What’s a Perigee?

Without getting too scientific on everyone, an exciting moment is going to happen this weekend – it’s the perigee!  What is the perigee?  It’s the point when the moon and the earth reach their closest point between each other.  The moon is going to look super huge this coming weekend, and this will be a great opportunity to really get some stellar shots of the moon through even the more common focal lengths we all have in our gear bags.  Even with a 70-200 lens and a 1.4 TC, you should be able to get some pretty awesome full frame shots of the moon, with some pretty good detail!

Here’s a couple tips to scheduling a good moon shoot:

1.  Check the weather in your area – It goes without saying that you don’t want a lot of cloud cover, but at the same time, clear skies mean no heat is staying in the atmosphere.  Since it’s still relatively early in the year, standing around at midnight could be a tad chilly.  Plan ahead, dress warmly, and you’ll be able to stay out longer to get the shots you really want without being cold or uncomfortable.

South Carolina Sky

#2.  Location, location, location – In photography, as in real estate, location can mean everything, and a lunar shoot is no exception, even though it’s in the sky.  Depending on the type of view you are looking for, you may want to find some place that gives you a completely unobstructed view of the horizon.  Alternately, you may want to include something “human sized” to give a sense of comparison.

Denver Skyline

#3.  Pick your gear – In astro-photography, you will most likely be shooting at the longest end of your reach, so don’t bother taking the whole kit-n-kaboodle.  Maybe take a variable zoom to stuff in a cargo pocket in case you want a “behind the scenes” kind of shot if going with others, but no more than two lenses are needed.  Don’t forget your tripod and extra batteries, as well as a flashlight.  Other essentials I have on my checklist include my wallet and cell phone.

What stakeouts have you planned in your area?  Taking any friends?  What about your own suggestions and tips for lunar photography?  Sound off in the comments!

Depth of Field Matters!

When we approach the topic of depth of field, most people nod along about how the composition can change pretty dramatically when moving between various apertures – but have you ever really studied the differences?  Take some time and do an exercise.  It’s not that difficult, and really seeing the differences in photos can totally lift the roof on your approach to composition.  For this exercise, I took a scrap piece of lumber, and nailed 6 framing nails into it about two inches apart from each other.

Step two was to set up the lighting, the tripod, and the “wood art” in a scene where i could adjust the aperture and keep everything else constant.  With my own little studio set here in the house, that was accomplished easily enough.  I set the focal point on the nearest nail, and dialed in the exposure I wanted.  Then, I switched to manual focus so as to not bump or have the camera try to shift it for me and dialed through the various f-stops.

Step three – simple post production:  camera calibration, white balance, and lens correction.  I also applied a 75 value to the sharpening slider from the detail panel, but did so universally.  So, with everything but aperture constant, here’s the results:

Aperture f2.8

Aperture f4.0

Aperture f5.6

Aperture f8.0

Aperture f11

Aperture f16

 

So, at this point you should have enlarged the photos above, and scrolled through the entire gallery so you can see exactly what is sharp at f2.8 all the way through f16.  By the time you get to the end, so much has changed and often gradually, it’s hard to see the difference.  But if you look at the f2.8 and f16 shots side-by-side – they are worlds apart compositionally speaking.  Now I grant you, nails hammered into a 2×4 piece of lumber 2″ apart is not the most artistic piece ever shot, but it hopefully illustrates what can happen to a photo simply by changing the aperture and keeping everything else constant!

WHere do you think creatively adjusting your depth of field would work?  Try to think outside the box here too.  A few ideas for starters:

  • A flower from close up…
  • A portrait shot, with background blurred
  • Macro photography – bugs and insects, computer chips and parts

There’s a whole world out there with plenty of opportunities to create gorgeous photos with only your creativity to limit you.  Where do you want to go today?

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Running Off the Grid

Batteries

A friend of mine is going on an extended backpacking trip, and space is already tight, so he approached me to see if I had any ideas on how he should go about running his SLR for an extended period of time without being able to charge or re-charge.  A couple ideas came to mind:

1.  First, just buy a battery for each day – not the cheapest route, but the easiest way to ensure power is had all along.

2.  Second, what about renting these accessories?  If he has two of his own, then renting 5 would run half the cost…

3.  Another option was to get a battery grip.  Here he could use his own for as long as possible, then switch to disposable AA batteries…

4.  Last but not least, solar power…I’ve considered these and even saw them in REI – they were a tad expensive and I am not even sure how one would go about connecting these to an AC charger.  You’d need the solar panel, then a male USB/AC converter, then the charger.  And the other factor would be how much of a charge you could get off that…in addition to weather concerns.  What if it’s not all that sunny?

Given the options, my final recommendation was to go with option 3.  It’d be a sound investment, would actually make the gear easier to hold on to, and often more stable than going w/out.  He agreed and will likely buy based on my recommendation.  It’s always a good feeling to be helpful to others, but before he does, I asked him to hold off for a day or two if possible, because I wanted to throw the question out to the readership…what ideas does the audience have for my friend?

Some of the rental outfits I’ve pointed him to include:

I’ve not had the benefit of experience with any of these vendors as we have a local camera rental shop that gives pretty good rates, so I always rent local from them.  Anyone have any experience with the national rental outfits?  Would really be helpful to get some external input here as he is leaving soon on his trip and could use some direction.  Sound off with your ideas!

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I Need Your Help!

A fellow photographer mentioned to me the other day that there did not seem to be a good resource online where one could go and read reviews on photography books.  Sure, there’s the canned ones from Amazon, Borders, Barnes and Noble, etc., but nothing that was out there just for photography books!

I started searching and sure enough – she was right!  So, as a sort of philanthropic venture, I decided to create a website for this purpose.  While the design is a work in progress (we all know about WIP’s, right?). but the site is live and the forums are ready for people to start contributing their own reviews on any number of photography books.  I’ve tried to break the categories out in a hopefully logical structure, so take a peek, register (it’s free) and start sharing your own thoughts about books from your own library!

Who knows – in time, this could become a pretty exhaustive library of reviews, and discussions on the state of the photography book industry!  To do it though, I need your help, so take a moment and register today!  Happy reading!

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February Winners – Everyone!

Given the rigors of the week, closing out the February contest was not high enough on my radar, but having stirred from the hydro-codone-induced sleep, I remembered that it’s time to close out February and begin March contests.  As you may recall, for February, a $50 discount card is being offered up to all participants in the February LDP Contest giveaway, so for those of you who participated and were patiently awaiting the discount code – it’s been published in the February contest thread.

And now – the moment you’ve all been waiting for:  the February co-winners, each of whom gets $150 in printing from NPL, the ones whose images were most compelling, the ones…all right already, they are:

Mason Long

Mason Long

Frank Sammut

Frank Sammut

You can find their respective Flickr streams of these and their other photo libraries here and here respectively!  Congrats to both of you and I’ve sent your names over to our contact with Nations Photo Lab so they can deliver the coupon codes for your prizes to you!  Thanks again to Nations Photo Lab for their generous donations for the month of February!  Be sure to tune in on Monday for the announcement of the March contest!

Did You Know…

This last week has been kind of rough – after teaching in Minnesota on Sat., my whole time schedule was thrown off and I never really have been able to get my body clock back in sync.  (I don’t know how traveling types do that…)  That, combined with a little out-patient surgical procedure on Friday made for a lot of distractions.  So, apologies in advance for being a little hit and miss with the blog posting.

Today though, I thought I’d share a little-known (or at least not-often-discussed) tip about the Canon EOS camera line.  Did you know that there is a silent shooting mode?  To enable this mode of shooting, simply switch your camera to the live shooting mode (where you compose your image using the LCD instead of the viewfinder), and when pressing the shutter, it’s much quieter than when normally pressed!  I knew about this, but honestly had not used it in quite a while.  It’s one of those “Oh yeah…..!” moments and when reviewing some material, I came across this from the owner’s manual.  Here’s the page directly from the 40D guide:

Silent

This is a very handy feature to have if you don’t want to interrupt an emotional moment during an event (say a bride and groom kissing, a baby sleeping, or some other such occasion).Got your own unknown or not-often-mentioned feature to share about your own gear?  Sound off in the comments!  Have a great weekend all and we’ll see you back here next week!

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Live from the Road

Northern Lights Poster

Over the weekend I had the distinct pleasure of joining my colleague and good friend Kerry Garrison (who you probably know from Camera Dojo) out “in the wild” as we traveled to the Breezy Point Resort north of Brainerd MN (about three hours west and north if the twin cities) and spoke at their Northern Lights conference.  Through the coordination of our sponsor, Nations Photo Lab, and the conference hosts, MNNPA, we had a wonderful time.  Not only did the coordinators treat us like Rock Stars (we did give some autographs though), the attendees were quite engaging too.

The pre-conference sessions were set to start at 12, and our gig started at 5.  After a few of the logistical things were addressed that always come up with hosting conferences (they even had a live wedding going on one room next to us – what a great opportunity for a bride to get a wide range of photographers applying their trade), we got rolling.  A mere five minutes into our introduction, we paused to add even more tables and chairs to the room as more and more people started filing in.  For a regional conference to have a crowd this big during a pre-conference tech talk was quite surprising, but also very enjoyable.  So, what did we talk about?

The topic was none other than Lightroom 3!  We talked about how to navigate around, some of the benefits and tips and tricks of LR to soon realize that we are very fortunate to be in the position that we are.  It was humbling to realize that we really are on the cutting edge as so many people are using Lightroom 1, LR 2, or even earlier generations of Photoshop for their workflow.  Our discussion quickly was adapted to both demonstrate why and answer questions on what makes Lightroom 3 such a useful tool for both established and emerging photographers.

The questions raised were just wonderful ranging from very broad-ranging ones like “Why should wedding and portrait photographers care about upgrading their work flow?” to ones as detailed as “Can Lightroom manage PSD files?” and “How can I keyword photos during import?”  By the time our two hour segment was up we had barely covered the import process, a little bit on the adjustment brush, and the nuts and bolts of things like cropping, selective color, and black and white conversions.

Ours was the last segment for the day and we were then invited to the after party over in one of the adjoining houses.  Food snacks, drinks and such were all available and in abundance.  With the abundance of spirits, everyone was in great spirits themselves as we laughed and talked further with lots of people about photography stuff until the wee hours of the morning.  By 1am we were done though and needed to head back to our respective cities (myself to Denver and Kerry to Anaheim, CA).  So, during our road trip back to Minneapolis for the return flight, we decided to record this show for you.  Answers to all the questions above and more are here, as well as a few photo opp stops!  Thanks for taking the time to listen, hope you enjoy it and we’ll be back again soon with more photo goodness!

Catch up with Kerry:

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Learn more about the Northern Lights Conference and MNPPA here:

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Defining your craft – and yourself!

Photography as we know it has changed a lot over the past several years.  The advancements of digital are pretty well-known, and have been written about extensively.  In addition to the nature of the medium, several other factors have come together in what photographers are calling “the perfect storm”.  Included in this picture are the decreased cost of entry, increased interest from a wider and ever-increasing portion of the population, photographers are finding themselves in larger company than ever before…to put it quite simply:  there’s more of us!

David Ziser, the quintessential wedding photographer did an excellent write-up in two parts (here and here) as a guest blogger over at Scott Kelby’s blog.  Not only is he an incredible photographer, his writing is among the best in the industry too!  I would highly recommend reading these two posts because even if you aren’t a fan of “The Kelby Kool-Aid”,  (although I must admit, I take a sip of it every now and then…) because these specific writings give insights and directions for all of us moving forward.  While the insights and perspective-changing considerations to take into account (including drive, motivation, work ethic, etc.) are definitely helpful, the more serious question that lies at the root of all of it seems to find a cornerstone in one simple question:  WHY DO YOU TAKE/MAKE PICTURES?

Without getting into the semantics of taking versus making pictures – my point here is that we all pick up the camera for different reasons.  And only in understanding those reasons can you really determine where you want to go and how you want to get there from where ever you are now.  We may pick up our camera to capture a moment in time, with dew glistening off the petals of a flower in the morning light:

Black and White Flower

Does that make us nature photographers?  Absolutely!  But, by the same token, does that define us?  Of course not!  We may also enjoy capturing that beaming bride as she smiles and kisses her husband on their special day!  Or, we may revel in the laughter of children as we capture those moments in time!  By the same token, we may also be pulled on some deep and intangible level by the power of a sunrise or a sunset in some place!  Heck, maybe it’s even the place that moves us.  As David DuChemin says, “…vision is better!”

The Kiss

Laughter

Mexican Sunset

There are so many scenes and images that surround us every day, but yet so often we do not trip that shutter, because we likely are not tuned in to a particular vision or perspective.  So, the question then becomes:  What is your vision?  Do you see the beauty inside that awkward teenager who only smiles for family?  Or what about the majesty of a skyline timed so perfectly?  The fact is, we can find it everywhere, and while we can blog and twitter, and Facebook until the cows come home about our latest project, or to promote and network across so many sectors of the economy (whether it’s improving or on the downturn), what ultimately matters is what motivates you to shoot in the first place?

Those Eyes!

Denver Skyline

When push comes to shove, the foundation for creating photographs (I believe) is something that comes from inside.  You have to want to be there, capturing that moment in time in order to the vision to really come to life.  Whether it’s a sunset, a smile, a skyline or anything, if you’re not true to your own roots, then twittering about it all becomes less than inspirational.

Of course, I could be completely half-cocked, and off base entirely here.  What do you think is at the root of photography?  Is it for the passion, the fame, or the glory?  Or is it something else altogether?  What drives those like David Ziser, Joe McNally, Zack Arias, David DuChemin and the rest to such degrees of excellence?  Time and again, what makes them and folks like them rise to the top?  Share your thoughts, comments, and feedback below!

For the Birds

One of my annual clean-up sprees happened over the weekend and ran a little long into the week…this was not a task for the light of heart because it requires seriously chimping your own work – and even admitting that some you’ve kept just aren’t worth keeping anymore because you’ve never touched them ever since capture.  I cleaned quite a bit, and although tedious, the task really is for the birds because you should be doing this all the time, not just annually.  Sometimes a diamond in the rough can squeak through though…and here’s two that might be a exception…what do you think?

For the Birds

For the Birds 2

I wish the birds eyes were more viewable, and the ISO was pretty high so took some serious slider dragging in LR to make presentable here.  Not sure the second is close enough to be worth it, but then again there is something to be said for negative space!  Consider it a photo critique day – so do thy worst fair readers, critique the author! 🙂

Happy shooting and we’ll see you back here again soon!

LDP Episode #54: Striking a Balance

The latest and greatest episode of the LDP Podcast is now live and available for download!  This week not one but two guests…special guest Jason Cate from the listening audience, and an established photographer in his own right, and Nicole Young returns to the show.  Here’s the show notes (and show for download)!  Enjoy the show, and thanks to everyone for their continued support and interest:

1.  Personal Work versus Client Work – What brings clients in is your own creative vision yet at the same time you also have to be able to recognize the client vision too…striking a balance there can be demanding and challenging.  There are several strategies to cope:

2.  Shooting versus Promotion/Marketing – We have to produce work to survive, but by the same token if we don’t tell others about the work we are producing, how can one even begin to survive without some measure of success.  Balancing the creative and business ends of photography is equally demanding and can take a pretty heavy toll if you’re not careful.  There are several approaches to take here as well:

3.  Capturing and creating photos and projects versus down time – With the internet, Twitter, Facebook cell phones, email, and everything assaulting us literally 24/7 – there has to be a way to balance personal time with work time.  In this case personal time means actually putting the camera down and spending time with family, friends, colleagues, and otherwise “unplugging” from the digital photography world.  Can we even afford to take these periods of downtime anymore?  Is it worth the risk of fading?  Things to consider when balancing personal and professional growth and development, and strategies to cope:

4.  Listener Q&A

  1. What’s the best way to deal with noise in photos?  I’ve heard several options out there ranging from using plugins in Lightroom, to layer masks in photoshop, while others just avoid high ISO at all costs. – Karen in New York
  2. Just getting started in photography and wondering if I can build a business in this market.  What are the pitfalls I should be wary of?  On that same note, would it be better to begin solo and keep things small to avoid getting in over my head or should I work with other photogs to defray costs while making larger projects available to the business? – Phil in Las Vegas
  3. Everyone always talks a good game about lenses, but it’s tough to be taken seriously when people have better camera bodies than I do that have 1/10th the experience or knowledge. How do you deal with clients who have better gear than you? – Katherine in Milwaukee

Co-Hosts:

And, for those of you that listened, and are paying attention, you’ll know that Nicole has generously donated a copy of one of her latest books “Snapshots to Great Shots” for some lucky commenter.  So, leave your comments, thoughts, and/or feedback on the show here, and you’ll be automatically entered to win either her 60D or 7D book!  (We’ll know for sure which book it is hopefully later today – Monday)…

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