Tag: Canon

Comparison photos from 10-22mm

Jason4 Comments

Earlier this week on the blog, the 10-22mm Canon was reviewed, and in the comments, Julie asked if I could provide some comparison shots.  So, in the interests of demonstrating the perspective change (and provide a few sample shots of things I thought came out well), here’s a plethora of photos.  First, the comparisons… all shots were done at 1/50th, f5.0 and ISO 800 from a range of 5 feet, 10 feet, and 15 feet, and pointed straight on at the door.  No post processing was done in order to preserve as “raw” a comparison as possible…

At 5 feet on the kit 18-55mm

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Now5 feet  with the 10-22mm:

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Notice how much more of a range of view the 10-22 has even at 10 feet?  So much more can be seen now both high and low (notice the tape measure I have in there for scale?)!  Moving right along…

Here’s 10 feet on the kit 18-55

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And the 10-22 at 10 feet:

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Again, even more range of view both top to bottom and left to right (see the book case?)  But as we go wider the differences get even more pronounced!

Finally, the kit 18-55 at 15 feet:

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And the 10-22mm at 15 feet:

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So, you can see why wide angle lenses work well in real estate, eh?  Wide angles are particularly useful in capturing architecture, and their prominence in this specific field is very well known!

Other genres of photography can benefit from its use though.  Remember the HDR shots I put up last week?  These were both taken with the wide angle:

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So, landscapes can also benefit from using a wide angle lens.  But what about portrait work?  Here is where the “group” mentality can come into play.  Here’s a shot from a family reunion I took after acquiring this lens (that’s me on the far side, camera right):

gang_web

You want to be careful about using it for close-up portrait work though, because distortion can work against you, producing unflattering looks (I am intentionally using a super small file size here because it’s really not flattering at all if used wrong):

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But of course, this is how the now famous “dog” pictures were developed, so you can try it yourself for unique looks:

moo_wide

So, that’s the ups and downs, the los and highs, the pros and cons of the 10-22.  In closing, here’s a parting shot I took from the island in SC where we were having family photo ops and fun!

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Try getting that without a wide angle!  🙂  Happy shooting and we’ll see you back here tomorrow!

Adobe’s DNG Converter

Jason8 Comments

For many of us, an upgrade of one element in our tool kit comes with many unforeseen consequences and additional expenditures.  Just as a new camera body can necesitate the need for larger memory cards, hardware upgrades can also come with software upgrades.  The reason?  Camera file formats!  As camera vendors develop new proprietary formats for their raw file formats (CR2 for Canon and NEF for Nikon as the two predominant players in the game), the need has always existed to update your software to accommodate the new formats for body upgrades.

The best example of this was when I did my upgrade of the Canon XT to the Canon 40D just last year (or was it two years ago now?)…at the time I was using Adobe Photoshop CS2 to process my files.  Well CS2 development stopped as CS3 development started.  My Canon 40D was stuck in between application life cycles, and as a result, I was no longer able to process my CR2 files from the 40D natively in CS2.  Granted, I did upgrade to CS3 because of my interest in the field, but for those that either may not be interested in the software upgrade, or cannot afford to upgrade, there is a free alternative from Adobe – the Adobe DNG converter.

This is a really cool utility and it gets updated on the same schedule as the Adobe Camera Raw utility that is unique to the image-editing applications of all Photoshop applications (CS4, LR, etc.).  The Adobe DNG stands for a Digital NeGative so it may help to think of this as a way of preserving your original data, yet still making it accessible, regardless of what other developments happen in the software world down the road.  I know, we all think that Adobe will be around forever, but the same was also thought of Kodak 20 years ago – and now those Kodak CD’s are becoming difficult to manage.  With that little nugget, it may be useful to consider the Adobe DNG option.  Additionally, the Adobe DNG negative has been submitted to the ISO standards setting organization for acceptance as a universal conversion utility, and are releasing it under the GNU licensing, so it will hopefully always be available for anyone.

With the stage set then,  for those who are not able to or not interested in upgrading, here is a brief tutorial of the Adobe DNG converter (in it’s current iteration as of 4/27/09), with screenshots.  If your folders of images look like this:

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Then the Adobe DNG Conversion Utility may be for you.  It starts pretty easily…you can download the Windows or Mac versions of it from here:

Windows DNG Converter

Mac DNG Converter

Once you download and install this utility (did I mention it’s free?), start the application to get this screen:

dng1

First off, specify the path where the images are that you want to encapsulate into the DNG format.  You can specify one folder, or you can specifiy a folder and all its sub-folders (in case you want to convert an entire library or set of images at once).  Then specify the output folder and naming convention you want to use.  Once that’s been decided, it’s time to select your preferences for how you convert your images.

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Click on the “Preferences button” to specify how you want to conversion to occur:  Do you want full size conversions or do you want to reduce the image resolution sizes for smaller storage requirements?  (I always choose full size for maximum flexibility.)  What about compression?  Adding compression can further reduce the footprint that each DNG file has on your hard drive.  (It’s a judgement call, but I choose not to compress, again to maximize flexibility down the road.)  What about conversion methods?  You can convert to a linear format, but I don’t like this option because it’s a one-way street (you can’t go back).  Last but not least, what about inclusion of the original raw file?  In most cases I would actually recommend that.  It may increase file size, but this way you have access to the original raw date if your software needs ever change and you have access to software that can better handle the raw data you currently may not be able to manage.  All these are things to consider.  Hopefully, this short explanation of your options and the pros/cons will help in deciding how to proceed.

From here it’s pretty straightforward – you’ve specified everything from your input folder to your output folder, naming conventions, and conversion preferences, so now, simply click the button on the lower right to start the conversion process.  You will get a dialog window showing you the progress:

dng3

If you like, you can always click the button in the lower left to stop or abort the conversion process in case you specify the wrong folder or for some other reason.  Once the process is complete, the window will show all converted images.  Simply click “OK” to close the DNG converter utility from that window, as shown below:

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Finally, open the destination folder, and voila!  Your image files will now have thumbnail previews again:

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There you have it, your files are now prepped for one of the easiest, simplest, and most cost effective ways (did I mention this is free?) for both management, archiving, and accessibility – 3 very important things to consider in your image management workflow.

Granted, as with anything else, the Adobe DNG converter utility is not for everyone, as we all have work flows that call for different approaches.  So, what approaches do you use?  Feel free to share your own thoughts, processes, and suc in the comments or via email.  Happy shooting and we’ll see you back here tomorrow!

Hardware Review: Canon 10-22mm

Jason9 Comments

Happy Monday to all!  Today is an exciting day here at the blog, because a new schedule of sorts is going to start, both to make reading more enjoyable, and to make writing more planned and easily executed.

The reason behind the new flow is due to many listener questions asking a wide variety of questions, ranging from hardware questions to software questions, technical questions, work flow questions and the like.  So, in the interests of providing answers to each of the wide subject matter areas, here’s the new schedule:

  • Monday: Hardware – I’ll take a look at hardware components, ranging from lenses to bodies, attachments and accessories.  This could come in the way of a review, a summary, or other commentary.
  • Tuesday: Software – many elements of photography involve using software, whether it be organizing your library of images, to managing that library, and editing idividual photos.  Here is where I’ll take a look at software reviews, editing tips and tricks, considering work flows,and other similar subjects.
  • Wednesday: Composition – As with anything else, you only get better when you practice what you preach.  We can only learn so much from reading – and today I’ll focus on the “doing”.  How to take better pictures, what elements of composition work, what elements of composition don’t work, what to look for, what to avoid… things of that nature.
  • Thursday: Free-for-all – Who knows what may happen – I’ve been doing the “Thursday Thoughts with…” series, and this may happen from time to time – I’ll keep everyone on their toes with this post! (This will probably also be the post that includes show notes for the weekly podcast hosted over at Personal Life Media, Learning Digital Photography.)
  • Friday: Weekly wrap-up – news and events of the week, notable items of interest to photographers, and the occasional note with blog announcements, and other administrative types of things.

So, in kicking things off, here is the first installment of a look at some of the hardware in my own gear bag (since many of you dear readers have asked about that stuff specifically).  This week, I take a look at the 10-22mm lens from Canon.

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This lens has been the premiere wide angle lens for quite some time, as the widest non-fisheye available on the market.  Only recently have Sigma and now Nikon added this specific range to their inventory of available lenses.  I absolutely love this lens and have used it for everything from landscape work to architecture work, and even some portrait work when I am going for a unique look.  In general you won’t use a wide angle lens for portrait work because of the distortion that can occur when you get up close.  This distortion can work to your advantage if that is the look you are going for though.  Alternatively, if you have a larger group of people, a wider lens may be required to fit everyone in the scene.

Fitted with the well-regarded USM feature for Canon lenses, I also love this lens for it’s whisper quiet and fast focusing.  You almost can’t even hear it as it locks in on your point of focus.

On the downside (if this can be considered one) – because it is an EF-S lens, this will not work on the full frame cameras.  So, shooters using the Canon 1Ds series (Mark II or III).  While full-frame lenses may be the future of digital photography, there are enough people out there with the Rebel series, and the family of 20D-50D bodies that can really take advantage of this lens.  I have to give this lens two thumbs up!

ETA:  Update:  I had inadvertently made the notation that the 10-22mm is an “L” lens from Canon.  This is not the case – thanks go out to Bill for detecting this.  While it was a typo, the disctintion is an important one because Canon designates their high end glass with the letter “L”.

Thursday Thoughts with Kevin Mullins

Jason6 Comments

For those of you that visit the blog regularly, you know that Kevin has been a regular supporter through his kind, thoughtful, and well, supportive comments for the last few months.  We all know that reading blogs of others and commenting there is a good way to not only learn but to also generate traffic for your own interests.

Well, this week I am calling Kevin out, because he definitely is worthy of your traffic.  Kevin Mullins is an outstanding photographer, based out of Malmesbury Wiltshire (that’s in England, across the pond, or the UK for the geographically challenged…)  He’s had reviews done by friend-of-the-blog, Jason Moore, and most recently has launched a photography website for his wedding photography.  So, first off, welcome Kevin, and thanks for agreeing to come on the Thursday Thoughts Series.

Thanks’ very much for inviting me on here Jason.  It’s a great privilege.

Q:  I don’t know why people keep saying that, but thanks I guess.  It’s just fun to be learning from everyone thus far that’s been willing to contribute, yourself included.  But anyway, I digress…starting things off, I’d like to talk a little about your Wedding Photography – as you stated on your blog, wedding photography is your passion, and that is evidenced by the work you have put in thus far.  With so many areas to choose from, why did wedding photography stand out for you as a career path?  Well, it kind of “just happened”. 

A:  I have been taking photographs for a long time but around two years ago I knew that I wanted to make a career from photography.  I’ve often looked at wedding photos and thought “I could do that”, or, more often “If I was taking that shot, I would do it like this…”.  The interest continued to grow and I started forming my own style of shots in my head.  Contemporary artists such as Crash Taylor and Jeff Ascough really inspire me and I am in awe of the way they deal with light and composition in a wedding shoot.  Having your own style is key, and whilst those guys inspire, its building my own style that is really important to me.  I really want to give the bride (and groom) some photographic memories that they will cherish and will become a family focus point for years to come, but don’t just look like all the other photographs out there.

Q:  You have a definite journalistic flair in how you create your images, specifically as evidenced by the series from Andrew and Katherine’s photos, as well as those from Marie’s wedding (I love that shot of her under the arched trees).  You’ve mentioned Cartier-Bresson, Crash Taylor and Jeff Ascough as inspirational sources.  Any particular insights you’ve gained from these folks?

A:  Cartier-Bresson’s imagery is just astounding.  His use of geometry and shape in photography is out-of-this-world.  I have read his biography recently and to get an insight into his thought process is intriguing to say the least.  The “modern masters”, such as Crash and Jeff are the people I look to now for inspiration and technique. Both of them run very informative blogs with great great images that people like me can look at, disseminate, and learn from.  They are somewhat different in styles themselves so I look to Jeff’s work more for the documentary and natural-light experiences, and Crash for his awesome signature portrait shots of the bride and groom.  There are so many talented photographers out there and the internet opens up such a huge avenue for learning from them.

Q:   So, how have you adapted techniques from these resources to come up with your own “look”?  Or, better yet, do you have any particular images that you feel uniquely define your approach and/or style?

I aim to develop my own style of wedding photography and the new 5D MK II helps me do that to some extent.  I’m using purely natural light (the high ISO capability of the modern cameras lends to this type of photography.) and I try and use my 85mm lens as much as possible.  This lens is so sharp and the style I am trying to achieve uses a lot of depth of field.  This lens is f1.2 at its widest point and so it really helps in that respect.  Here are a few of my favorites:

portrait

bridge

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Q:  As a fellow member of NAPP, how much have you developed your style from the support content and materials in sites like NAPP and other photography communities?

A:  To be honest, whilst I am a member if NAPP, I don’t use their forums as much as I should.  It is a great resource though, and the magazine and techniques online are very useful – especially when new versions of Adobe software come to the market.  I do use Kelby Online Training and I think that is a great resource.  I try and put aside an afternoon a week to “train myself” – although this isn’t always practical as I also run my own web development firm.  I find the POTN (Photography on the net) forum useful when researching gear and also for keeping an eye on other peoples work.  I also find the SWPP forum in the UK extremely useful as there are a lot of very knowledgeable people there too.  I really find most of my inspiration from trawling the net and finding great wedding photography.

Q:  I already know the answer to this, but I would imagine the readers may want to know – what kind of gear do you shoot with?

A:  I was lucky enough to get a Canon EOS 5D MkII back in December last year.  It arrived on the 2nd December just in time for a big family birthday celebration which was great as I got a chance to practice with it.  I have a number of Canon and Sigma lenses too but my favorite lens of them all is the 85mm f/1.2.  It is simply magical.  I also have a 100mm macro, 16-35mm, 24-105mm and 70-200mm which hopefully covers all my bases.  I haven’t really looked at the HD video on Mk II yet, but I am beginning to see some “fusion” wedding photography out there which is a mix of video and stills and this is something I would like to look at in more depth as the technology progresses.  That said, stills will always be my No1. priority.

Q:  Since your style journalistic in nature you obviously will take a large number of photos during any event, whether pre-wedding or the actual wedding day.  What kinds of numbers do you typically return from an event with?  How do you handle your post processing? (Computer/software/etc.?)

A:    I actually did a wedding shoot recently and I took in excess of 1500 shots, of which I will probably sift down to 250-300.  I would expect the Bride and Groom to select anything between 50 and 150 for their package.  I do all my first phase processing in Lightroom now.  It’s such a good tool for cataloguing and doing bulk adjustments.  Anything more detailed such as spot removal I will still do in Photoshop.  I would love to see Adobe integrate Lightroom and Photoshop to truly marry the non-destructive workflow experience.  I am off to a two day seminar with Jeff Ascough at the end of the month and hopefully I will gain an insight into his post-processing workflow as I know he uses Photoshop heavily to create his stylized shots.

Q:  Could you also explain a little more about the idea behind the “pre-wedding” shoot you discuss on your website?

Pre-wedding shoots are quite common here (I’m not sure about in the U.S).  Typically you spend an afternoon or so with the bridge and groom a couple of months before the wedding taking some natural portraiture shots of them.  The idea, really, is to get to know the couple more.  The last thing anybody wants on the big day is for any uncomfortable scenes between the photographer and the bride and groom.  The pre-wedding shoot gives us a chance to get to know each other more and also to go through some ideas of poses and how to work in front of the camera.  It gives me a chance to identify what types of shots I can encourage them to do on the day, and what will be the limits.  Some couples are outgoing and excitable in front of a camera and some simply want to get the process out of the way so it is important to gain that knowledge well before the big day.  If we can, I intend to do the pre-wedding shoots at the venue of the wedding.  That way, we can all scout the area together and look for great places and light at the venue and, essentially, rehearse for the big day!  The pre-wedding shoot is part of the wedding package, but if the bride and groom want to buy any prints or a frame or even a mini-album after, then even better!

Q:  Oh, and since we talked about photo gear and computer/software preferences, I would be remiss if I didn’t ask this:  Chocolate, Vanilla or Strawberry?

A:  Chocolate every time.  My wife bought our nieces some Easter Eggs and they lasted less than 24 hours in our house.  We ate them and will have to buy the kids more now!

Q:  We all know you’re a regular contributor to Canon Blogger – what about other online resources?  Are there any that you find particularly useful that you’d like to share with the blogosphere?

A:  I”ve mentioned a few in the article already, but I think some of the sites that are great are:

I have quite a few blogs in my reader (such as Canon Blogger, Michael Palmer, Jen Rinaldi etc), that I like to visit each day.  I comment when I think it’s appropriate and appreciate it when people comment on my blog too.  All of these blogs are part of the fabric of my learning and I’m always on the lookout for other blogs that inspire and keep me focused.

Q:  Last but not least – any final thoughts you’d like to share on the state of the industry, thoughts on the future of photography, or other “words of wisdom”?

A:  Well, I rely on others to give me wisdom, but if I had to look to the future I would say that we will be seeing a lot more video and still fusion work going on over the next five years or so.  The latest Canon announcement (the EOS 500D) will bring HD video to the consumer level DSLRs which infers that it is here to stay.  Oh, and I definitely recommend moving out of London to the countryside!  It has a great effect on your well being  😉

Excellent advice, thanks Kevin! That about wraps things up here so don’t forget to stop over at Kevin’s blog.to see and enjoy his particular vision and style of work.  In the meantime, tomorrow might be another “no-blog” day because I am doing a little bit of travelling – depends on how soon I can get home.  So, happy shooting all, and if I don’t get home in time for another post, have a great weekend!

How do you like to sound?

Jason1 Comment

In preparation for the next podcast, due in no small part to a technical difficulty with Garage Band, I’ve set up a dedicated computer and recording space (call it my dedicated recording studio) and the audio quality is off the charts better than anything I’ve done before.  Ironically, the new topic for this weeks podcast is also about sound – the sound of shutters and how they can impact the feel of the camera, and how they can effect a moment is significant enough to warrant consideration.  Make sure you tune in for this one from the good folks over at Personal Life Media to get all the news, info, and latest from Learning Digital Photography!

Here’s the rest of the show notes:

Here’s the links from news items I talked about:

Listener Questions

  • How do you fix the Canon 99 Error?
  • What does the term “sync speed” mean?
  • What does kerning refer to in typography?

Listen in to the podcast over at Personal Life Media for the answers and full details on all the show segments.  In the meantime, what does your shutter sound like?   It doesn’t even have to be a Canon camera, listen to your camera whether it’s Canon Nikon, Olympus, Sony, Pentax, Panasonic, Leica, Hasselblad, etc! Find out why in the podcast up now over at Personal Life Media!  Thanks for stopping by the blog, and for all your kind words during the flu bug bout.  Enjoy the podcast, then go out and do y’all some shootin’!  See you back here tomorrow!

An Interview with Peggy Dyer…

Jason3 Comments

As you may recall, a few weeks ago I had the pleasure of meeting up with Peggy Dyer, a professional photographer here in Colorado, and I got to learn about her latest project – One Million Faces.  We got a chance to sit down a second time and I learned a lot more about her creative energy, where she finds inspiration, and about where the One Million Faces project found it’s genesis.  In addition, we also got to talk in more detail about the Lensbaby series of lenses, starting with the first one ever,  going through the most recent Lensbaby Composer, and even a sneak peak of an upcoming lens from them.  Best of all – I actually was able to put together a video of it to share with the community.  It all looks very intriguing and with her creative energies, I am really getting motivated to get out there and try some shots with this gear.


An Interview with Peggy Dyer from CBJason on Vimeo.

A couple links from the interview, including some local charities and other resources that readers may find interesting are also included below:

Until tomorrow, Happy Shooting!

News, Artists, and Inspiration

Jason2 Comments

Welcome to the show notes for week #17 of Learning Digital Photography.  Here’s the show notes for this week’s podcast…

First off, I’ve done some further tweaking to give a little more consistency and structure to the show for your listening pleasure.  The three segments that I am going to try to regularly stick to will be:

  1. News, Events, and Information from around the community and industry – here I’ll share nuggets, information, and other useful snippets from the most recent days and weeks of activity within the photography community.  Sometimes I’ll share information that’s available elsewhere, and other times I’ll offer my own perspectives on the news and events that shape the industry.
  2. Authors and Artists from within and related to the industry of photography are also an area I would like to devote some time to since the Thursday Thoughts series has not seen much attention lately (not that I am planning to either – I think it’s just on sabbatical!), and I had the good fortune of actually sitting down with an area professional recently which provided a source of inspiration for this weeks show.
  3. Sources of Inspiration – As artists I think we are always searching for and discovering new sources of inspiration.  Often these can come from well known venues such as photography magazines, galleries, and the like, but I am not adverse to featuring unusual or new sources either.  This week, I will be featuring an unusual source of inspiration, so make sure you stop in for this segment too!

To find out why these links are all up and on the blog, make sure to stop over to Personal Life Media and grab this weeks show! For the link grabbers, here you are:

That’s it for today all! Enjoy the show, and we’ll see you back here bright and early tomorrow (well, maybe not so early, as I still have an on-going problem with the sandman! LOL) Happy shooting!

P.S. I am still including a copy of the show locally, so you can grab it from here if you like too. Don’t forget, we still have a poll going on re: Twitter and Blogging, so if you’ve not voted yet, vote here!

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The Meat is in the Maintenance

Jason7 Comments

With another week come to a close, I got a late start in recording and putting together the podcast for today, so it’s going up a tad late.  However, as the old saying goes, good things come to those who wait.  This week, I look at some of the photo news, relevant to Canon users, photographers, and just some good old news tidbits.  In the “meat and potatoes”of the week, I look at what should be included in an extensive maintenance schedule for any photographer, including cleaning, software, firmware, batteries, data, backups – literally the whole schmear!  It’s quite the meaty helping on maintenance, so be sure to bookmark, download, listen, and whatever it is others do when enjoying podcasts as this is sure to be useful info for lots of people!

I also remind everyone of how you can win a Think Tank Photo Streetwalker!  This is a $150 value bag, and there are still a few opportunities left to participate in the random drawing.  Make sure you tune into the third segment to find out how (sorry, but only domestic US residents are eligible…) this can be yours for a simple song!  (Hint:  Make a post to the blog and you will probably be entered to win!)

Finally, I take a few listener questions from Josh and LaRae (thanks for the comments and email), as well as your weekly photo tip.  I made same changes to the recording process that I think have cleaned it up quite a bit, so I’d really like to hear some feedback on what people think of the difference in audio quality this go around!  Please don’t be shy, and make sure you let iTunes know they’ve dropped the feed!

Have a good weekend everyone.  Happy shootin, and we’ll see you back here Monday morning!

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Not Tuesday but Moo-Day

Jason3 Comments

Tuesdays seem to be daunting days for the podcast, so I may have to adjust the schedule some…I am thinking Fridays in the future, but would welcome suggestions.  For the time being, here’s a couple shout outs and photos for your Tuesday enjoyment:

First off, thanks go out to Rob Jones of Towner Jones Photography for another nod from his blog.

I’d also like to pay special thanks to Dave Cross of NAPP fame.  I saw a pretty big blip up on the blog from about a week or two ago and when recently looking at Google Analytics, saw he had given me a mention from his blog back on Dec. 1st.  Thanks so much Dave, and although it’s been said, it’s worth saying again – my thoughts and prayers are with you and your family.

Lastly, shouts to fellow NAPP member Mitzs who also gave me some link love on her blog, Pursuing Photoshop!  Thanks for that! 🙂

And now, for the POTD entries, I was able to contribute to Jason Moore’s ongoing Geographic Composition series which is featured on his blog today, so here’s that photo:

Denver Civic Center

And last but not least, since I got the 10-22mm lens (finally, after a year or so of debating which wide angle to get) on Friday, I was playing with the zoom and looking at the angle of view when my dog came right up to the lens the other day.  Instinctively, I snapped the shutter.  The aperture was wide open and the shutter speed was way to slow so the image quality is horrible, but the image itself is just hysterical.  Her name is Maggie, but we call her Moo for short.  So, in honor of her, I am closing today’s post with her:

Moo

Happy shooting, and we’ll see you back here tomorrow!

Sixteen days folks…

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Are you ready for it?  The biggest commercialization of the year is only 16 days away, and retailers desperately need your business so they can keep flying in those corporate jets.  Okay, many retailers don’t do that, but news stories like that make me very unwilling to spend my hard earned money on a car this year.  (Not that I could even afford it, but that’s another story altogether!)

So, what can I afford?  Well, believe it or not, the significant other has asked for a camera for Christmas!  That’s right – I am winning her over, she’ll become a member of the dark side soon.  So, in the spirit of the Christmas lists that I started last week with cards, this week, I am suggesting one of three different price buster point and shoots.  One actually is not a Canon camera!  My picks for consumer P&S cameras this year are:

  • The Canon G10
  • The Lumix LX3
  • and the Canon A590

Okay, so the G10 isn’t exactly entry level, but it’s super sweet!  The blogo-sphere seems to have settled down about the in-camera processing that the Lumix does to correct for barrel distortion and chromatic abberation, so the LX3 is back in people’s good graces.  The A590 also made my list primarily because of the feature set it has relative to it’s price (it comes in at just a hair over $100!)

So, when combined with the list from last week, there are now six items on my Holiday Guide!  I’ll get another four added here soon to give you a full top ten, but for those keeping score, here’s what I have thus far:

  1. Personalized Gift Cards
  2. Memory Cards
  3. Christmas Cards (share the holiday cheer on a budget)
  4. Canon G10
  5. Lumix LX3
  6. Canon A590

In other photography news, I am working on the photography site some more to really get a new look in place and I’ve got a new header to set the tone.  Feel free to stop over and take a gander.  Then, come back and tell me what you think!  I am listening in the comments, on the Twitter, and via email.  Don’t forget to vote in the poll – we’re on pace to shatter the previous record!

That’s it for today – I’ll be back tomorrow with the weekly audio podcast series, so be sure to stop in for that.  Until then, happy shooting!