The Exposure Triangle – A Primer

When we look at the elements of composition, the three that everyone constantly considers are shutter speed, aperture settings and ISO (or ASA in the old days of film). These three factors make up something called the Exposure Triangle.

Exposure Triangle

Readers of the blog have seen this before, in my post about The Future of Photography. The rules of the exposure triangle (such that there are rules in photography…) state that if you want to keep the lighting the same in your shot, as you increase one factor, another must decrease proportionally, while the third is kept the same. What does that mean? Simple – let’s take scenario I encountered when on a photo shoot with some friends touring the waterfalls of South Carolina. While shooting, I saw a perfect scene to demonstrate how this would be manifested.

For our first example, let’s set set up our camera and take a picture of a waterfall. In order to hand hold, and easily compose things, we have the following settings.

  • A shutter speed of f 1/250
  • An aperture of f 4.5
  • And an ISO of 100

Fabulous – but in looking at the photo, we’re not crazy with how the photo looks. Something is off, and we want to change one of our settings to make for a better composition. I’d like to see the same photo but with some blurred water. Now in your own photography it could be something else, like a flower to be sharper throughout the entire depth of the frame, or the background of a portrait to be completely blurred. So, how do we accomplish that? This is where understanding what each factor does to the composition:

Shutter speed

Shutter speed controls how quickly the shutter opens and closes. The higher the setting, the faster the “action” is – so you can freeze something like a speeding bullet, a blade of a moving helicopter, or the wing of a hummingbird.

Aperture

The aperture is the size of the opening on your lens. Think of it like a hose that controls flow rate. You could use a really skinny hose that only lets a teensy bit of water through, or a fire hose that just gushes gallons and gallons. Now, as you open the aperture wider, and let more light in, you also do something called creating a shallow depth of field. And the more shallow your aperture is, the less focused things will be in the foreground and behind your subject.

ISO

The ISO is the noise or sensitivity setting for your camera sensor. This changes how sensitive the sensor is to light hitting it. Lower ISO settings make it more sensitive to light, higher settings make it less sensitive. Back in the days of film, this was done by using films of a certain ASA value (which ironically was referred to as film speed, but I digress…) But the fun thing to consider is that once you inserted film in a camera, you were stuck with that film setting until you finished every frame, so ISO adjustability in digital cameras was a HUGE advancement.

Okay, so now, back to our example photo. Now in our example, we want to make the water more blurred, so we have to slow the shutter down, not speed it up. Okay, so let’s do that:

New shutter speed = 0.5″ (one half second)

So, what’s going to happen? Well, because we are now letting the shutter stay open a LOT longer (0.5 seconds is HUGE, but we need that to really blur water)! As a result, more light is going to hit the sensor, and make it way too over-exposed, so we need to compensate for that by adjusting the other two controlling elements – aperture and ISO. Now in this example, our ISO is already as low as it can go, so our only option is to make our aperture opening much smaller:

  • A shutter speed of f 0.5″
  • An aperture of f 29.0
  • And an ISO of 100

See how we did that? Now, this shot is going to have much more blurred water, and our exposure stays consistent. But, we’ve effectively made the same shot with a different composition!

See how the shutter speed and aperture will change the entire composition? Yes, I blurred the water, which was my primary goal, but look at the log in the foreground. Now it’s a little out of focus due to the shorter depth of field. Pretty fun stuff, eh? I should also mention now that since I slowed the shutter speed to half a second, there was no way I could hand hold that, so I mounted it to a tripod in order to prevent camera shake.

As a reminder, for a strict metadata comparison, that’s what happens when you account for the exposure triangle:

Shot 1

  • Shutter speed = 1/125th
  • Aperture = f 4.5
  • ISO = 100

Shot 2

  • Shutter speed = .5 seconds
  • Aperture = 29
  • ISO = 100

Happy shooting!

Author note: I was going to post this article in response to a question that came to me from Quora. Imagine my surprise when I realized I had never written a post in 10 years on something as fundamental as the Exposure Triangle!  It may have been written and lost in the server crash from a few years ago, but thanks to Quora for giving me the reason to re-create it now!

Setting bracketing exposures – shutter priority

As promised yesterday, today I will be talking about bracketing your exposures based on shutter priority.  After a couple comments yesterday that it seemed unusual to bracket on aperture rather than shutter speed, I felt that in this companion post I should acknowledge that, it is.  The reason for the post?  One of the downsides I mentioned is that your depth of field will change considerably from a wide open setting to that of, say, f22.  That can also be an upside though because as you merge bracketed exposures into an HDR image, you can also add depth of field if you make the adjustments in aperture priority over shutter priority.

Additionally, I led off with aperture priority because it’s not the norm, and as most readers will know – I try to approach things from a new perspective when possible.  Finally, as I followed up with in the comments section, the simple fact of the matter was that I could not remember whether 250 or 200 was the absolute middle point for shutter speeds (this is the risk of adding gray above the brain, rather than to the brain! *grin*).  So, I led off with the post where I knew the numbers rote! 🙂

So, in the interests of full disclosure, shutter speed is a more common way to go when making bracketed exposures.  After verifying my numbers in camera, here’s how it breaks down using shutter speed to bracket multiple times:

fstopshutter

I also realized that I did not give the step-by-step yesterday, so here’s the process I would follow:

  1. First, meter the scene, set your camera to ISO 100 and exposure priority and adjust to 1/250th of a second.  Check where your f-stop is.
  2. Second, switch to manual, and adjust all settings to match that metering.
  3. Third, adjust the shutter speed down to 1/30th of a second, and fire off 3 exposures and the camera will bracket over and under one stop.
  4. Fourth, adjust the shutter speed up to 1/250th of a second, and fire off a second set of three exposures (the camera will bracket over and under one stop).
  5. Finally, adjust the shutter speed up to 1/2000th of a second and fire off your last set of three exposures.

Voila!  You now have 9 exposures to merge together for a bracketed workup to take advantage of a high dynamic range, or for exposure blending, as desired.  Of course the same rules from yesterday also apply:

  • Be shooting on a tripod
  • Be using a remote release (or timer)
  • Be using mirror lockup
  • All other settings remain constant
  • and that lighting conditions aren’t changing appreciably
  • You are set to manual focus
  • Your lens is set to its hyperfocal distance

Any final thoughts to share on how to bracket exposures?  Anything I missed or additional tips to share?  Feel free to sound off in the comments section!  In the meantime, Happy Shooting and we’ll see you back here again tomorrow!

Take your camera with you!

I was driving home from work yesterday with my camera bag in the seat next to me when I saw this on the opposite side of the road.  So, I swung around, popped out of the car, set up and used the roof of the car for stability and snapped off a few shots wide open and about 800 ISO.  As a full-size image it is a bit noisy, but here it looks pretty good.  To me, that’s proof positive that it always pays to have your camera with you.  That’s the “Tuesday Tip” for this week.  Enjoy and Happy Shooting!  We’ll see you back here again tomorrow.

More coffee Monday

Judging from my soreness even today after a weekend of home improvement projects, I would imagine that tomorrow morning will be even more of the same – I will definitely be partaking of more than a few cups of joe to get me on my feet and functional.

I did take some time to do some cleanup work of the weekend on the photo gallery side of things for my website and the project side of things for the blog too though. The lucky readers (lucky possibly being a subjective term in this case) will get a sneak preview of my latest gallery addition as I ran out of time and do not have a link on the site to this yet (or the thumbnail for that matter).

On the blog maintenance, I’ve changed the notice for comments – apparently the spam flag was set a little too severely as people were making comments and it was taking up to a month in some cases before those got discovered and re-tagged. So, your comments should become visible much more quickly now. With that in mind, I thought I’d also share the latest photo gallery that I am putting up on my website with those of you who are tuning in, so now you can comment more easily! Last but not least, I had mentioned an article that was forthcoming both in the video tutorial last week, and in another one of the posts. Well, after going through several re-writes and different takes on it, I’ve decided not to publish that, as it’s just to dense of a topic for a short listen or read. If anyone is interested in it though, the subject is creative development.

I looked at an essay that came out in the most recent issue of Shutterbug Magazine, where Jack Hollingsworth looks at how photographers develop their in the essay The Ladder: In Defense of Imitation . He defines 3 stages or phases of development: imaginative, adaptive, and innovative. While both interesting and logical, it raises more questions than it answers. I found myself in similar shoes when trying to address just a few of those questions ir raised in my mind – more questions, practically all of which were subjective in nature. So, the article will likely not see the light of day here at CB. If anyone is interested in a heavy read, let me know via email and I’ll be happy to forward a copy of that article to whomever requests it directly.

That said, the blog was not a good place for it, so I discarded the idea for CB and went with the photo montage. A sneak peak was done a few weeks ago, and it’s now complete. Visit my photo site for the full gallery here

Hope everyone’s weekends were good ones. Here’s to a new week – happy shooting, and watch that ISO!

Better luck next time

Heh – I had been so good lately about planning ahead and recording my video podcasts ahead of schedule and just setting a publish time in WordPress, I got on an automatic pilot routine. When that routine got disrupted from some dental and sleep deprivation issues the other day, I didn’t realize until just a short time ago that the post for Friday had not been scheduled. Not only had it not been scheduled – it didn’t even get written yet!

So, a thousand pardons as I rush to get a somewhat photo-related post out before the end of the day. Since it is on short notice, I will simply relay a funny story that happened to me the other day as I was out walking the dog. I had taken the camera and flash with diffuser attached as the day was actually perfect for photography: late afternon, cloudy skies, and evenly light all around. So, I am bouncing along, trying different settings here and there with various subjects – a flower, a reflection in some water, and I have the bright idea to do a macro shot super close on a flower. But, instead of going wide open to get available light, I figured let’s try the flash here – so I pop the flash on, attach the diffuser and set it to ETTL. Then I dial the aperture down as far as I think it can go on the fill flash setting – f22! I pre-focused on the lower third of the frame, then set the focus to manual. Finally, I shifted the camera up just a smidge, knowing that the lower portion would be in focus and because of the f-stop, I would have a pretty solid dof throughout.

Well…there’s always something you forget, and in this instance, it was the ISO setting. You guessed it – 1600! ARGH! Well, I cleaned it up a little with NN after the fact, and yeah, it’s okay, but imagine how this shot would have been without the noise and tack sharp?

Floral Macro

So, it seems another one that got away from me! I think I am going to tape a label to the back of my LCD and write on it in big fat letters ISO! Long story short – always double check your settings, and always take a few shots. I only took the one, so it’s all I had to work from. Oh well…better luck next time! Hee’s your traditional WTD episode for Friday:

What the Duck

Hope everyone has a good weekend. Happy shooting and watch those apertures!