10-22 – CanonBlogger

Composition and the Angle of View

February 10, 2010 Jason1 Comment

We’ve talked a lot about various rules of composition – what they are (Rule of Thirds, Golden Mean, etc) and when to adhere versus eschew them to create dramatic effect. One thing we’ve not talked much about is the idea of changing your angle of view. We have mentioned the concept in the past, suggesting that to get a good perspective to look up, look down, look behind you, and in new directions to get a unique view on things. While this is always a good practice to remind yourself that there are other perspectives, it’s never really been discussed or illustrated in depth.

So, what I did was take a pretty ordinary object – my coffee mug – and take ten different pictures of it. I challenged myself to look at one thing in ten unique ways – at different angles, and to try and find one that showed me something different than what I would usually expect to see. I did get ten different angles, so technically I accomplished the objective. Since some were very close to one another though, I am sharing here six different angles of view to help illustrate the purpose behind the exercise:

I used my 70-200 f4 and a tripod. The white background you see in some pictures is just a piece of foam packing that was used to ship prints to me a while back. I had my flash on the hot shoe, pointing up and to the rear most of the time. Camera settings were 1/250th, at f4, and an ISO of 400.

It was pretty fun actually because I drink coffee every day! So, taking this regular object that I usually don’t even think twice about (although I am a coffee hound so I do have quite a collection of mugs to choose from…), I took 6 distinctly different angles of view. Some are more boring than others, sure! But some are actually kinda cool – in particular I am fond of the one with the mug handle sticking in the air! To keep it in place I simply stuck my lenscap behind the mug as a prop! It’s a fun exercise, and can make you see regular objects and scenes in new ways. This is just one way to force yourself to think creatively.

So now, it’s reader assignment time – go find something regular, anything! Whether it’s a coffee mug, a screwdriver, a telephone or a clock radio…pick something then force yourself to take ten different shots of it. Zoom in close, go super wide. Drop your aperture way open for more blur and selective focus. Use a totally different lens than you normally would. Going with the 70-200 I forced myself to back up. I could have swapped to the 10-22mm and gotten something totally different…and the same goes for the 70mm macro. Whether you live in an apartment, a house, or……an airstream (do you really know anyone that would live in an airstream?), there are tons of ways to think creatively that surround you! Seek them out, and you will find a piece of yourself – share it with the world!

Post your creativity exercise shots up on Flickr in the LDP pool – show that creative side and happy shooting! Until tomorrow, keep them shutters clicking, and watch out for a new Audioboo about the new Canon T2 Rebel – gonna be a fun clip on what Canon has been up to! 🙂

How I shot Lightning!

August 12, 2009 Jason6 Comments

Today the post is going to revolve more around a set of photos I took the other day – you see while en route back to the house, I noticed that the clouds were passing over the mountains and the sun was starting to set. It had the makings for a really nice sunset. Never one to turn away the opportunity to capture a sunset, I hurried home and gathered my gear, and took off to my favorite spot near the house for landscape work.

Well, the clouds and the sun didn’t really cooperate so I gave up on that and starting fiddling around with some HDR kinds of things. I saw a traffic light nearby and there wasn’t much traffic so tried to time some bracketed exposures (my shutter speed was getting near 30 seconds on the top end of the bracket). Some possibilities developed, but nothing too earth shattering, and I was starting to feel a few drops of rain, so I packed up to head back over to the house – about 2 miles away.

As I was coming back to the house, the clouds that evaded me on the mountainous horizon were ominously hanging over the cityline of Denver (another scene I’d been meaning to shoot) and flashes of lightning were coursing through the clouds, with some pretty regular spikes coming down. All of this was about 30 miles away, and heading away from me so i was feeling pretty safe except for the possibility of some raindrops now and then.

So, I found a nook by the open range, set up the camera on my trusty tripod, and tried to recall things I’d read about how to shoot lightning. Apparently some of it stuck, because I came away with this:

So, how did I do this? I kept four key things in mind:

I used my tripod! Stability was key because every single exposure was no less than 15 seconds! When shooting lightning, you want to open the shutter for a longer time to increase your odds of catching it. Because it was flashing so regularly I eventually dropped my shutter to 15 seconds and still managed 6 or 7 really good captures.
Keep the noise Down – I dropped my ISO to 100 for all shots and made sure long exposure noise reduction was turned on in camera. Sure it took twice as long to capture each image, but in the long run it was worth it because there was much less noise to process on the back end.
Don’t touch the camera! I set the camera to bracket exposures and put it on a two-second delay. So, by the time the camera shutter opened I was no longer touching it, and then the second and third shots fired automatically.
I made sure I was in a sweet spot of my lens. Part of this is knowing your gear – I was shooting the 10-22mm (wide angle) from Canon, and know that when it goes below f4 it can get fuzzy. So, I was at f11 for most of my shots. Great depth of field and everything is sharp!

Well, a fifth one was post-processing. After a few rather unpleasant attempts to process as HDR images, I enlisted the aide of friend-of-the-blog Terry Reinert, who you know from our podcast talk a short time ago. Terry is wicked smart (he’s an engineer) and knows the heck out of HDR. I asked him what I was doing wrong (because the clouds were getting blotches scattered through them and generally looking poorly). He gave some insights, what he was finding yielded better results and sent me a low res sample via email. I liked the path he took, but the colors were not quite where I remembered them from Sunday, so dove in again with the new-found knowledge. I tried a few quick variations on his technique, but in the interests of time, just did a short version to post here. Once I get my final edit done (probably this weekend, I will likely be adding the image to my portfolio, so will also post that here as well. For now though, I wanted to share the back story and a quick version of one processed version that I found appealing. I am not crazy about the black across the bottom, but since my time was limited here, I’ll likely be addressing that this weekend when I have more time. For now though, the quick version and a panorama crop looked kinda cool!

Thanks go out to Terry for giving a hand. In our discussion he also mentioned possibly doing a tutorial on blending using the images, so keep your eyes on Terry’s blog (Where Art and Engineering Collide) as I may be a featured artist! (How cool would that be?) ETA: On posting the link to his blog, I see he’s already put his tutorial together – thanks Terry! 🙂

In other blog/photo news, as you all know from yesterday, the OnOne Giveaway concluded with Pete Petersheim being the big winner. The new contest is underway though, with a new thread up at the Learning Digital Photography group on Flickr, so be sure to stop in there and share your images in the new thread (the theme this go around is “Fun” since the price is a Wacom Bamboo Fun!) Good luck to everyone and don’t forget to have some fun!

Happy shooting and we’ll see you back here again tomorrow!

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Hardware review: Sigma 10-20mm

June 15, 2009 Jason11 Comments

The review you’ve all been waiting for – the one to compete with my Canon 10-22mm review from a few weeks back! Well, there is no clear and decisive winner, so the wind is probably taken out of all the sails of those who were waiting for some smack-down talk. The reason? Some aspects I like better on the Sigma, and some on the Canon version of this lens. So, I’ll refrain from declaring a “winner”, and just give you the lowdown on this lens, what I like, and what I don’t. So, without further ado: Continue reading “Hardware review: Sigma 10-20mm” →

Comparison photos from 10-22mm

April 30, 2009 Jason4 Comments

Earlier this week on the blog, the 10-22mm Canon was reviewed, and in the comments, Julie asked if I could provide some comparison shots. So, in the interests of demonstrating the perspective change (and provide a few sample shots of things I thought came out well), here’s a plethora of photos. First, the comparisons… all shots were done at 1/50th, f5.0 and ISO 800 from a range of 5 feet, 10 feet, and 15 feet, and pointed straight on at the door. No post processing was done in order to preserve as “raw” a comparison as possible…

At 5 feet on the kit 18-55mm

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Now5 feet with the 10-22mm:

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Notice how much more of a range of view the 10-22 has even at 10 feet? So much more can be seen now both high and low (notice the tape measure I have in there for scale?)! Moving right along…

Here’s 10 feet on the kit 18-55

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And the 10-22 at 10 feet:

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Again, even more range of view both top to bottom and left to right (see the book case?) But as we go wider the differences get even more pronounced!

Finally, the kit 18-55 at 15 feet:

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And the 10-22mm at 15 feet:

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So, you can see why wide angle lenses work well in real estate, eh? Wide angles are particularly useful in capturing architecture, and their prominence in this specific field is very well known!

Other genres of photography can benefit from its use though. Remember the HDR shots I put up last week? These were both taken with the wide angle:

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So, landscapes can also benefit from using a wide angle lens. But what about portrait work? Here is where the “group” mentality can come into play. Here’s a shot from a family reunion I took after acquiring this lens (that’s me on the far side, camera right):

gang_web

You want to be careful about using it for close-up portrait work though, because distortion can work against you, producing unflattering looks (I am intentionally using a super small file size here because it’s really not flattering at all if used wrong):

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But of course, this is how the now famous “dog” pictures were developed, so you can try it yourself for unique looks:

moo_wide

So, that’s the ups and downs, the los and highs, the pros and cons of the 10-22. In closing, here’s a parting shot I took from the island in SC where we were having family photo ops and fun!

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Try getting that without a wide angle! 🙂 Happy shooting and we’ll see you back here tomorrow!

Hardware Review: Canon 10-22mm

April 27, 2009 Jason9 Comments

Happy Monday to all! Today is an exciting day here at the blog, because a new schedule of sorts is going to start, both to make reading more enjoyable, and to make writing more planned and easily executed.

The reason behind the new flow is due to many listener questions asking a wide variety of questions, ranging from hardware questions to software questions, technical questions, work flow questions and the like. So, in the interests of providing answers to each of the wide subject matter areas, here’s the new schedule:

Monday: Hardware – I’ll take a look at hardware components, ranging from lenses to bodies, attachments and accessories. This could come in the way of a review, a summary, or other commentary.
Tuesday: Software – many elements of photography involve using software, whether it be organizing your library of images, to managing that library, and editing idividual photos. Here is where I’ll take a look at software reviews, editing tips and tricks, considering work flows,and other similar subjects.
Wednesday: Composition – As with anything else, you only get better when you practice what you preach. We can only learn so much from reading – and today I’ll focus on the “doing”. How to take better pictures, what elements of composition work, what elements of composition don’t work, what to look for, what to avoid… things of that nature.
Thursday: Free-for-all – Who knows what may happen – I’ve been doing the “Thursday Thoughts with…” series, and this may happen from time to time – I’ll keep everyone on their toes with this post! (This will probably also be the post that includes show notes for the weekly podcast hosted over at Personal Life Media, Learning Digital Photography.)
Friday: Weekly wrap-up – news and events of the week, notable items of interest to photographers, and the occasional note with blog announcements, and other administrative types of things.

So, in kicking things off, here is the first installment of a look at some of the hardware in my own gear bag (since many of you dear readers have asked about that stuff specifically). This week, I take a look at the 10-22mm lens from Canon.

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This lens has been the premiere wide angle lens for quite some time, as the widest non-fisheye available on the market. Only recently have Sigma and now Nikon added this specific range to their inventory of available lenses. I absolutely love this lens and have used it for everything from landscape work to architecture work, and even some portrait work when I am going for a unique look. In general you won’t use a wide angle lens for portrait work because of the distortion that can occur when you get up close. This distortion can work to your advantage if that is the look you are going for though. Alternatively, if you have a larger group of people, a wider lens may be required to fit everyone in the scene.

Fitted with the well-regarded USM feature for Canon lenses, I also love this lens for it’s whisper quiet and fast focusing. You almost can’t even hear it as it locks in on your point of focus.

On the downside (if this can be considered one) – because it is an EF-S lens, this will not work on the full frame cameras. So, shooters using the Canon 1Ds series (Mark II or III). While full-frame lenses may be the future of digital photography, there are enough people out there with the Rebel series, and the family of 20D-50D bodies that can really take advantage of this lens. I have to give this lens two thumbs up!

ETA: Update: I had inadvertently made the notation that the 10-22mm is an “L” lens from Canon. This is not the case – thanks go out to Bill for detecting this. While it was a typo, the disctintion is an important one because Canon designates their high end glass with the letter “L”.

Not Tuesday but Moo-Day

December 16, 2008 Jason3 Comments

Tuesdays seem to be daunting days for the podcast, so I may have to adjust the schedule some…I am thinking Fridays in the future, but would welcome suggestions. For the time being, here’s a couple shout outs and photos for your Tuesday enjoyment:

First off, thanks go out to Rob Jones of Towner Jones Photography for another nod from his blog.

I’d also like to pay special thanks to Dave Cross of NAPP fame. I saw a pretty big blip up on the blog from about a week or two ago and when recently looking at Google Analytics, saw he had given me a mention from his blog back on Dec. 1st. Thanks so much Dave, and although it’s been said, it’s worth saying again – my thoughts and prayers are with you and your family.

Lastly, shouts to fellow NAPP member Mitzs who also gave me some link love on her blog, Pursuing Photoshop! Thanks for that! 🙂

And now, for the POTD entries, I was able to contribute to Jason Moore’s ongoing Geographic Composition series which is featured on his blog today, so here’s that photo:

And last but not least, since I got the 10-22mm lens (finally, after a year or so of debating which wide angle to get) on Friday, I was playing with the zoom and looking at the angle of view when my dog came right up to the lens the other day. Instinctively, I snapped the shutter. The aperture was wide open and the shutter speed was way to slow so the image quality is horrible, but the image itself is just hysterical. Her name is Maggie, but we call her Moo for short. So, in honor of her, I am closing today’s post with her:

Happy shooting, and we’ll see you back here tomorrow!