Some Friday Photos

As promised earlier this week, I finally have some photos to share. In the middle of the drive across country from SC to CO, I stopped a few times and saw some possibilities for panorama shots. Keeping in mind a couple tips, I switched my camera from landscape mode to vertical (a.k.a. portrait) mode, and captured several scenes on my 40D. Here is the first installment of my attempts at panoramas:

So, you’ll notice that the color on these is a little off, and the exposure is a little dark. I realized that I would have issues though, if I tried to expose for such a wide scene and range of colors across the entire panorama, most especially when trying to use the Photomerge function of Photoshop. So I set my White Balance to cloudy, my exposure to one frame, and just snapped across the image.

Here’s where it gets fun…I am running CS2 on my Mac laptop which cannot read my 40D files. My CS3 was set up on my Windows desktop. The Dell only has a 2.3 Ghz Celeron processor with 1.5 GB of RAM (I never got around to adding that last 512 before the move…). Needless to say, without being set up right, I really couldn’t process 8 shots each at 10MP (that’s a grand total of 80 MP in the final pano)! Even now with the portable AC on the Dell, it was screaming along as I ran the Photomerge utility through Bridge. Once I got the photomerge done, I stamped the layers (CTRL+ALT+SHIFT+E) and converted to a smart object.

I then double-clicked the smart object to edit in it’s own window. This image file was now at 480 MB! Needless to say, I did some layer adjustments for exposure, and curves, then saved the file. I was now back in the full pano composite. I saved the full pano as a PSD file, then flattened before making some downsizing. For the curious, the full size pano is over 8000px on the long side. For the purposes of the web, I did have to downsize it a little. Clearly downsizing to allow the blog to show it would be out of the question, so here’s links to a large sized version (1600px long side), and a xl sized (3200px long side).

Large Pano

Extra-Large Pano

So, here’s the question: was it worth it? 🙂

The 40D versus the XT

40d versus XT

We are now in day 5 of the first ever photo contest from Canon Blogger, so keep thinking freedom as you point that lens – it could win you cold hard cash!  Check out the details from the post of July 3rd, here. In new news, I got a good long weekend with family to shoot with the 40D, and after some pretty extensive shooting (over 1500 shots in 48 hours), I’ve had a chance to get at least a good handle on the basics of the 40D.  Granted I do not have the minutia of it down pat like on the XT, but I suspect that will only come with more time behind the lens.

Anyway, I thought now might be as good a time as ever to give you the lowdown on my thoughts of the 40D as they compare to the XT.  It was definitely worth the upgrade!  I put together a short video showing a comparison of some of the benefits of the 40D over the XT, as well as one rather disappointing thing.  I should be back next week with a regular Photoshop tip – just the last few weeks have been rather crazy with prepping the house to be “show ready”.

Anyway, without further ado, here’s the 40D versus XT home video I recorded earlier today.  Enjoy and we’l see you tomorrow with the latest edition of “What’s This?”.  Happy shooting and watch those apertures!

Friday Feel-goods

Canon 40D

Found a couple neat resources around the web over the last few days. But, I am not gonna share them today. That’s right, the old bait-and-switch! I say something then switch gears once you’re hooked and talk about something else entirely. But, rest assured weary reader, I am not selling anything…yet! Quite simply – I got my 40D!!! That’s right, pulled the trigger, but the bullet, took the plunge, and every other metaphor you can think of. So, now with not one but 2 SLR’s in hand, I feel a little better knowing I have a backup.

That means my trusty Canon XT is now a backup camera! The funniest thing about it is that when I got my XT about 3 years ago, I paid more for that than I just paid for the Canon 40D (body only)! Back in 2005, the XT was hot off the presses and I was chomping at the bit to get it. The market started with it around $1000, and when I found one at Beach Camera for $850, I thought – “This is a good deal!” So I took the plunge.

Fast forward to 2007, the Canon 40D debuts for $1140 retail for the body. Within a year, rebates start kicking in – the struggling economy starts impacting camera manufacturers, so the rebates are big. The Canon 40D now has a $200 rebate, and it’s not the mail in kind! That’s right, an instant in-store rebate knocks the 40D down to $940 bones. This is a pretty darn good deal considering where the 40D stands in the Canon lineup. (3rd in line as I see it: 1D Mark II, 5D, and then the 40D)

But wait, hold the phones, that deal gets sweeter! If you are a current XT, XTi, or XSi owner, an additional $50 mail in rebate is offered too. So, now after all rebates, you can get the pristine new 40D for under $900…a mere $890! What a steal! But, here’s the thing – that means the aftermarket is starting to feel a pinch. This means the 40D that many bought a mere 6 months ago for $1200 could concievably drop to half that in the aftermarket since the XS is coming out, and a likely successor to the 5D which will push it down further. No one wants to see their gear depreciate to the tune of 50% in a mere 12 months. Heck, the XT new was around $100, and it still can be found for $450-$500 after being in the market place for about 4 years! (Although I suspect not for much longer – it’s not even in the current lineup anymore…)

So, anyway, the aftermarket starts picking up. By keeping up with the market via 1001 Noisy Cameras I can see that Canon is taking the majority of the top ten deals for a good 3 months. Now, with the standard for after market stuff typically running around 10-15% less than retail, 40D owners start pushing their bodies for $900, then $875, and most recently I saw one for $850. Well, last week I posted in the Buy/Sell forums of one particular community that I wanted to buy (WTB) a 40D at the 10% off retail rate…after rebates! That meant $800. Within an hour I had a taker, so – for less than the price of my XT, I upgraded to the 40D a year after its release.

Ironic, because it was about a year after the XT was released that I got it for about just as the retail price dropped 10%. In the aftermath, I learned a valuable lesson about camera gear: bodies depreciate, lenses retain value. If you want to spend money wisely, don’t upgrade your body every year, upgrade your glass. Hopefully this upgrade will have been worthwhile – 3 years in the making, and for $100 less than my previous body – I think it was probably a good investment. The only reason I did it was because I really did feel as though I was starting to bump up against the limitations of the XT body. Frame rate was not where I wanted it, the image counter was becoming more of a hindrance as I take more, the images were harder to see, and it was just starting to show signs of wear and tear. A bit of the plastic casing had peeled off in my sweaty mitts. It was just time to upgrade. To the forum guy (you know who you are) that hooked me up…thanks so much!

In looking at the counter, it seems the actuations are even lower than I thought with the count in the 500’s! I simply just re-set it back to 0 and I am rockin’ and rollin’! So, in case you hadn’t guessed it – this is just a “Feel Good” post today – nothing insightful, informational, or even useful – just a gleeful post of what was formerly an adult and what is now a 5-year old kid at Christmas! Have fun all, go out and shoot some (I know I will be…)

Oh yeah, here’s your WTD for the week:

What the Duck - June 26th 2008

Tuesday Tech Talk: Canon ST-E2

This week, the Tuesday Tip is more of a Tech Talk. I got an email from someone inquiring about the Canon ST-E2 asking about how to use it, and what it is compatible with. Taking a cue from this, I decided to make it a video tip from the MacbookPro,and set things up to give a basic primer on what the ST-E2 looks like, how it mounts to your camera, and how it triggers off-camera flashes electronically. Hopefully this will help demonstrate the purpose of the ST-E2 in a better light (bad pun, sorry)! Because it was recorded from the Mac this go around, there will not be a Flash-based version of the Tip this week.Sorry in advance for any that might prefer the Flash version.

One note on the video content: I said in the video that the ST-E2 supports the entire Speedlight flash family.While that is true, I did get the nomenclature wrong.As it turns out, the 400 series Speedlights are the 420 EX and the 430 EX, with the 500 series ones numbering at 550 EX and 580 EX.The ST-E2 will work with them all, albeit with some limitations on the earlier versions.For detailed specs, there is good information at Canon and the product sheet maintained by BH Photo.Those direct links are provided here for anyone who is interested.

So, that is the tip for this Tuesday: an ST-E2 Tech Talk.If anyone would like to see more gear in action, or has a question about how to use gear, feel free to email me or post in the comments section.Happy shooting, watch those apertures, and we will see you tomorrow!

Canon Product Sheet for the ST-E2

B and H Photo Product Sheet for the ST-E2

PlayPlay

The week in review

globe

I know web links are typically done on Wednesdays, but a little schedule change was in order given the recent news from this corner of the internet.  So, for this Friday, here’s some stuff I read around the web recently:

Brian Reyman of Professional Snapshots has released a beta version of a neat Flash program for schematics of lighting setups.  It’s a very helpful in documenting studio work and other such photo utilities.  Best of all, it’s Flash-based so it will work on Mac and PC!  Many thanks to Brian for all the time and energy he’s put into this program.

Being very much a fan of DIY photography, I have to give shout outs to the guys over at This Week in Photography for their post on making your own reflectors from cardboard, styrofoam, or plywood and either paiting white or covering with aluminum foil.  Very clever, and a great tip!  Thanks to Scott Bourne for this…oh yeah, check out their weekly podcast too.  Lots of info and always fun to listen to!

Scott Kelby needs no introduction, as he’s pretty well recognized throughout the industry.  He also most certainly needs no help from me for publicity, but his post this week about the “School of Hard Knocks” really hit home as I forgot a CF card for my camera just the other day.  So, sometimes I really am just like Scott Kelby!

David Hobby also gave a little nod to this over on Strobist, and while it’s a little late to be saying it here, there was a Shoot! the Day scheduled for today – photogs the world over will be sharing their shots taken from today over at Photoshelter in the coming week or so.  I signed up, but because I forgot my CF card, was not able to participate.  Still, stop over there to see a day in the life of photographers the world over!

Michael Johnston of The Online Photographer anounced his newist list of Top Ten Cameras, and Canon gear made it in twice (three times if you count them in with the “any entry-level DSLR” listing.)  The top Canon recommendations are the 5D and the SD870 IS.

Finally, in Canon-specific news, we’ all have likely heard about the upcoming release of the Canon XS.  Scheduled for release in July, it’s gotten a few reviews trickling out from various resources.  The best review I’ve read is over at the Photokina site.

Last, but not least, don’t forget to take a break, and laugh a little over at What the Duck!  My favorite one from this week:

What the Duck

Usual becomes unusual

Lighting Objects

The tutorial for this Tuesday, you may notice is not your typical Photoshop tip, trick, or tutorial. I took things outside of the desktop and into the real world to show you examples of thinking outside the box when it comes to lighting. By now we are all familiar with Strobist, and the methods he uses to encourage people to think about lighting and how to do things in an economically friendly way.

Today, I wanted to take a moment to share with you a few lighting ideas I’ve had and some of the effects they’ve produced. None of these home-made products cost me more than 15 cents! Anyway, I’ll let the tutorial stand alone, but did want to include the show notes:

Tune in to Strobist for anything and everything lighting you ever wanted to read – David Hobby is the lighting guru of the blog world!

David was interviewed recently on Studio Lighting, so now I’ve listened to their podcast, and it’s definitely one to return to. These guys just sound like they’re a lot of fun.

And the shots… you saw the montage up top, but here’s the individual shots from my diffused snoot:

Horizontal View

Vertical View

Angled View

So, there’s just a few examples of how to generate creative lighting by looking at usual objects in unusual ways. Tune in to the podcast to see what other stuff I’ve come up with. Because it was recorded outside of the computer though, I only have the Quicktime version. I am still looking into a decent Flash converter so I can put that together with the “intro” and “out-tro” clips, so if anyone has suggestions for that, I am all ears there too. Anyway, to close out, I’d like to pose another question: What have you come up with in the way of uses? Any everyday objects become part of your photo gear? Share ’em in the comments section!

In the News – Doo Wah!

Bop bop doo bop doo bop do wow!  Okay, sorry, that’s a bad skit for the great jazz tune from the ’50’s, but nevertheless, whenever I hear the phrase “in the news” I feel compelled to sing that line.  Now, for your real news from CB today:  I’ve got two stories for you, some news from Adobe on the next iteration of Photoshop and some Canon news on the Canon Hacking Development Kit (aka CHDK) that is now maing waves.  Read on for all the details!

Adobe Photoshop News

Well, the big news I read today during lunch was that the folks at Adobe will be incorporating some sort of GPU support for its next iteration of Photoshop.  Tapping into the GPU (graphics processing unit) means that larger images can be rendered on your display faster.   Another added benefit will be an increase in processing speeds for filters and other intensive activities. Nothing too earth-shattering, except they did report that at the Nvidia show, they watched the presenter zoom and rotate the canvas on a 2 GB image as though it were a 5 MB image.

 

Canon CHDK News

In more Canon-specific news, I have now read at least 10 articles from a number of resources talking about the Canon Hacking Development Kit (CHDK), which is a free firmware hack that can be applied to P&S grade cameras to allow them to do a number of things that SLR’s do, and even a few that your average SLR can’t do!

 

  1. The CHDK allows Point-n-Shooters to shoot in raw mode.  The caveat is that since it’s not a standard raw format, you can’t open this in Photoshop or Lightroom directly.  Instead, there is a third party software kit out there (also for free) called dng4ps2 that can convert the image to the more common DNG, which is Adobe’s Digital Negative format.  The DNG file can then be opened in Photoshop or Lightroom.
  2. The CHDK kit enhances the P&S feature set by adding a battery status indicator so you can see how much of a charge you have left on your battery.  I know this feature is already there in SLR cameras, so I guess the P&S’er didn’t have this feature regularly – news to me.
  3. The CHDK kit also adds what they’re calling a zebra mode which will show you whether a picture is under- or over-exposed.  Basically, it sounds like it’s adding a histogram feature.  Again, this feature is standard on most SLR’s, but not on most P&S cameras.  I just think that even a lot of SLR shooters don’t use the histogram (although I would personally encourage more use of it), so adding the feature on P&S cameras may be a little overkill.
  4. Finally, the CHDK kit allows P&S’ers to extend their range of shutter speeds.  The most reliable info I saw for the CHDK claimed the range went from a standard of 1/3200-15 seconds all the way up to a range of 1/33,333 to 65 seconds!  You read that right, that’s one-thirty-three-thousandsth of a second (and change).  Kind of makes the 1/8000ths shutter speed on the 40D look pathetic, eh?  Granted, this was specific to the S5 IS, but the standard change is to 1/64000ths of a second, which is still earth-shatteringly fast! 

Now, the caveats:

 

  1. Write time slows down considerably when shooting in raw (to about 2-4 seconds – yikes!).
  2. The raw file format is not recognized by mainstream applications like Photoshop and Lightroom.  In other words, file accessibility is likely not reliable.
  3. The software that you have to use to access the raw image data is freeware.  While some software from the open-sourced community is excellent (case in point GIMP, OpenOffice, and many others) and perfectly safe, the fact that this software comes from Russia and is (to my knowledge) untested, sets off red flags all over the place for me.  Of course I work in IT, so it’s in my nature to be suspicious of third party software from third world countries…
  4. As with any firmware hack, this is likely going to void any manufacturer warranty or vendor support for the camera if you install the software.

So, having shown the pros and cons, I’ll leave it to the community – install at your own discretion.  For those that do decide to install, feel free to share your thoughts here in the comments, or with me via email – I’d like to hear feedback on the reliability of the kit.  The CHDK can be downloaded direct from the link here:  http://chdk.wikia.com/wiki/S5IS, and the raw converter from here:  http://dng4ps2.chat.ru/index_en.html  Until next time, happy shooting and watch those apertures (or should I say shutters?)!

 

Canon Canada Rebates announced!

As kind of an unannounced PSA, it seems that a mere two weeks after the news hit the airwaves that Canon was adjusting their gear prices by about 5% due to “increased fuel costs” and “unfavorable exchange rates”, Thursday they announced their Canada rebate program.  Since I missed this in my Friday post, I figured a weekend post would be in order.

For the newcomers to the world of photography and Canon and rebate programs, Canon typically does start rebates in Canada every year.  This rebate program will then migrate to US retailers and e-tailers about two weeks after Canada, so the price increases will now be offset back to around their original rates.  The Canada pricing info can be found here:  Canon Canada Rebate Information.

I did take the liberty of downloading the PDF and am making it available here for those that don’t want to make the extra click.  Of specific interest to me is the $100 rebate on the 40D.  With the current pricing at B&H showing up as $1140 (direct link), then the out of pocket will be only a shade over $1000.  Look for the used pricing on various forum communities to drop below $900 (10% less than new pricing is typically what to expect.)    So…shop smartly and save! 🙂  Happy shooting all, more to come on Monday!

Canon Full Rebate Pricing Info

You Want Fries With That?

We live in a world of super-sizing everything:

From sodas to coffee, fries, meals, cars, and houses, bigger always seems to be better. This is no different in photography. From larger bodies, to larger bags to more Megapixels, we are constantly in pursuit of something “bigger and better.” The idea behind all of this is that the bigger the camera is, or the more megapixels you have, the larger you can print (or the more you can crop and still get a decent print). This is true for the most part. Higher MP counts translate to higher sensor resolution (note that the sensor size isn’t changing, just the resolution). The higher sensor resolution then ultimately translates to higher print sizes. Serious photo enthusiasts know though, that it’s not in the megapixels, the sensors, the cameras, or even the lenses. Truly great prints come from capturing something unique and wonderful that you see with your own eye. Having said that, we are still obsessed with creating the biggest prints we can – after all, the larger the print, the more we can “wow” our clients, right?

Sensor resolution is, by and large, the single most important determinant of how big you will be able to print a particular image. It’s a simple matter of math, native print size will vary as a function of the number of pixels on the sensor. You may get more noise has MP counts ratchet up on identical sensors, but the more pixels you can fit, the larger you can print.

So, that only makes one wonder – what are the maximum print sizes for various cameras? No one tells you that. You can read all about the Digic III sensor from Canon to Nikon’s CCD sensors, and onto the 4/3rds sensor from Olympus. You can also find out everything from the MP counts to frame rates, lens mounts, and a host of other information, but I have yet to find a vendor that publishes a maximum print size in terms we can understand. Instead, they just give us the sensor resolution. But that doesn’t help. We need to know how that resolution translates into prints! Paper sizes aren’t measured in pixels, they are measured in inches! Well, no fear, I’ve taken care of all the legwork and put together a spec sheet for all the cameras currently listed in Canon’s product line. So, without further ado, here are the current Canon cameras, replete with model, current retail price, MP count, sensor size, and max print size. Enjoy!

Canon Camera Print Sizes
Got a camera other than Canon or an older model? Well then, unfortunately it’s a little trickier for you, because you actually need to know 2 things. First, it’s helpful to know that as a general rule of thumb, your maximum print size is proportional to your sensor resolution. Second, you need to know your sensor resolution. To figure out your maximum print size, divide your sensor resolution by 200. For example, the Nikon D80 has a sensor resolution of 3872×2592. So, the max print size would be 3872/200 x 2592/200, or 19″x12″. This is, of course, only taking into account the native resolution of any sensor. Up-sizing programs can adjust for this, but that would no longer be a native measurement.

P.S. I do have this as a worksheet in a larger Excel workbook…other sheets include the Canon lens list, a sunrise/sunset calendar, and bunches of other goodies. If anyone is interested in that, drop me an email! Good stuff in there…

Wednesday Web Gems

Getting back to the basics, my original plan was to feature some unique links I’ve found from around the web on Wednesday, so the theme would revolve around “Wednesday Web Gems”. That theme returns today…here’s what’s goin’ on:

  • 1001 Noisy Cameras does a price check for the Canon bodies at various online retailers – very good info!
  • Canon themselves announced that they have surpassed the 40K mark for EF lenses. Interestingly, the first 30K took about 19 years, but the last 10K only took 2 years…says something about digital photography, eh?
  • My favorite Lighting resource, David Hobby’s Strobist site did a feature on how to sync a Canon G9 at 1/2500th of a second. Very much for the lighting enthusiast, but since it’s Canon, it fits my theme for the day, thanks David!

I’d do more, but it’s rather late and the pillow is loudly calling my name.  Happy shooting, watch those apertures, and we’ll see you tomorrow!