Three Tips to Shooting Better Macros

At some point, the allure of macro photography in all its intricate detail entices us all to either buy or rent some glass that has the power to take us to the enchanting 1:1 ratio where we can see things full size!  When you do take the plunge though, there’s a couple things to keep in mind when capturing macro-scale photographs:

Shell in the Sun

#1 – Stay sharp or stay home – Nothing loses the appeal of macro enthusiasts more than an image that is out of focus, at the macro level.  There are notable exceptions of course, but we are zooming in close to see the details, so unless they are sharp, we just aren’t interested!

Antennae

#2 – Keep it simple – Too often, people will jump in and try to capture something highly detailed in a macro shot.  The problem is that often times you are dealing with a very shallow depth of field (low apertures in the 2.8 – 1.4 range), which means detail is lost either in the foreground or the background, or both!  This can be appealing in some cases, to have the fade from sharpness to blur, but in others, it’s not as effective, which means you’ll have to deal with focus-stacking.  It’s kind of tricky, so when starting out, stick to simple compositions like flower buds, water drops, and other such objects of interest (even a quarter’s edge can be appealing).

Leaf and Water

#3 Be aware of your background – Even though the background is often way out of focus, the color or tone of that background can make or break your photo.  Make sure it’s either a complementary color, or sufficiently blurred as to be indecipherable.  This shot I took on our street, with the road and vehicles beyond the branches.  They are so out of focus though, it’s literally impossible to tell the difference.

Raindrops on the Street

So, what types of scenes sound appealing to your macro instincts?  Consider buying a macro lens (or renting) and taking one out for a test spin.  With these three tips (and others) you will be well on your way to taking and making phenomenal images!

Yellow on Yellow

Don’t forget to sound off in the comments with your own tips, tricks, thoughts, and shots on macro photography!  Happy shooting and we’ll see you back here gain for another round of photo goodness!

 

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The Lensbaby Composer

For those of you that are regular podcast listeners, you know I talked recently about the Lensbaby Composer and what it can do for your photos.  In the podcast you heard the terms “selective focus” but the term is kind of hard to explain without a visual, so I thought I might be able to do it better justice with a visual here today.  Take a look at this setup:

lensbaby1

So, if you are looking at a scene from camera view 1, and you want the sharpness of your image (your viewers attention) to focus on something at point B, it’s easy to do this.  Simply drop your aperture wide open and the depth of field will throw points A and C out of focus naturally.  Pretty easy, no photo editing, no trickery or anything involved – the mechanics of apertures and depth of field handle this for you.

Well, take a moment to consider things from the viewpoint of Camera Two.

lensbaby2

You still want the focus to be at point B, but because both A and C are also positioned relative to the camera at the same place (they are not in front of or behind the point of focus, they are merely off to the sides of the point of focus), dropping your aperture wide open will not throw A and B out of focus – they still there, just as sharp as point B.  Well, up until now, you’ve always had to take images taken under situation 2 and bring them into image editing software to blur, dodge, burn, and otherwise minimize the attention that points A and C got from the viewer eye.

Well, what the Lensbaby does, through it’s unique combination of lens elements that include an actual curved optic and a curved field of focus, giving you a round spot of focus, so that it allows you to set point B as a single point of focus, so that A and C will fall off in sharpness, bringing the viewer back to your desired point of what to look at.  (The eye will almost always naturally look for sharpness and light in images…)

So now, dodging, burning, blurring and other darkroom and software techniques are no longer needed!  The Lensbaby allows you to create these visions in camera, not afterward in post processing.  What does this mean for you?  More time shooting, and less time photo editing!  Who doesn’t want that?

The coolest part of the new partnership with Lensbaby is that they’re also offering anyone reading the blog or listening to the show an opportunity to get a 0.6x wide-angle/macro conversion lens for the Composer lens totally free! Imagine taking your creative visions to a whole new level with the Composer lens from Lensbaby – and then add the macro capabilities, and literally, the sky is the limit!  Your creativity knows no boundaries with lens-work like this!  So, if you are looking at adding the Composer lens to your gear bag (and you can purchase it from any retailer), then look no further, because from here you can get a free 0.6x wide-angle/macro-conversion lens from Lensbaby as a way of saying thanks.

Expanded creativity + Free gear = lots of fun

Sounds like a perfect equation for me!  So, stop on over to the partner website they made just for Canon Blogger listeners and readers to get your free lens today.  This is a limited time offer, and I am not sure when it will end, but the Composer and the companion 0.6x wide-angle/macro conversion lens (which you can get for free) would have been very useful this last weekend on the Eldorado shoot.  Remember the rock fissure?  Imagine if I had a chance to fade the DOF out away from the rock completely?  What about the rear window reflection?  Imagine if I could have faded the front window part out of focus completely?  Both of these shots might have ended up in my portfolio!  As they are, I’ve got two snaps that while interesting, will likely never get added to the print portfolio…

Does this help clarify how the Lensbaby works and what it does?  I know it’s a very simplified version, and the folks at Lensbaby have a lot more resources to help explain it than I do so be sure to visit their partner landing page here to learn more about it!  If you’d like to see some samples of the lens at work, (my lens hasn’t arrived yet) make sure to stop over to the gallery page here too!  Got some pics you’d like to share?   Link them here in the comments section (or even share then with the good folks at Lensbaby – they like to hear feedback from the field so share your thoughts and shots with them too!)  Finally, to learn all the details about this promotional offer, stop over to the page the folks at Personal Life Media have set up here.

If you do have pics and thoughts to share here, feel free as always to drop me an email, and you could be on the show!    For those interested in buying the composer, make sure to visit this link here to get the free macro conversion lens!  Questions, comments, feedback and ideas are welcome at my email address (as always) is jason <at> canonblogger <dot> com!

Check them out today – then get back out and keep on shooting!  Hope all your shots are good ones and we’ll see you back here tomorrow!

Better luck next time

Heh – I had been so good lately about planning ahead and recording my video podcasts ahead of schedule and just setting a publish time in WordPress, I got on an automatic pilot routine. When that routine got disrupted from some dental and sleep deprivation issues the other day, I didn’t realize until just a short time ago that the post for Friday had not been scheduled. Not only had it not been scheduled – it didn’t even get written yet!

So, a thousand pardons as I rush to get a somewhat photo-related post out before the end of the day. Since it is on short notice, I will simply relay a funny story that happened to me the other day as I was out walking the dog. I had taken the camera and flash with diffuser attached as the day was actually perfect for photography: late afternon, cloudy skies, and evenly light all around. So, I am bouncing along, trying different settings here and there with various subjects – a flower, a reflection in some water, and I have the bright idea to do a macro shot super close on a flower. But, instead of going wide open to get available light, I figured let’s try the flash here – so I pop the flash on, attach the diffuser and set it to ETTL. Then I dial the aperture down as far as I think it can go on the fill flash setting – f22! I pre-focused on the lower third of the frame, then set the focus to manual. Finally, I shifted the camera up just a smidge, knowing that the lower portion would be in focus and because of the f-stop, I would have a pretty solid dof throughout.

Well…there’s always something you forget, and in this instance, it was the ISO setting. You guessed it – 1600! ARGH! Well, I cleaned it up a little with NN after the fact, and yeah, it’s okay, but imagine how this shot would have been without the noise and tack sharp?

Floral Macro

So, it seems another one that got away from me! I think I am going to tape a label to the back of my LCD and write on it in big fat letters ISO! Long story short – always double check your settings, and always take a few shots. I only took the one, so it’s all I had to work from. Oh well…better luck next time! Hee’s your traditional WTD episode for Friday:

What the Duck

Hope everyone has a good weekend. Happy shooting and watch those apertures!