The Basics Behind Posing Your Subjects

After a while, landscapes are really just a matter of metering your light, exposing correctly, and composing to position lines in appealing perspectives.  The same goes for many other types of photography too.  Whether you are talking about candid street photography, event photography, and even architecture – it’s all about timing, composition, and exposing for the light.

Portraiture though, brings a unique set of circumstances to the table though.  The timing is much more controlled, lighting is managed more strictly, and little is left to chance.  Yet, even in these controlled environments, many photographers have trouble because of the fears associated with guiding and instructing people on how to pose.  It’s understandable, considering all that goes into posing your subjects, as well as the fact that some subjects aren’t the best at being guided.

To those ends – here’s some basics to start with in posing your subjects.  For starters, focus on the face – it’s what we all gravitate toward anyway, and body posing can be very complex depending on a persons body style.  By focusing on the face, you can really highlight that which we all look at anyway.  Here’s the simple secrets to posing a persons’ face: Continue reading “The Basics Behind Posing Your Subjects”

A Few From the Fire House

Nothing tip-related, tutorial-esque, or educational today, just thought I’d share some photos from one of the local photo clubs I participate in regularly.  One of our members is the on-staff photographer, and was able to get us permission to take photos for an entire session.  We even got one of the guys to get in his gear and do some shots with us.  Devin is the guys name and he totally was cool with our posing instructions and everything – this guy even kept this super heavy fire hose on his shoulder for like 30 minutes while we had him stand and pose, looking in various directions and holding his head a certain way.

So, without further ado – here’s a few samples/selects from what I am affectionately calling:

The Fire House Shoot

Fire House 1

Fire House 2

Fire House 3

Fire House 4

Fire House 5

 

And to close out the series, one that struck me while there was a scene that reminded me of why we have these courageous men to serve and protect us…

Fire House 6

 

The poses that Devin struck were directed courtesy of yours truly (stop back in later this week for more details on the posing techniques I used), and all post processing was done using your favorite photo editor (and mine):  Adobe Lightroom!


Adobe Lightroom 3

Thanks to Tim Tonge for organizing the event, and to the brave men of Castle Rock Firehouse for tolerating our presence for an afternoon!

That Face!

Last week I wrapped things up with three tips for posing your subjects better, and boy did that launch a flurry of questions…so many that I think the next podcast will be dedicated to tips on posing your subjects.  There’s so much to take into account, it really shouldn’t be that much of a surprise.

However, until then a few nuggets here and there will have to do.  (I am trying to coordinate with friend-of-the-blog Kevin Mullins to have a go at a podcast and this would be a great subject for him as he’s an accomplished wedding, event, and photographer from across the pond.  Kevin, I promise we’ll find a date here soon!)

So, the nuggets for this week are facial features – because at the heart of the portrait photographer is bringing out the beauty in your subjects’ face!  Here’s a great set of tips for bringing out the best in your subjects!  When shooting subjects it helps to keep in mind the three basic facial positions:  full front, 3/4 pose, and profile positions:

Three-Fourths view

Three Fourths View

 

Profile View

 

For subjects with round or wide faces, it helps to raise the camera angle slightly so as to look down to them just a little bit.  This elongates things a little more and minimizes the width perception.  It also helps to approach them with a pose that has a 3/4 look rather than a full frontal look.

For subjects with a thin face, just the opposite holds true – have their full face looking toward you with the camera and try to keep the camera at eye level with your subject.  Going up or down below their eye level will only serve to elongate a thin face even more.

For subjects with a large nose, it can often help to have them also face the camera directly.  By doing this, their nose will point straight into the camera to help minimize its size, and lets viewers see the rest of their pretty face!

For subjects with a smaller nose, it’s time to shift back to the 3/4 look…this will bring more depth to their face and “enhance” things a little…

Other tips I’ve picked up that are not specifically related to facial positioning include things like:

  • People Deep-Set Eyes – Point light into their eyes. Light coming too far from the sides will accentuate the depth.
  • Glasses – Bounce the light off the ceiling where possible. If not, position the subject so that glasses are pointed away from the lights.
  • Dark Hair – Make sure that the background provides enough contrast so hair doesn’t just blend into it. Hair lights or a light on the backdrop are extremely helpful. Also make sure the background doesn’t show through hair.
  • Double Chin – A slightly higher camera angle will be more flattering than straight on. It also helps to have the subject leaning forward.
  • Large ears – Use a ¾ face pose or a profile.

There you have it!  Great ways to capture portraiture, specifically when working with facial angles.  Special thanks go out to my good friend Evan Ashenhurst for sharing some of his portfolio for this article.  You can see more of his work on his website at:  Ashenhurst Photography

A final footnote – since I will undoubtedly get a few questions about which lenses are best to shoot portraiture with, my favorite is the nifty fifty actually.  Amazingly sharp and the 1.8 depth of field is to be envied among all glass.  If you’re in the market for a portrait lens, you’ll definitely want to check this bad boy out.  Here’s the Canon-mount, a steal for less than $150 retail!

Canon Mount 50mm 1.4