it catches your eye? Well catch it with your lens too, because contextual positioning of subjects in interesting or unusual/unexpected areas creates visual interest. This is what I refer to as controlling the context of your subject. So many times I’ve heard people tell me “but how can I change the surroundings?” The answer lies not in changing the surroundings of subjects you want to shoot, butin reversing that idea: find unusual subjects in your given surroundings. Say you are on a photo walk and in a city area. Well, try and find subject matter that contradicts the sense of city.
Additionally, you can also create contextual appeal by the use of negative space too. See something standing all by itsef, or away from other things? That’s a picture possibility! Conversely, something that is amidst other things could be a cue for creative expression. What if you saw a plastic water bottle among some glass beer bottles? That could be cool…or what if you had a computer mouse sitting in a mousetrap? You can create subject and background contextual associations in your own environment too ya know. Photographers that make good money do it all the time. (Hint: that’s called stock photography! 🙂 )
Here’s a few examples to give you a springboard for creativity. Find something you like? Tell me below! (I love to get feedback on photos just like everyone else…) Got your own ideas? Share those below too! Sound off in the comments, and don’t forget to keep on shooting! (That Flickr Contest thread is still alive and kicking you know – great chance to win $500 of gear, including a Thinktank bag System and a copy of the Topaz Labs PS Plugin Bundle!)
Earlier this week, we looked at the idea of how contrast/luminance can impact a photo, and that your creative style may tend toward a wider contrast or a narrower contrast. Then, yesterday we looked at how the element of color can impact a photo, both in the sense of how colors can balance and compete against one another, and how bright versus dark colors can play off each other. Since we’re moving from more theoretical to more tangible elements that we want to include in our photos, next up is the geometry of our photos.
So, what is geometry? Basically, it’s shapes! Shapes are everywhere, and the types of shapes (or the geometry) can play a huge role in the impact of your photos. So, it makes sense to include geometry as an element of control. Since shapes are nothing more than lines that are connected together, this also means we are looking at the lines in a photo. Whether it’s long rectangular lines of grass or circular lines of a persons eyes, the sharpness of square and angles lines in architecture or the looping curves of ovals in a landscape, shapes and lines can really define our work. So, with that in mind, let’s look at a few photos here to help illustrate what kind of impact different shapes can have. Look through the images and see if you can find all the different types of geometric shapes. What kinds of shapes do you see? DO they help or hurt the photos? Share your thoughts in the comments! In the meantime, Happy Shooting and we’ll see you back here tomorrow for #4 of the Five Elements of Control…(any guess what it is? 🙂 )
Curved SeashellDew-dropped LeafLooking through the Fenceline...Charleston Street CornerDays of Yore
Yesterday was all about light and the way that contrasts or changes in that light can have a pretty dramatic impact on your work when you present it to others. Of equal importance to photography though is the element of color. If you don’t take color shades and variances into consideration, then you have lost an element of control in your photography.
When we think of color, many of us are familiar with the three primaries. Red, Green, and Blue as these are letters of one of the most common color spaces (Adobe RGB). Surely though, even though we may not consciously think about it, there are more than three colors out there. Even the traditional axiom of a ROYGBIV rainbow only indicates 7 colors (red, orange, yellow, green, blue, indigo, and violet), and there are way more than that within the color spectrum. So, let’s take a look at the entire spectrum of color:
The Color Spectrum
Since colors represent particular wavelengths of light, you can see how light and color tie into one another very quickly. Just because you define something as “red”, doesn’t give a complete description of that color, because there can be so many nuances, shades, hues, or wavelengths of red. So, in understanding that color is something we can control for, it’s first helpful to know that you are still controlling for luminance, light, or contrast while also controlling for color, because the shades you let come through in your photos will also be somewhat controlled by the amount of contrast, luminance, or light.
Another way in which color can control how people view and perceive your images is to understand the idea behind complementary colors. Some colors work well together, while others don’t. For instance, take a look at the photo below:
Yellow Flowers
So, in looking at this photo – which do you think the contrasting colors are? A typical kneejerk reaction would be to say the yellow and the black are the two contrasting colors. Black though, really from a visual perspective means a total lack of color (black = nothing, white = everything…remember grade school?). So, really the contrasting colors would probably be the yellow and what? The greens of the stems or the browns of the center? A case could be made for either, but I am going to go with the browns here. If you look back at the color spectrum, you can see that yellow and brown are relatively close together (as are yellow and green) – they are actually right next to one another – so they complement each other nicely. It’s also no accident that these colors are in use with the black background too. Because the colors are of the brighter variety, they look better with a darker background. There’s two elements of color at play here then, complementary colors (colors that work well together due to proximity on the color spectrum) and color luminance (light versus dark colors). If you want a lighter color to stand out, then place it in a scene where the rest of the background is either much darker (or vice versa). To show how this works, look at the same image when I replace the background with white rather than black:
Bad color control
See how brighter colors look with a brighter background? Now granted, the mask job was rather quick and messy, but you can see how the colors and their background can have a huge impact on the quality of your work. While this speaks more to the luminance and contrast factor from yesterday, it can also help in understanding how to position colors in your work so subjects can get the attention they deserve. Pretty cool, eh?
So, which are your favorite complementary colors? Do you like the yellows and greens? Or the red and blues? Or violets and purples? Don’t forget color shades too – as light never really leaves the picture (both figuratively and literally speaking)! Which scenes do you like? Answering these questions in not only the works of others, but also in your own work can help develop your sense of style and define what makes your work unique, so embrace your originality! Sound off in the comments with your take on controlling color in your images!
As a kind of salute to the Santa Fe trip from this last weekend, I thought it might be fun to do just a photo-sharing day here on the blog so you can see some of the fun stuff from down in Santa Fe. We did a lot of walking around both days, so it was definitely a photo-walk type of atmosphere. The opportunity to take a solo vist over to the historic rail yard in Santa Fe also presented itself so I took advantage of that too. Here’s a sampling from the trip:
Santa Fe ChurchAt the Rail Yard
Santa Fe Parking Garage
As you can see, we had a good time. I wasn’t exactly “focused” on photography as these shots are works in progress, but regardless, I did get the chance to practice a little. As the old saying goes though, we are always our own worst critic, so I’ll throw the critique doors open to the reading audience too. Do you like the processing? Composition? Technique? Etc.? Since some will likely ask, all of these HDR composites were done by pulling into Lightroom, then using the new Photomatix software from HDR Soft. (Be on the lookout for a review coming up on this latest incarnation too as it’s got some nice advancements and feature additions.)
In other news, keep in mind the latest Giveaway is underway over at the Flickr Group. You can win the Thinktank Photo Multimedia bag system and a Topaz Labs Photoshop Plugin bundle with a combined retail value of $500 just by submitting your favorite “Think in Color” photo to the Flickr thread! Until tomorrow, hope all your shots are fun ones! Happy Shooting!
We all know that our photography at its best can stand on its own – no jazzy or snazzy music, no cheesy frames or doohicky slideshows. However, some of our best (and worst) photos also come with some pretty incredible stories. Just one read through Joe McNally’s “The Moment It Clicks” will give you unique insight into how setting the stage or giving some insider perspective on a photo or body of work can both add value and meaning.
A while back, I posted a photo with the title “The Boneyard and the Back Story”. In that post, the story was in the obstacles that had to be overcome to achieve the photo. For a nostalgic look back, you can read that entire post here. Since it’s been a while, I’d like to revisit this idea of sharing more photos along with their back story with everyone.
The Road to Folly Beach
The back story isn’t nearly as glamorous as my previous one, but telling nonetheless. While this may seem to be a pretty cool shot of a sunset in a marina area, what makes it more meaningful to me is that this was taken in South Carolina. The dichotomy? Sunset – on the east coast! Usually sunrises are associated with facing east and sunsets are facing west, so catching a shot like this at sunset in SC was particularly pleasurable.
How did it happen? Through networking of course! When I used to live in SC, a few friends and I started a photo club in the area. It became relatively successful with a peak membership of 40-50 members. It still exists today but I do not participate to the same extent that I used to. Well, a young guy joined the club as he started learning and studying landscape photography. He lived in the area near this scene and knew of it. After tracking the sunsets for some time (at least a year or so, which is impressive enough), he knew the time of year to visit and capture images much like the ne above. Not only did he share this knowledge willingly, but he also invited me to go capture the scene with him one evening.
From my perspective, it was a successful shoot! But, what about the rest of the audience? Does it work for you? What about your own photos and back stories? Feel free to share links to images and your own stories with the blog either in the comments or with me via email. Don’t have any yet? Then make that your next assignment – go in search of a photo and journal the back story! In the meantime, happy shooting (and story making!)! We’ll see you again tomorrow. Don’t forget the September Giveaway with that huge prize package of the Thinktank Photo bag System and Topaz Labs Plugin Collection. The Flickr thread is open and ready for business!
