Accidentally interesting

Last night I was working on a deadline for the PhotographyBB March Magazine issue (check for that to come out shortly – another couple weeks), and found myself trolling through my archives of images searching for examples to help illustrate my point.  I came across a shoot I did solo a while back where I was down in South Carolina.  I was on a dock trying to catch the fading sun to the west, and catching your stereotypical sunsets in SC isn’t easy because there’s too much LAND in the way…not enough water!

This was actually where I first learned the value of checking your entire surroundings because sometimes the best shot may be behind you.  I turned around and caught this image:

Plain Boathouse

Nice enough, but not really something I wanted to include in a portfolio of sorts to include in the now well-known PhotographyBB Magazine!  Then I noticed something…apparently I had tried multiple exposure settings while on a tripod…I was bracketing!  I had the same f-stop, same ISO, but the shutter speed was changing.  Back then I was shooting with my venerable XT (now sold), and the whole idea of bracketing and even HDR was just not even close to being on my radar.  Yet here I am now years later, trolling through archives with an opportunity to go back in time.

So, I pulled the 4 or 5 images together, cobbled them over to Photomatix and ran some tone mapping (didn’t even look at the settings, just was testing a whim to see if it would produce anything).  Well, let’s just say it was…interesting.  It clearly showed my sensor was absolutely filthy (sky splotches everywhere), and I clearly hadn’t learned the fine tuning of checking the edges or even cutting off important lines (like ship masts) from the composition.  Nevertheless, the result was…accidentally interesting.  I’ll leave it to you to judge:

SC Boathouse

Ammo in the armaments

Last night the DALPUG (Denver Area Lightroom Users Group) had their bi-monthly meeting and host Brian Reyman walked us through some of the features of the Lightroom 3 Beta.  It was a gret seminar and offered an opportunity for many to get an idea of what to expect.  I had not realized that there are many work flow options out there because when queried, the audience responded with quite the variety of software approaches.  We didn’t officially count votes, but it seemed roughly along these lines:

40% Lightroom 2

40% Photoshop CS (no query here on version #)

10% Aperture

10% Elements or some other platform, including GIMP, Corel, and others…

If you think about it – the first software platform you learn for editing photos is usually the one where you really cut your teeth, grind your fingers to the bones, and once you know it, you just know it.  So, for a new software application to come out and challenge the fact that you have this established work flow, suggesting that there is a better way can often be both disheartening and somewhat defeating.  After all, some of us can even remember dodging and burning negatives in a dark room not too long ago.

It was quite an epiphany though to see people from such a wide variety of backgrounds – some younger than me (in their 20’s), many in my age range (30’s – 40’s), and others even senior to me (50’s and up) coming out to learn about this new-fangled technology of Lightroom 3.

What it brought to mind for me was a fundamental dichotomy in the way photography has transformed us.  We have learned so much and in such a little time frame, yet there are always barriers to learning more, not the least of which is our own prejudices.  We learn something, we know something inside and out, and then something new comes along that changes the paradigm.  It’s no wonder there is still so much confusion over what “the best” way to work through images is.

One the one hand, if you have a flow, and it works – why change something that does what you want it to do, and it’s something you not only know, but are reasonably good at?  Meanwhile, on the other – what if you are spending countless hours doing something much slower than you wish it could be and this new carrot is being dangled?  Do you stick to your guns or do you lay that gun down and find a new one that fires better?

It’s a struggle to be sure, and while sticking to your guns can be a good thing in the face of a changing technology, for those of us that stick too long, we can ultimately find ourselves actually staring down the barrel of a gun.  It’s all ammo in the armaments and the important lesson I learned is that while the principles may not change the tools to flex those principles are always changing.

So, the answer for me is to stick to my guns in principle, but be ready for a new rifle and prepare to adapt to meet the needs of that new tool, because odds are, the new one will ultimately do it better, faster, and cleaner than anything that came before it….eventually!

Sort of a philosophical musing for today, but nonetheless one I wanted to share, and hopefully get some feedback on.  Are you an early adopter?  Do you come out guns blazing with new technology whenever it becomes available, or do you stick with the rounds that you know how to fire until the proven replacement has been demonstrated and taught?  Sound off in the comments, and come on back tomorrow for yet another round! 🙂

Building the Perfect Camera, Pt. 1

One of the more recent episodes from the guys over at This Week in Photography had them wrapping up their coverage of PMA, where they talked tech about all the latest cameras to come out from the various vendors.  Canon was noticeably absent from the show, but it didn’t detract from an interesting comment I think Ron Brinkmann said where he wished he could pull all his favorite features from each of the cameras and basically make his own.

To me, the idea screamed “blog post”!  So, I decided to go for it.  I went through every major SLR on the market today and cherry-picked my favorite features from each camera.  It took a while (there’s a lot out there), but I kept on plugging at it for a few days.  Finally, I’ve completed the list, and here’s my “perfect camera” wish list:

  1. Full Frame Sensor – It seems the market is trending this way, and while the added zoom on a crop sensor can be nice, I’d love to see my 10-22 on a full frame body!
  2. EF-S support – This is Canon-specific, but because of my 10-22 and 18-55, I would really love to get that super wide angle on a full frame without vignetting or fisheye distortion…I know, the impossible dream, but hey, it’s not like such a camera will ever really exist, so I may as well dream, right?
  3. Low Light Performance – Think Nikon here – they’re beating the pants off pretty much everyone in the market with their low light sensitivity and handling.
  4. ISO handling – the fact that you can shoot at ISO 102400 is pretty amazing, but the noise is crazy.  Sure, I’ll take the high ISO, but at least let me make decent prints from it.  This kind of ties into the low light performance, but since it’s a separate spec, why not…
  5. Multi-card compatibility – Lately more cameras are supporting the CF and the SD format cards, but mine currently does not support the latter, so, it’s on my list!

That’s it?  Of course not, but do you really want me to list ALL the features I want to see in my dream camera in ONE SUPER LONG POST?  Of course not!  I wouldn’t want to read that either, no matter who wrote it!  So, I’m saving the other segments for another day soon (hint, hint, hint)!  I’m not even sure this is my “Top Five”, but it could be close.  I dunno, is it worth it doing a “top five” features list?  Would you?  Also consider this:  what is your dream camera?  What are the must have features for you?  How much would you pay to have them all under one hood?  I know it’d be a pretty penny, but think about how useful and how long it would last you…!  Sound off in the comments with your favorite features!

Don’t forget, the March Flickr Giveaway is underway where you can win a Cheetah Stand, so make sure you enter your favorite WILD pic today!

Borders and Logos, it's Photoshop, Oh My!

That’s right, we’re back to a photoshop tip again on the blog, and this one comes courtesy of question I read in the NAPP community forums.  The person there had asked about pricing on some photography for a large company’s set of employee photos and his concern was about the post production time in creating the border and logo that the company wanted on each.

The community quickly sprung to action, pointing him in several directions, and it occurred to me that I had never done this sort of tutorial before!  It’s not too difficult but there are some pitfalls to be aware of when dealing with borders and logos in photos, especially if you are trying to program these steps into an action or script.  Suffice to say, I figured this was as good a time as any to jump back into Photoshop and keep the digits (and brain) fresh!  So, here’s a new video tutorial on creating borders and logos!  Enjoy!

Your thoughts and feedback are welcome and encouraged as always!  Thanks for stopping in, have a great week, and be sure to stop back in tomorrow for more photo goodness!  Oh yeah, and don’t forget the March contest is in full swing where the winner will go home with one of these super cool Cheetah Quickstands – the theme is wild and the link for submissions is here!  Happy shooting and we’ll see you tomorrow!

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RMNP – The Outtakes

As you may recall, the photo walk group for Denver made another sunrise attempt at RMNP at Bear and Sprauge lake last weekend.  Since the sunrise wasn’t what we’d hoped (the weather doesn’t always cooperate in landscape photography), we journeyed on, and stopped at a really nice place for panos.  While we were milling around, I did capture a few of the crew and some actually held some promise.  Here are a few of the “RMNP Outtakes”:

Outtake1

OUttake 2

Outtake 3

Outtake 4

Call me crazy, but I thought the outtakes were rather fun, and the last one for some reason is very compelling for me….what about everyone else?  What are your thoughts?  These photo walks sure are a great way to inspire the creative gene if you have the right mindset, and we have another one going on tomorrow back in our familiar haunt of downtown Denver, under the guidelines of “Embracing the Constraints” where all we get to shoot with are P&S and phone cameras.  Yours truly is leading it, so if you have an inkling and are in the area, check out the site here:  Denver Photowalk Group

If not, have a great weekend, happy shooting, and don’t forget to stop back in on Monday for yet more photography goodness.

Photobet Soup

Just an exercise in silliness today, but I thought I would share some of the acronyms that I’ve learned in this zany field of photography.  Let’s see how many we can come up with collectively.  Do you know all the acronyms seen here?  Know some more?  Sound off in the comments with your own contributions and let’s see if we can get the whole alphabet!  Here’s my starter set:

Acronyms

That’s just off the top of my head too, so I know there’s gotta be more out there!  This is 76 acronyms that are related to photography…can you identify them all?  Do you have your own that are missing?  From what I can tell the only letter that is missing from the entire English alphabet is that of Z!  Does anyone have a Z?  “Pat, I’d like to buy a Z please?”

Sound off with any of your own in the comments, but if you have a Z acronym, email me!  I bet you’ll win something if I can verify it! 🙂  Happy shooting, and we’ll see you back here again tomorrow!  (Is it wrong that I have been blogging for nearly 3 years now and still do not have a category titled “Fun”?)

More pano testing…

As I continue with various software programs to test pano quality, I tried another application today, and the results were actually pretty good considering.  I used the native PhotoMerge function from my Photoshop Cs3 Extended, and I must say that as far as panos go, the results are nice.  The native functionality adds a shorter workflow for when you need to clean up minor details (since you are already in PS), and no worrying about control points.  The downside is that you are going to lose a little more in post production cropping simply because Photoshop can’t match all the control points that dedicated panorama programs can.  Nevertheless, it was a fun exercise.

For those of you that read my previous post that had panoramas in it (“The Moment it…Oops”) you’ll notice this is a different picture, and in all fairness, I should note that this had more images in it, and I was using a different lens during capture.  But, when I get down to the nitty gritty and review all the programs side by side, it will be the same image.  This one was from our recent Denver Photo Walk group outing to RMNP that I had talked about last Friday here on the blog.  Thoughts, comments, feedback and critiques are always welcome, and since the blog doesn’t really work well with displaying panoramas, if you click the photo below, you’ll be taken to a full (web size anyway) image where you can see all the details!  Enjoy! 🙂

RMNP Panorama

Happy shooting and we’ll see you back here again tomorrow!

Early to bed, Early to Rise

Makes for a great opportunity to shoot sunrises in Rocky Mountain National Park!  And that’s where the Denver Photo Walk Meetup group is headed again tomorrow.  You’ve seen the video here on the blog for a few months now and for those of you that have watched it, you know the light wasn’t as good as we had hoped.  Tomorrow morning, we’re hoping for a different set of lighting conditions.  About 14 of us have made the commitment (so we’re committed!), so it should be a pretty good sized group.

Sunrise is predicted for around 6am, which means about a 5am arrival.  Since it’s about 2 hours away from Denver, we are heading out about 3 tomorrow morning.  So, wish us luck of the light, and have a great weekend.  Don’t forget, the new contest thread is also up for the month of March over on Flickr and a fun subject will make for some great photo ops – ANIMALS! So don’t forget to take out your camera and get some shots.  Happy Shooting and we’ll see you back here again on Monday.

P.S.  Also, don’t forget that the comments are image upload enabled (if your photo is already hosted on a website somewhere of course)…so if you have any sunrise shots you’d like to share from your own neck of the woods, by all means, post away – after all, what fun is photography without sharing? 🙂

Contest News and Announcements

Congratulations and kudos go out to the winner for the February contest – the theme was Height and the winning image came from Sue90ca!  To see all the images submitted for February, check out the thread here with all the images.  Some really great ones were included, and as always, it was a tough decision.  Nevertheless, Sue90ca’s “Crayons” was selected as the winner.

Sue90ca's Crayons

You can see the rest of Sue’s portfolio on her Flickr stream here…

Before anyone asks, the March contest info is not up on FLickr yet, but I should have an announcement for that later on tonight.  I’ll give you a WILD hint though about the subject and the prize!  Happy shooting and we’ll see you back here again tomorrow!

P.S.  Sue, if you could email me at jason <at> canonblogger <dot> com or message me on Flickr, I need to get in touch with you about the prize delivery for February…congrats again! 🙂

What is it about Bridges?

As the popularity of this theme continues to grow, I am really having more fun culling through my own archives, and have several ideas for actually getting out and shooting even more “themed” sets.  However, today, I present to you (courtesy of my wife, who astutely remembered that I shoot a lot of…):

Bridges

Bridges

Bridge

Bridge

Bridge

Bridge

Bridge

Bridge

Bridge

Bridge

Bridge

Bridge