Live from the Road

Northern Lights Poster

Over the weekend I had the distinct pleasure of joining my colleague and good friend Kerry Garrison (who you probably know from Camera Dojo) out “in the wild” as we traveled to the Breezy Point Resort north of Brainerd MN (about three hours west and north if the twin cities) and spoke at their Northern Lights conference.  Through the coordination of our sponsor, Nations Photo Lab, and the conference hosts, MNNPA, we had a wonderful time.  Not only did the coordinators treat us like Rock Stars (we did give some autographs though), the attendees were quite engaging too.

The pre-conference sessions were set to start at 12, and our gig started at 5.  After a few of the logistical things were addressed that always come up with hosting conferences (they even had a live wedding going on one room next to us – what a great opportunity for a bride to get a wide range of photographers applying their trade), we got rolling.  A mere five minutes into our introduction, we paused to add even more tables and chairs to the room as more and more people started filing in.  For a regional conference to have a crowd this big during a pre-conference tech talk was quite surprising, but also very enjoyable.  So, what did we talk about?

The topic was none other than Lightroom 3!  We talked about how to navigate around, some of the benefits and tips and tricks of LR to soon realize that we are very fortunate to be in the position that we are.  It was humbling to realize that we really are on the cutting edge as so many people are using Lightroom 1, LR 2, or even earlier generations of Photoshop for their workflow.  Our discussion quickly was adapted to both demonstrate why and answer questions on what makes Lightroom 3 such a useful tool for both established and emerging photographers.

The questions raised were just wonderful ranging from very broad-ranging ones like “Why should wedding and portrait photographers care about upgrading their work flow?” to ones as detailed as “Can Lightroom manage PSD files?” and “How can I keyword photos during import?”  By the time our two hour segment was up we had barely covered the import process, a little bit on the adjustment brush, and the nuts and bolts of things like cropping, selective color, and black and white conversions.

Ours was the last segment for the day and we were then invited to the after party over in one of the adjoining houses.  Food snacks, drinks and such were all available and in abundance.  With the abundance of spirits, everyone was in great spirits themselves as we laughed and talked further with lots of people about photography stuff until the wee hours of the morning.  By 1am we were done though and needed to head back to our respective cities (myself to Denver and Kerry to Anaheim, CA).  So, during our road trip back to Minneapolis for the return flight, we decided to record this show for you.  Answers to all the questions above and more are here, as well as a few photo opp stops!  Thanks for taking the time to listen, hope you enjoy it and we’ll be back again soon with more photo goodness!

Catch up with Kerry:

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Learn more about the Northern Lights Conference and MNPPA here:

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Black and White Adjustments in Lightroom 3

As a regular contributor to the PhotographyBB magazine (which you can download for free simply bu subscribing here), I enjoy putting together articles to both educate and inspire.  In this upcoming month’s issue, I am guest-writing a tutorial on Black and White editing with Lightroom 3.  As a sneak-peak of sorts to the readership here, I’d like to share the first portion of that article…enjoy!

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The power of Lightroom has been so well documented from various outlets across the internet and magazines, I often find it surprising that such a small amount of space is dedicated to black and white photography.  This month, I’d like to take an opportunity to delve more into the creative adjustments you can make in Lightroom to bring out more in an image than just shades of gray!

There are two areas in Lightroom where you can make creative adjustments to the color to make things pop.  The first two HSL (for Hue, Saturation, and Luminance) and Color are great resources to use when you want to massage the color palette of your image.  The Black and White “tab” though, is where it’s really at.  When you click this tab, the image will be converted to an automated black and white adjustment, where the colors are converted to shades of gray – with no color tones at all.  This is where I’d like to begin the exploration:

While this can be a powerful way to present an image, the automated method of conversion is not going to work all the time (and for my tastes rarely does the default conversion work).  So, you have to dive in and really get comfortable with adjusting color tones.  To start off, I am using a pretty basic image – a red flower, and you can see that there is absolutely nothing wrong with the colored version of the image.

Red Flower

It’s got some great black and white potential though, so let’s go ahead and take it into the BW adjustment panel tab.  When I do that, the automated adjustments will kick in:

Default Black and White Adjustments

It looks interesting, but let’s see what massaging the colors just in the panel can do.  To start, since the flower was red and made up nearly 95% of the composition, I started with the red slider to see what the extremes would do on each end.  Here’s the image with the red slider taken up to +100 and then to the opposite extreme of -100…

Red Flower +100

Red Flower -100

In both cases, for me it’s an absolutely hideous image.  Clearly, there is a balance that must be struck somewhere in the middle – the question is where?  Well, now it comes down to subjective tastes.  For me, the default adjustment had the red a bit too strong – which kind of hid the morning dew of the flower, so I dialed things back a bit, taking the red slider from +22 to -20.  The droplets are now much more visible as they are standing out from the petals!

Red Flower Conversion Progress

So, now we are getting somewhere fun!  I tested a few more sliders, and ended up with the yellows and oranges slightly higher than the default settings, just to give a bit more contrast.  Here’s what it looks like after the black and white adjustments are made:

Red Flower w/ all slider adjustments

Of course there is always a bit of sharpening and noise reduction to make in post production, as well as lens correction, and even a little bit of vignette from time to time to help draw the viewer in.  Once these are done, the final image definitely has a creative look and feel to it:

The Final Edit

It’s clearly not easy to decide both when, to make a black and white conversion, as well as how much to massage or tweak it to your tastes.  The ultimate decision is, of course, up to you as an artist and photographer, but you can’t get there by avoiding the Black-and-White panel!  Take some time to explore it!

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There’s more to the article than that, and it has been modified somewhat to make for a better blog post, so be sure you subscribe to the PhotographyBB newsletter when you have a minute.  It is free, after all, and probably one of the best sources of a diverse set of reading material you can find.  Dave Seeram, the editor, has been quite generous with his kindness and patience in my contributions!  Please stop over and give him your thanks as well…nothing but learning and knowledge to gain!

As always though, I end up being more curious than informative!  What types of black and white adjustments do you make?  Do you prefer the neutral grays, or do you like to add a hint of color to your b/w images too?  What methods have you found useful versus not so much?  Sound off in the comments as I love to hear how others are working through their own images!  Happy shooting and we’ll see you next time right here!

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Defining your craft – and yourself!

Photography as we know it has changed a lot over the past several years.  The advancements of digital are pretty well-known, and have been written about extensively.  In addition to the nature of the medium, several other factors have come together in what photographers are calling “the perfect storm”.  Included in this picture are the decreased cost of entry, increased interest from a wider and ever-increasing portion of the population, photographers are finding themselves in larger company than ever before…to put it quite simply:  there’s more of us!

David Ziser, the quintessential wedding photographer did an excellent write-up in two parts (here and here) as a guest blogger over at Scott Kelby’s blog.  Not only is he an incredible photographer, his writing is among the best in the industry too!  I would highly recommend reading these two posts because even if you aren’t a fan of “The Kelby Kool-Aid”,  (although I must admit, I take a sip of it every now and then…) because these specific writings give insights and directions for all of us moving forward.  While the insights and perspective-changing considerations to take into account (including drive, motivation, work ethic, etc.) are definitely helpful, the more serious question that lies at the root of all of it seems to find a cornerstone in one simple question:  WHY DO YOU TAKE/MAKE PICTURES?

Without getting into the semantics of taking versus making pictures – my point here is that we all pick up the camera for different reasons.  And only in understanding those reasons can you really determine where you want to go and how you want to get there from where ever you are now.  We may pick up our camera to capture a moment in time, with dew glistening off the petals of a flower in the morning light:

Black and White Flower

Does that make us nature photographers?  Absolutely!  But, by the same token, does that define us?  Of course not!  We may also enjoy capturing that beaming bride as she smiles and kisses her husband on their special day!  Or, we may revel in the laughter of children as we capture those moments in time!  By the same token, we may also be pulled on some deep and intangible level by the power of a sunrise or a sunset in some place!  Heck, maybe it’s even the place that moves us.  As David DuChemin says, “…vision is better!”

The Kiss

Laughter

Mexican Sunset

There are so many scenes and images that surround us every day, but yet so often we do not trip that shutter, because we likely are not tuned in to a particular vision or perspective.  So, the question then becomes:  What is your vision?  Do you see the beauty inside that awkward teenager who only smiles for family?  Or what about the majesty of a skyline timed so perfectly?  The fact is, we can find it everywhere, and while we can blog and twitter, and Facebook until the cows come home about our latest project, or to promote and network across so many sectors of the economy (whether it’s improving or on the downturn), what ultimately matters is what motivates you to shoot in the first place?

Those Eyes!

Denver Skyline

When push comes to shove, the foundation for creating photographs (I believe) is something that comes from inside.  You have to want to be there, capturing that moment in time in order to the vision to really come to life.  Whether it’s a sunset, a smile, a skyline or anything, if you’re not true to your own roots, then twittering about it all becomes less than inspirational.

Of course, I could be completely half-cocked, and off base entirely here.  What do you think is at the root of photography?  Is it for the passion, the fame, or the glory?  Or is it something else altogether?  What drives those like David Ziser, Joe McNally, Zack Arias, David DuChemin and the rest to such degrees of excellence?  Time and again, what makes them and folks like them rise to the top?  Share your thoughts, comments, and feedback below!

I Am a Teapot!

Nothing too fancy, just a short post today to share a particular “vision” I had.  Hopefully it helps to illustrate that even the mundane can be interesting if you think outside the box!

Teapot

For the inquisitive, this was shot with off-camera flash, using Radiopoppers.  The EXIF data:

Shutter Speed = 1/250th
Aperture = f/18
Focal Length = 70mm
ISO = 100
Flash = 580 EX II

Since EXIF data doesn’t record flash settings, I want to say that this was at 1/4 power, bare bulb (no diffuser, umbrella, bounce or anything like that).  The hint of yellow reflection off the background of the stove is likely due to bounce off the yellow color of the teapot itself onto the black metal on the stove.  It was an unintentional but cool side effect, so I left it in!

As the old saying goes: “Keep on shooting!”

And the book winners are…!

Last week Monday, the latest Learning Digital Photography podcast went out, and with it, an extra special bonus for the readers and listeners – not one, but two books from guest Nicolesy (a.k.a. Nicole Young)!  I just closed the post for comments, and counted up the replies…we had 22 unique commenters (excluding twitter references) for this post, making it one of the most popular ones ever!

I know, you’re all really here to find out who the winners are, so without further ado – comment submissions #6 and #10 are the lucky folks:

Comment Contest Winners

Thanks to everyone for their participation…and to Chris and Joe, if you could send off a quick email to me, I’ll make sure the folks at Peachpit get in touch to arrange fulfillment for you.  Once again, I’d also like to thank Nicolesy and Jason Cate for their participation in the show as well as Peachpit for their generous contribution.  It was a lot of fun, and the comment contest also ratcheted things up a notch too, so hopefully we can make these more of a regular occurrence with the podcasts.  With that in mind, are there any other authors, photographers, or folks you’d like me to bring on a show,?  Now’s your chance to sound off and get the folks on that you really wanna hear from!  Sound off (you knew it was coming) in the comments!

Happy shooting (and Happy Valentines Day for the romantically inclined out there), and we’ll see you back again soon right here – same time, same station!

What’s Going On…

A couple fun news items to share today…including some prize additions, a webinar announcement, and more!

Comment Contest

I just got word last night from Nicole that a copy of both her 60D and 7D books will be donated to the comment contest – so there’s gonna be two winners!  All you have do to is comment on the podcast post from Monday!  Yup, that’s it – no fuss, no muss – just comment and win!  Pretty generous of her and Peachpit to donate like that!  Oh yeah, and be sure to listen to the podcast, we have a great conversation about how to strike a balance in your photographic life!  All that’s available from here.

Photoshop Cs5 Webinar

The folks over at Nations Photo Lab just keep on giving!  In addition to the monthly Flickr contest (where you get $50 certificates just for playing), they’re also the sponsors of the Live Learning Lab – a free live webinar served up on the 2nd Wednesday of every month, hosted by myself and Kerry Garrison of Camera Dojo.  We just had the February one last night, and it was quite the hit!  You can watch the archived shows for free too if you can’t be in attendance – just can’t ask questions in real time.  Anyway, the archive is here

Live Learning Lab

If you’d like to participate in the March webinar – be sure to sign up in advance as we can only take 100 people.  More details are forthcoming on that shortly.

And more…

Okay, there really isn’t much in the way of “more”, but since I like to have images for every post, here’s a quickie from my own archives just for a dose of inspiration (in hopes of a Spring thaw soon!).  Happy Shooting!

Arizona Cactus

For the Birds

One of my annual clean-up sprees happened over the weekend and ran a little long into the week…this was not a task for the light of heart because it requires seriously chimping your own work – and even admitting that some you’ve kept just aren’t worth keeping anymore because you’ve never touched them ever since capture.  I cleaned quite a bit, and although tedious, the task really is for the birds because you should be doing this all the time, not just annually.  Sometimes a diamond in the rough can squeak through though…and here’s two that might be a exception…what do you think?

For the Birds

For the Birds 2

I wish the birds eyes were more viewable, and the ISO was pretty high so took some serious slider dragging in LR to make presentable here.  Not sure the second is close enough to be worth it, but then again there is something to be said for negative space!  Consider it a photo critique day – so do thy worst fair readers, critique the author! 🙂

Happy shooting and we’ll see you back here again soon!

LDP Episode #54: Striking a Balance

The latest and greatest episode of the LDP Podcast is now live and available for download!  This week not one but two guests…special guest Jason Cate from the listening audience, and an established photographer in his own right, and Nicole Young returns to the show.  Here’s the show notes (and show for download)!  Enjoy the show, and thanks to everyone for their continued support and interest:

1.  Personal Work versus Client Work – What brings clients in is your own creative vision yet at the same time you also have to be able to recognize the client vision too…striking a balance there can be demanding and challenging.  There are several strategies to cope:

2.  Shooting versus Promotion/Marketing – We have to produce work to survive, but by the same token if we don’t tell others about the work we are producing, how can one even begin to survive without some measure of success.  Balancing the creative and business ends of photography is equally demanding and can take a pretty heavy toll if you’re not careful.  There are several approaches to take here as well:

3.  Capturing and creating photos and projects versus down time – With the internet, Twitter, Facebook cell phones, email, and everything assaulting us literally 24/7 – there has to be a way to balance personal time with work time.  In this case personal time means actually putting the camera down and spending time with family, friends, colleagues, and otherwise “unplugging” from the digital photography world.  Can we even afford to take these periods of downtime anymore?  Is it worth the risk of fading?  Things to consider when balancing personal and professional growth and development, and strategies to cope:

4.  Listener Q&A

  1. What’s the best way to deal with noise in photos?  I’ve heard several options out there ranging from using plugins in Lightroom, to layer masks in photoshop, while others just avoid high ISO at all costs. – Karen in New York
  2. Just getting started in photography and wondering if I can build a business in this market.  What are the pitfalls I should be wary of?  On that same note, would it be better to begin solo and keep things small to avoid getting in over my head or should I work with other photogs to defray costs while making larger projects available to the business? – Phil in Las Vegas
  3. Everyone always talks a good game about lenses, but it’s tough to be taken seriously when people have better camera bodies than I do that have 1/10th the experience or knowledge. How do you deal with clients who have better gear than you? – Katherine in Milwaukee

Co-Hosts:

And, for those of you that listened, and are paying attention, you’ll know that Nicole has generously donated a copy of one of her latest books “Snapshots to Great Shots” for some lucky commenter.  So, leave your comments, thoughts, and/or feedback on the show here, and you’ll be automatically entered to win either her 60D or 7D book!  (We’ll know for sure which book it is hopefully later today – Monday)…

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Book review: Photo Trade Secrets

Zeke Kamm puts together an interesting set of books in Vols 1 and 2 of “Photo Trade Secrets”  This is not your typical book though, so I’m not really sure that a normal review is warranted.  It’s a pretty simple concept though:

Each book is a series of “hero shots” – just some really cool photography, ranging from studio work, to portrait, landscape, and everything in between.  The concept behind the series is that each page can be torn out (they’re perforated) so you can go and try to duplicate the effect in your own images.  I tore a few pages out of the books to show you the idea in practice.  Keep in mind that it seems my scanner is having some issues, so the image quality here is not very consistent nor is it necessarily accurate – the end result in the book look much better!

Sample 1 (back)

You can see the front image (left) shows the end result, and the rear of the page (right) shows the setup with how and where things are positioned.  I do wish he would have included the technical data such as aperture, shutter, ISO, light settings (1/4 power, manual, TTL, etc.), but it’s a neat idea regardless.

Here’s the rest of the sample images…

With 25 pages per volume, it’s nothing too meaty that will leave your head swirling with technical minutia and yet it’s got enough creative directions from all the contributing photographers to give you plenty of ideas for inspiration.   It’s all a lot like “lighting recipies” with a boiler plate template, from which the author (and contributing photographers) expect you to springboard from.  They give you enough to get up and running, but not enough to completely duplicate w/out a little of your own flavor and tastes in to season appropriately…

Depending on where you are and what you are looking for – this could be a two thumbs up or one to skip.  For me personally – I love getting creative and inspirational ideas from other photographers, so this medley gets two thumbs up!  Cool idea, well implemented, and lots of inspiration going forward!

Garbage leads to Beauty

Tuesday night is trash night in the Anderson household – and whether mild and comfortable, or sub-zero and bone-chilling, it’s my job to gather all the bags and roll things out to the curb on my appointed night.  Last night was no exception.  However, even in such mundane tasks as “taking out the trash”, one can find beauty and art if you are open to it.  Thankfully, I was on this night.

You see, not only is it trash night, but this also is going to be one of the coldest nights I can remember in Colorado – we are on pace to be at 17 below zero by morning!  Like I said – bone-chilling!  In our house, that translates to fires in the fireplace.  A bundle of wood costs around $3 and it heats the entire house to where we almost have to open windows.  So, we needed no encouragement to add the warmth of a fire last night.

Also, as an admitted “guy”, there is nothing more fun than poking and stirring a fire, whether it be in a fireplace or in a campsite.  So, my face was naturally glued to the fire for most of the evening.  Twist twist, poke poke.  Then a log here and there…and some old cardboard I tore up to throw out (remember, it was trash night).  The smell of the crackling wood and ash is still lingering in my mind too.  That, combined with a nice red vino made for probably one of the most relaxing evenings.

Fireplace Flames

It was quite relaxing too…and even Tracy joined me for a few minutes of quiet time just gazing at the embers before finishing things up for the night (a.k.a. the trash).  The flames from the fire, still flickering inside my head, were doused by the chill of the air on stepping out to the garage.  The frost already on the door was right there, in my face, reminding me of how cold it actually was/is outside.  (Bone-chilling, in case you didn’t get that yet.)  And right then, it hit me – frozen snowflakes of ice on the window – with the light coming down behind it…just gorgeous!

Cold and Ice

When thinking about these two images, and how much I liked them, it dawned on me further that these are great examples of how juxtaposing themes can work really well together…and it all came from taking out the trash!  The point:  keep your eyes open, the next dose of inspiration can come from anywhere, even the most mundane task on the planet!  And wit an amazing contest going on now – this is as good a time as ever to keep your artistic eyes open!