70-200 – CanonBlogger

We’ve talked a lot about various rules of composition – what they are (Rule of Thirds, Golden Mean, etc) and when to adhere versus eschew them to create dramatic effect. One thing we’ve not talked much about is the idea of changing your angle of view. We have mentioned the concept in the past, suggesting that to get a good perspective to look up, look down, look behind you, and in new directions to get a unique view on things. While this is always a good practice to remind yourself that there are other perspectives, it’s never really been discussed or illustrated in depth.

So, what I did was take a pretty ordinary object – my coffee mug – and take ten different pictures of it. I challenged myself to look at one thing in ten unique ways – at different angles, and to try and find one that showed me something different than what I would usually expect to see. I did get ten different angles, so technically I accomplished the objective. Since some were very close to one another though, I am sharing here six different angles of view to help illustrate the purpose behind the exercise:

I used my 70-200 f4 and a tripod. The white background you see in some pictures is just a piece of foam packing that was used to ship prints to me a while back. I had my flash on the hot shoe, pointing up and to the rear most of the time. Camera settings were 1/250th, at f4, and an ISO of 400.

It was pretty fun actually because I drink coffee every day! So, taking this regular object that I usually don’t even think twice about (although I am a coffee hound so I do have quite a collection of mugs to choose from…), I took 6 distinctly different angles of view. Some are more boring than others, sure! But some are actually kinda cool – in particular I am fond of the one with the mug handle sticking in the air! To keep it in place I simply stuck my lenscap behind the mug as a prop! It’s a fun exercise, and can make you see regular objects and scenes in new ways. This is just one way to force yourself to think creatively.

So now, it’s reader assignment time – go find something regular, anything! Whether it’s a coffee mug, a screwdriver, a telephone or a clock radio…pick something then force yourself to take ten different shots of it. Zoom in close, go super wide. Drop your aperture way open for more blur and selective focus. Use a totally different lens than you normally would. Going with the 70-200 I forced myself to back up. I could have swapped to the 10-22mm and gotten something totally different…and the same goes for the 70mm macro. Whether you live in an apartment, a house, or……an airstream (do you really know anyone that would live in an airstream?), there are tons of ways to think creatively that surround you! Seek them out, and you will find a piece of yourself – share it with the world!

Post your creativity exercise shots up on Flickr in the LDP pool – show that creative side and happy shooting! Until tomorrow, keep them shutters clicking, and watch out for a new Audioboo about the new Canon T2 Rebel – gonna be a fun clip on what Canon has been up to! 🙂

In keeping with the last few weeks of hardware reviews, I am taking a look in my own bag one more time to bring you this weeks’ hardware review: the 70-200mm L lens from Canon. Canon has several variants on this lens, with different minimal apertures both with and without Image Stabilization (IS). So, in the interests of full disclosure, this is a non-IS lens, and the aperture range is the standard one, 4.0 to 5.6. So, with that distinction being made, we’re off and running:

Canons 70-200mm f4.0 lens — Canon's 70-200mm f4.0 lens

The “L” distinction is one that bears discussion right off – Canon only gives this out to lenses that it deems have superior optics – which means a wider range for it’s sweet spot, tack sharp focus, and better sealing against the elements. This naturally means that this lens will, by definition and categorization, be sharper than a comparable “non-L” lens. However, for this particular range of zoom, Canon doesn’t make a non-L lens, so one would have to make a comparison with a 3rd party brand such as Sigma or Tamron. Even there though, comparisons are tricky primarily because vendors are moving toward faster glass (in the 2.8 category) and IS features.

In that regard, the 70-200 f4.0 really is in a class by itself. As a result of its unique status in the field of available lenses, comparisons are rather arbitrary as no other lens out there has the same specs. Rather than making those comparisons though, I’ll just say that this lens does deliver superior performance for its’ category.

So, how is this a review? Well, it’s not just a question of performance, it’s also a question of price. Anything can be stellar, but whether it’s worth the price is another story. I know of luxury cars that exceed 6 figures for their cost, however, most cannot justify the expense, either because of their financial situation or the expected need. So, how does the 70-200 fit when it comes to cost? Pretty well actually.

The cost for this lens at B&H Photo is $600 right now (technically $599.95) after a $50 rebate. Considering the next step up is twice the price for either an f2.8 or an IS lens, this is actually a steal! I was able to find mine second hand from a fellow photographer when I lived in SC, so got it for considerably less. Included in my package was a lens hood, and a collar for mounting to a tripod (which I definitely would recommend given the weight). The previous owner was also nice enough to leave the Tiffen filter on it that provided protection for the lens. All told, the lens and accessories would run around $700 for the lens, lens hood, UV filter, and tripod collar.

When looking at comparable other lenses from Canon, this is where you really see the bang for the buck. Take a look at the most recent prices from B&H for similar lenses:

70-200L f2.8 = $1250
70-200L f2.8 IS = $1600
70-200L f4.0 IS = $1025

So, you can save at least $425 if IS isn’t important to you, or $650 for the next fastest version of this lens

At a smidge over 1.5 lbs, the weight does balance the mid-grade SLR’s quite nicely, although on the Rebel line I recall it being a tad heavy. As a general rule of thumb, with larger and heavier lenses, you’ll want to carry this by the lens itself rather than the camera as you don’t want to put undue tension on the mount.

Overall though, for the price and range, I would highly recommend this lens. It’s tack sharp at both 70 and at 200 with a sweet spot ranging from f5.6 to f16. Kind of hard to say no to that kind of quality when it’s offered at such an affordable price. Here’s some sample shots to show what I’m talking about:

Here’s a sample from 70mm at f9.0

And the same scene from 200mm at the same aperture:

Then, just to give you an idea of the sharpness, here’s some shots at f4.0 (a little noiser because I was at ISO 3200)…first the 70mm shot:

And now at 200mm:

And the 200mm shot:

Okay, so that’s about it for the day. Hope you found it useful and informative (as always). Don’t forget the Lightroom Contest going on over at the Flickr Thread – only about 12 more days left and still not a lot of entries. Great chance to win a free copy of Adobe Photoshop Lightroom (retails for $300)! If you have ideas, suggestions, comments, feedback or other insights on future gear you’d like reviewed, feel free to share those in the comments below or with me via email.

One last little nugget to share today…Scott Kelby announced his 2nd Annual Photowalk early this morning, so be sure to register in your city. I’m already registered in the Denver group and that’s rolling early (7:45ish am) in the Lodo area. More details to come on route, eating place, etc. , but mark your calendars now for July 18th! Here’s the link for more info if you’re not in Denver: Worldwide Photowalk Have a great day, Happy Shooting, and we’ll see you back here again tomorrow!

Tag: 70-200

Composition and the Angle of View

Hardware Review: The 70-200L f4.0