Photo Framing Follow-up

After the blog post on Wednesday, and the number of comments received, I thought that the next podcast would be well served to discuss the idea behind matting and framing in more detail.  As luck would have it, that podcast just went live earlier this afternoon!  You can catch the podcast over at the Personal Life Media site here: Learning Digital Photography

Here’s the Show Notes:

In this latest episode of Learning Digital Photography, the Grand Prize winner from the September $500 giveaway is announced, and the October contest opens up – ready for your entries.  The theme this time is Fall (open to interpretation).  Specs, guidelines, and such are discussed including dimensions, dates for submission and more.

Also in this episode, a primer on framing your photos:  things to look for and avoid when matting and framing work.  I look at what gallery and show fine art venues usually require versus home or personal use.

Finally, the popular listener question and answer segment returns, with some great ones coming from all over the globe!  Download today!  Happy shooting!

The links mentioned in the show follow as well:

Rich Charpentier’s Website and Blog

Flickr Contest Thread

Redimat

American Framing

Don’t forget, every time you “Digg” the podcast over at PLM, or subscribe and write a review on iTunes , you are helping others enjoy the fun and thrill of photography.  Feel free to also use those venues as well as the comments here and contact with me via email if you have an idea or thought to share about the show.  Thanks, as always, for listening and reading.  Have a great weekend, happy shooting, and we’ll see you back again on Monday!

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Framing your work

Framing your work can be an expensive proposition.  Once you get an archival mat, conservation glass, and a custom frame created for your print – you can start spending upwards of $100 for something as small as an 8×10 print.  Depending on what it is you want to accomplish though, you could easily be spending as little as $10 per print to mat and frame.  Here’s a few things to consider, and some explanations why:

Classics are called classics for a reason – they work!

I like classic looks, and the museum style frame suits that look – a thin black border, simple white mat, and picture inside there.  Not only does it keep focus on the image, but because I can buy these easily and in bulk, which helps keep costs down.  Also, it makes ordering new materials easier (these will never go out of style…)  Even if you end up going through a frame shop, getting a classic style can make it easier to match things up down the road.  So, what if classic is not your thing?  That’s cool too – but remember, the more off the beaten path you go in framing, the tougher it can be to duplicate and repeat down the road (which can also increase costs).

Be aware of the learning curve

Buying things in bulk means you will have to do a little of the legwork yourself.   For instance, say you buy 50 mats from some online reseller and save money there.  Congratulations – but do you know how to mount a print to a mat?  You can tape a print, hinge it, or even super glue it.  Each will have pros and cons, and your results will vary depending on how much you know before dipping your toes in the water – so read up on attaching prints to mats before deciding to DIY.  (Quick tip:  You’ll ne to stockpile various supplies depending on your eventual display method including things like hinges, foam core board, low tack tape, perhaps a few cans of spray-on adhesive and perhaps a few Exact-o blades if you are cutting your own mats to custom sizes.  Heck, they even make mat cutters that you can get at hobby shops!)

Some Supplies
Some Supplies

Don’t Go Overboard

Much like the mat work, framing can be tricky in and of itself.  Making your own mats can be initially be pricey to get all the tools you will need (see above) .  Framing is no cheap project either.  Making your own frames involves getting long lengths of the borders, cutting at precise angles, and making sure it all seams together cleanly.  It requires patience, attention to detail, and specific tools which can be a drain on the wallet (Have you priced a miter saw at Lowe’s or Home Depot?  Even the cheap ones aren’t real cheap!)  So, if you want to go the DIY route, know that some startup costs will be associated with it.

Storage Issues

Physical prints, physical mats, physical frames, physical glass pieces – all of these take space.  How do you store all this stuff and in some semblance of order?  First off – find an understanding and encouraging significant other?  Don’t have one?  Make that a requirement if you do!  The amount of space that is involved in storing not only the obvious stuff, but the not-s0-obvious stuff, can be staggering!  I have so many boxes of materials it really is ridiculous.  It helps to have a system though, and labels are always a good idea.

Shoeboxes make great sizes for lots of things
Shoeboxes make great sizes for lots of things

Never have enough storage
Never have enough storage
Never have enough storage
Never have enough storage

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So, there’s my trifecta of tips for framing your work. It’s just a starting point, but will hopefully help when you decide to start framing your work for display.  The results can be rewarding, but like anything else,  with a little work, pre-planning and preparedness, you will be well on your way to having a gratifying gallery of imagery!

Some Prints on the Wall
Some Prints on the Wall

Some More Prints on the Wall
Some More Prints on the Wall

Keep in mind though – I certainly do not have a corner on the tips and tricks associated with matting, framing, and displaying your work…there are many other elements to consider and be aware of.  Just peruse the comments here to see a sample of what I am talking about – oh wait, that means you gotta share your own tips, tricks and ideas in the comments too!  So, sound off – what else do people do when preparing prints for framing?  Any styles that work?  Any vendors to recommend?

That’s it for today…thanks for stopping in, and be sure to stop back again tomorrow for more photo goodness.  Happy shooting and we’ll see you then!

Great Scott, Mat, and Contests, Oh My!

Heh, cheesy headline, but they all seam together on this week’s episode of Learning Digital Photography!  Yup, the podcast is done, and for those that didn’t catch my Twitter tease, this week I had the distinct pleasure of talking with none other than Scott Bourne on the show!  If you don’t know who Scott Bourne is, then you’re living in a cave.

Scott is a regular contributor to Mac Break Weekly, This Week in Photography, and owner/operator of PhotoFocus.  You can find him there, via his Bourne Media Group online presence and a bazillion other places like Photoshop World, Aperture Nature Photography Workshops, Bosque Del Apache, and much much more.  I could link to it all but that would take an entire post of it’s own, so will point you to his main presence at Photofocus and Twitter:

http://www.photofocus.com

http://www.twitter.com/scottbourne

We had a great talk on this week’s show, covering his photo background from Motocross to Wedding work, and of course his Avian work as well.  We took a look at a little of the gear side, got some nuggets on branding and the business side, and even had a chance for a couple twitter questions.  Great stuff and all packed into a mere 30 minute interview!  Thanks again to Scott for taking the time to talk to me on the podcast!

Other content from the show includes a discussion on some of the things to consider on matting and framing (hence mats in the title), and an in-depth look at the finalists from the last LDP contest.  There’s also nuggets and links for other contests out on the web as well as what to look for in future LDP contests, so some teaser stuff there too.  All in all, a great (but long) show so grab it from your preferred source point, whether with the folks at PLM, or in iTunes!

Here’s the links, as promised from the show!

Mats and Framing

  1. American Frame
  2. Redimat
  3. Guide to Preservation Matting

Contests

  1. OnOne Top Ten Finalists
  2. Wacom Giveaway
  3. Bogen Imaging Macro Giveaway
  4. Music/Band Photography Contest

Gear: Ring Flash

  1. Canon Ring Flash
  2. RayFlash
  3. Metz Ring Flash

Technique: Causes of Blur

  1. Camera shake
  2. Subject Shake
  3. Sharpness/Depth of Field

So, there’s the link love for the show – it was a lof of fun this week, but the weekend is almost upon us.  This Saturday it’s another photoshoot with the Meetup Group and then some night photography as I prep for the next article of PhotographyBB Magazine! Make sure you get out and do some shooting too.  Have a good weekend everyone and we’ll see you back here on Monday!  Happy shooting!

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Printing, matting, and framing your pictures

As I’ve recently moved to outsourcing my printing to Mpix, I’ve had to adjust my work flow accordingly.  Prior to the Mpix migration, I had a set of sizes that I would print to, that allowed for matting and framing while not cutting into the picture itself.  That set of procedures has been to print on the next largest paper size, which allows me to apply a mat to a photo before framing it.  So, I had the following defined printing outputs:

Print Sizes
Print Sizes

So, what does this mean when using an online resource like Mpix? Well, since they usually print borderless pictures, it means you have to build in that border to your print. It also means paying a little more for your pcitures to be printed.  Using the same principle as above, it simply means to increase the canvas size on your print so that it will fit in the next sized up frame.  Then, just make sure your ID (inner dimension) size for the mat matches your actual image size, and your OD (outer dimension) size for the mat, matches the size of the frame you want to put your picture in.

There is also the alternative where you can just use the borderless print without any built in border if you want to use those glass or acrylic enclosures that have no frame border to them that would hide the edges of your print.

Keep in mind that there is a growing trend to adding a digital frame to your shots, to give a title and or copyright notice in that area.  If you do that to your prints, the added dimension for the digital frame needs to be included in the “image size” when you go to print, mat, and frame your pictures.

Well, that’s it for today.  If you’ve got any ideas, comments, suggestions, tips or tricks when it comes to printing, matting, and framing your shots, feel free to share those in the comments.  Thanks for tuning in and we’ll see you back here tomorrow.  Happy shooting!