Three Tips to Blur Water

After posting about exposure triangle and how blurring water means decreasing aperture, I got a few questions about other ways to blur the water in your composition. So, here you go. 

It seems that water always seems to attract attention in photography…whether it’s an ocean at sunrise, dew on a flower, or waterfalls gushing through a mountain stream, the impact that water can have on our imagery is very powerful.  Harness that power to your own creative ends by recognizing 5 ways to blur it to your advantage:

Slow Down!

1.  Slow that shutter speed down! Your shutter speed is the best way to blur water…taking things down to at least 1/4 of a second, if not longer. This is what I did in my last post about the exposure triangle. It’s still my favorite way of blurring water to a creamy smooth texture in photography.

Use a Tripod

2.  Steady those shots – even without slowing your shutter speed, to seconds, keeping the camera stable to prevent shake when hand holding is near impossible, so please take and use your tripod!  Of course, it goes without saying that when shooting at slower shutter speeds, it helps immensely to be solidly mounted on a good set of legs.  Without getting into the pros and cons of various features and qualities of various tripods, if you are shooting a 10 second exposure of a beach at sunrise, you need legs!

Palmetto Statue
Palmetto Statue

ND Filters

3.  Sometimes even with slowing shutters and using tripods, it’s just not enough. So, you need to find another way to control the light. ND filters are the answer. I’ve seen a lot of people run into an invariably brighter exposure… and to combat extra ambient light in the scene, they use ND filters. These filters essentially prevent those extra rays of light from hitting your sensor.  Polarizers can work too, but they are less effective as they can have some downsides to them including elimination of reflections, casting a specific tone on your entire image, and more.  When in doubt, always use ND filters.

SC Pier at sunrise
SC Pier at sunrise

As always, there’s more than one way to skin a can (or blur water)!  More involve shutter dragging with fill flash, and lots of others.  What ways do you use to blur and control waters’ appearance in your images?  Sound off in the comments with tips and tricks of your own! Happy shooting all, and we’ll see you back here again next time with more photo goodness!

Blur, Baby… blur!

Hey all, this week’s show is done and boy are you in for a treat!  Not only is there some pretty ground-breaking news from the computing world, but the theme for this podcast is blur!  I take a (hopefully) clear look at different types of blur you can get in your images, what can work, what will not work, and how to correct for different types.  Got some great listener questions and answers that tie in very nicely to the theme, and as, always the photo tip of the week.  Here’s the show notes:

News Links – HP Z800 Specs (listen to the show to find out why this is so amazing it’s the only news story!)

Focal Length/Crop Factor/Shutter Speed settings –

  • 50mm converts to 85 crop factor, which means a shutter speed of 1/100th
  • 100mm converts to a 160 crop factor, which means a shutter speed of 1/160th
  • 150mm converts to a 240 crop factor, which means a shutter speed of 1/240th
  • 200mm converts to a 320 crop factor, which means a shutter speed of 1/320th
  • 300mm converts to a 480 crop factor, which means a shutter speed of 1/480th
  • 400mm converts to a 640 crop factor, which means a shutter speed of 1/640th
  • 500mm converts to a 800 crop factor, which means a shutter speed of 1/800th
  • 600mm converts to a 960 crop factor, which means a shutter speed of 1/1000th

Listener Questions:

  • DOF Preview button
  • Battery Length
  • Portrait Lenses

Be sure to stop over to the good folks at PLM to get the podcast, and check out the Lensbaby Composer – a great resource for managing blur in your photos!  Happy shooting all and we’ll see you back here tomorrow!