Shooting tethered with Canon gear


I’ve not seen much coverage of how to shoot tethered using the Canon proprietary software, so for today’s post, I thought it might be useful to offer the Canon perspective here (since the blog bears the moniker of my camera vendor of choice).  For those who are Nikon shooters, I would highly recommend reading the post Scott Kelby did a while back that shows how to shoot tethered into Lightroom.  While he walks you through the Lightroom element, he then discusses the Nikon approach… the counterpoint here is to take a look at the Canon approach.

To start off – a little explanation of what tethered shooting is would be helpful.  Tethered shooting means you have your camera connected to your computer or laptop (usually a laptop for portability purposes).  This allows you to shoot straight into the computer with direct saves.  There are a couple advantages to tethered shooting.  First off, you don’t need any media cards, because the camera is transferring straight to the computer.  Second, regardless of what size LCD you have on the back of your sensor, nothing will compare with a 15″ or 17″ monitor.  You can see greater detail, see a broader tonal range, and get a much better handle on the finder points of composition when it comes to things like posing, lighting, and minimizing distractions that you could likely miss when using a 3″ LCD of your camera.

Okay, so now that we know when and why you would shoot tethered, and given an appropriate nod to Scott Kelby for his coverage of the Nikon version, here is a Canon-centric approach to tethered shooting.  Since the Lightroom component is already pretty well covered, I will just be limiting the discussion to showcasing the settings, screens and considerations to take into account when configuring the EOS Capture Utility.

When you first start the EOS Capture Utility, you get a rather unassuming window that doesn’t look like much:

Startup Screen for EOS Capture
Startup Screen for EOS Capture

It’s pretty straightforward – the top button would be used to download images if you are importing from all your images off a CF card.  The second button would enable you to select which images to import off a CF card.  More relative to this content is the Camera Settings/Remote Shooting button and the Monitor Folder button.   I’ll get to those in a minute.  Lastly, it’s helpful to draw your attention to the Preferences button on the lower right – this is the one  I’d like to take a closer look at now.

When you click on the Preferences button the window will change:

eos2

From here, you now have access to all the details of how you want to configure your tethered shooting options, starting out with the basic settings (see the drop down menu in the upper left).  This first setting tells the EOS Utility what screen you want to show when you first start the software.  This really is a matter of personal preference, but I would recommend the main window so that if you want to change your preferences, you can do so easily and quickly – often with software preference settings will require you to restart the program, so if that must happen, it’s always best to do that at start-up.

Moving right along, let’s take a look at the other preferences settings:

eos3

The Destination Folder Preferences

This should be pretty self-explanatory, but in the interests of covering each aspect, this is where you can specify what folder you want to save your images to on connecting your Canon camera to your computer.  For the purposes of this demonstration, I created a folder called EOS Capture and put it on my desktop to use as the destination folder.  To point the EOS Utility to your destination folder of choice, simply click the browse button, as shown:

destination2

Note that the EOS Utility does a nice little thing here – it creates a subfolder by date so helps to keep your images organized whether you are downloading images, doing remote shooting (tethered shooting), or set a monitored folder for some third party application (like Lightroom).  If you are going to be doig remote shooting, here is where you would likely select the remote shooting option so that when the camera gets connected, that specific task will create a subfolder and get you ready that much quicker.  Here, since I don’t have the full hardware connection, I am just going to leave it on the default setting and select the folder I created on my desktop:

destination


File Name Preferences

If you want to change your image names from the default of _IMG_1234.jpg to another more descriptive naming convention (say JamesSmith.jpg this would be the place to do it.  The options are shown below:

filename1

If you choose to modify your images, you can elect from many options, including the option to customize for your needs – just click the drop down menu to select your options.  By default it’s set to Do Not Modify so I’l just leave that here to show your options for filename formats:

filename2

The next option here in your filename conventions is where you can define custom naming conventions, either by subject name (JamesSmith), event (SmithWeddding), or whatever convention works for you:

filename3

Feel free to customize these as you prefer for your own shooting conditions and, well….preferences!  Moving right along now…

Download Images Preferences

download

Here is where you tell the EOS Utility what to do with images as they are generated.  It’s pretty straightforward… the options are:

downloadoptions

Remote Shooting Preferences

The remote shooting preferences here are also pretty straightforward:  Do you want to save your images to a card or not?  Do you want the software to rotate your images if needed to show the right orientation?  Depending on your preferences, check or uncheck these boxes:

remote

Linked Software Preferences

Last but not least, do you want to use another piece of the Canon Software family of products to work on your tethered images , whether it be Digital Photo Profesional (aka DPP) or ImageBrowser:

eossoftware1

Since my work flow incorporates the Adobe product line (Lightroom, Photoshop, etc.), I would suggest choosing “None” here, but again, that’s why these are called preferences.

Once these Preferences are set, go ahead and return to the main window, then click the Monitor Folder option, because there is two last items that merit discussion here:

The Monitoring Folder

monitor_folder

Note that the folder has been specified for me, but Canon has generously recommended that I take advantage of a specific Canon hardware connector to connect the camera and computer – the WFT-E1 Wireless Transmitter.  These are available from most camera retailers and e-tailers, but I like B&H so that is the one linked (and the price is fairly reasonable at $999.99, so if you get one, let me borrow it to review here on the blog! 🙂 ).  Basically what this allows you to do is shoot “tethered” to the computer, but without the tether…pretty cool stuff!

The Software Version

I created this post using the older version of the EOS Capture Utility, primarily because I had not used it since I owned my XT.    As with any software though, as camera bodies are added to the vendor family of products, the software must update too.  On capturing all the images for this post, I did not think the software would be what updated, only the camera drivers.  Clearly, that was not the case as the software itself has undergone a colorful transformation since then, and is now at its most recent update as of just last month at 2.6.1  You can download it and update via the 40D web page here (where I got mine just earlier).  The upshot though, and why I am keeping the original screen shots, is because functionally nothing has changed – there are just more camera drivers added to the library. To get your own drivers for other Canon cameras to use with the EOS capture, go to the main page here and select your camera…

Finally, I wanted to share a very short video from what the new interface looks like and how to use it when shooting in “tethered” mode:

So, there you have it!  My down-n-dirty summary of the Canon EOS Capture Utility – with photos, text, and video!  A virtual cornucopia of media to look at the feature set.  Enjoy the material!  I’d love to hear your thoughts, hear your feedback and get suggestions (other than checking the software for updates before I write the post! 😀 ) on future material that may be useful.  Don’t forget too – that contest to win a copy of Adobe Lightroom (which you can use to edit shots taken in tethered mode!) is going on through the end of May, so don’t delay – get those contributions in today!  One shot could be worth a free copy of Adobe Lightroom!  That’s it for today – have a great one, Happy Shooting, and we’ll see you back here tomorrow for the latest in photography composition.

Cactus, Trigger, Zebra, Oh My!

Remember the old game of password where you said a related word to one on your card to get your partner to guess it?  Well, here goes:  What do the words cactus, trigger, and zebra all have in common?  If you answered “flash photography” you’d be right!  As you may have realized, that does mean that the podcast will not come out today – I simply didn’t have time to get all my thoughts and notes together.  So instead, here’s a review of sorts that I did just earlier this evening.

A while back I decided to ditch the Canon ST-E2 wireless trigger for a number of reasons – those being:

  1. It relied on line-of-sight
  2. It didn’t have a very good range
  3. It wouldn’t work with non-Canon gear

I, like many others, have been salivating over the new developments in radio trigger technology.  And, at my last job, I had access to multiple lights, strobes, and such for experimentation.  So, in order to do said experimentation, I decided to invest in some Cactus Triggers that I purchased off an online web vendor (I forget the vendor off the top of my head – search the archives and I am sure it’s there…).  Much to my chagrin though, it would not work with my Canon 550EX flash.  So, when I left my previous job, it was back to the ST-E2.  In order to spur some motivation to invest in some more serious lighting gear on my own, I decided to sell the ST-E2 to fund the purchase of some Cyber Syncs.

Long story short, I ended up with no off-camera method to trigger my one flash unit.  So, I was back on-camera.  Needless to say, ambient light photography was a large focus for that time period.  Well, after the economy stabilized a little for the household with my state job, I decided to invest in the Cyber Syncs – but as a measure of insurance, wanted to make sure the devices would work in my 550EX (the 550EX does not have a sync port).  So, a quick email to them revealed that a neat little device from the folks over at Flash Zebra would make the Cyber Syncs compatible.  A mere $14 later and the device arrived late last week (while I was in SC).  So, next month the Cyber Syncs will be making their way to my doorstep.

In the meantime, I have these Cactus triggers, and I thought with the inclusion of a sync port, perhaps I could jerry-rig something together.  With the sync port going out to what looks to be an RC-mini, and the receiver also going out to an RC-mini, I needed a way to join two RC-mini’s together.  A quick dig through my various buckets of cables and connectors revealed a dual mini that is normally used to connect to headphones to a single audio.  Worth a shot, since it’s only about $50 total invested.  I connected everything together to get this:

lightcables

On your left is the trigger that came from Cactus, to the RC male.  A reducer on that took it to an RC-mini male.  In the center is the well-hidden PC-sync device that came from Flash Zebra.  (For a better picture, see below…)  A female sync port on that was able to connect to the male sync port that was included with my Cactus gear.  That also went to an RC-mini male.  These are both connected on the right to the y-connector that you would typically see two headsets connect to the same audio source.  The technology is the same, so it’s worth a shot right?  (No pun intended…)

I fired off a test shot from the 40D and it worked!  So, how well would it work?  What kind of reliability would there be?  I took the flash into the next room and fired the trigger from a further distance away…about 20 feet.  Flash!  Then I took the trigger around the corner and fired it.  Flash!  How cool is that?  Another set of tests was needed.  One where radio waves wouldn’t bounce all over the place – outside!  If you recall, I interviewed Scott Eccleston from Weekly Photo Tips a while back, and a recent post of his armed me with a good testing method of the Cactus triggers.  Armed with the inspiration of this video, I enlisted the aid of my wife and took to the great outdoors.

I began with a fresh set of batteries in both the trigger and receiver, as well as the flash.  Starting from ten steps away from the flash, I tripped the shutter – flash!  Twenty paces – flash!  Thirty paces – flash!  Fourty paces – nada.  Hmmm…tried again – nada.  So, I moved back to 35 paces – still nada.  A couple steps closer and it flashed again.  About four more tests at this distance and I had 100% flash rate.  Starting back to my wife, I counted the paces, 1-2-3… all the way to 33 paces.  At an average gait of 3 feet per pace, that’s an outside range of 99 feet!  Considerably better than the ST-E2 and at a third of the price!

For posterity’ sake, and since I am in a very casual way reviewing the PC-sync adaptor from Flash Zebra, here’s a better shot of just that device.

zebra

Also for posterity sake, here’s a view of the trigger that attached to the hot shoe of the 550EX:

trigger2

A Dose of Inspiration

For those that are keeping up via feed reader, you may have noticed some Flickr additions over the weekend.  As the “What’s This?” arc came to completion, I thought it might be fun to compile all the images into their own dedicated set on Flickr for everyone to enjoy.  As it turned out, I had not been keeping up with cross-posting images there as much as I had thought, so it took several visits back and forth between the site files and Flickr to get everything together.  The Flickr images show up as their own feed posts, so there were a few extra feeds over the last few days.  It’s rather fun to see the collected images all in one place, and it also brings a project to completion.  See the complete 22 week collection here:  What’s This?  Flickr Gallery

Seeing projects come to completion can be a motivating force and can drive inspiration, so I’ve also brought myself current with the latest photography magazines.  Most especially relevant for today was the latest issue of Rangefinder magazine.  The web version can be found at www.rangefindermag.com and is enjoyable to be sure, but the print version really shows so much better.  Get your copy off newstands  – this issue is well worth it!  Artists such as Dixie Dixon and Jay Stock give a great dose of inspiration and demonstrate that anyone can be successful if you have the passion and inspiration, no matter if you are new to photography or have been around the block a few times.  Also in this issue is an excellent article on creating your own fine art photography books.  The price tag is high, but the end results seem pretty amazing!

From the blog front:

  • I also would like to take a moment to thank Crash Taylor again for his Thursday Thoughts interview last week.  Some great imagery in there also serve as excellent sources of inspiration, so be sure to stop over at his site and see the latest developments he has to offer.  Thanks Crash!
  • For those of you that have not downloaded the podcast yet, be sure to take some time to give it a listen – you can win the new Streetwalker backpack from Think Tank Photo!  I did my review on the show, and am giving the back to some lucky listener.  Find out how by listening to the show.  It’s a $140 value and you can have it for free!  How’s that for a dose of inspiration?

Feel free to share your images too – remember, at the end of the month, I will be doing a montage of all the images submitted to the “Flat” theme thread over at the Canon Blogger Flickr presence to feature here on the blog, so get in while you can to win fame and fortune!  (Well, maybe not, but it’s always fun to see your images online, right?)

The Show Must Go On…

While the folks at Personal Life Media continue to work behind the scenes at getting the show re-branded, I’ve been encouraged to keep producing podcasts so, this week, the podcast returns.  I have a couple fun segments including a more detailed back story from The Boneyard Beach post earlier this week, the Think Tank Photo Review, and some blog/podcast housekeeping including the inside scoop on how you can win the Streetwalker bag I reviewed!   Be sure to get this week’s episode so you know what to do.   The bag is valued at $140!!!

As you may have noticed if you’re picking up the feed, I am also uploading all the “What’s This” images to the Canon Blogger Flickr Pool.  As that content arc has ended, I thought it might be fun and of interest to see the entire gallery of photos that have gone up on that subject over a period of roughly 23 weeks.  (Almost half a year of images there to rack your brain on!)

As we head into the weekend, be sure to take your camera with you -never know when a photo opportunity will present itself, so as the Boy Scouts always said:  “Be Prepared!”  Happy shooting and we’ll see you back here Monday morning!

Podcast Artwork

Did anyone else know this?  In prepping the podcast for the transition to PLM, I am finding myself with a number of things to do, including:

  1. Composing a headshot
  2. Writing a bio
  3. Sending them images to use for the artwork

I guess the first two of these make sense, but having to pick 2 or 3 of my best photos?  Man!  Remember the post about reviewing your work I made a while ago?  It seemed like a good idea at the time, but as it turns out, I’d be dead in the water now if I hadn’t done that.  Since I did 2008, I was able to apply the same criteria to all my images from previous years too, and now I am down to about twelve total from each of the last 3 years.  To see your work culled down into 36 photos is pretty humbling.  It shows that I have made certain strides, but also that I have only scratched the surface.  As I cull those 36 down to 3, here is one that stands out for some reason:

Reflections

I’ll share more as I get this into a more manageable state.  Don’t forget to tune in tomorrow when I’ll have the Think Tank Streetwalker bag review completed along with photos of how it stacks up too.  Any other products you would like reviewed?  Share your thoughts in the comments!  In the meantime, happy shooting, and we’ll see you back here tomorrow!

The Final Broadcast… of 2008!

That’s right, this week is the final podcast broadcast for CB this year!  It’s a good one though with an announcement of the new product line I’ll be reviewing.  For those of you getting this in feed readers, here’s the short version:

  1. Christmas Wrap-up:  A few last minute gift ideas for the photog-type in your circle
  2. The New Product Line Review Announcement (you gotta listen to find out! 😉 )
  3. The Value of Starting Over
  4. Listener Questions and Answers
  • Dave from PA – Hot shoe flashes:  tungsten or flourescent?
  • Lynn from WI – Are 3rd party batteries safe?
  • Kevin from CO – Best way to learn photography

Tomorrow, the last What’s This of the Year, and then lights out…nothing again until next week. The next edition of Thursday Thoughts will come back the second week of January (I couldn’t find it in myself to ask someone to put something together for New Years Day any more than Christmas Day!) That means you’re actually gonna have to spend time with family, friends, and loved ones for a few days. Oh darn!  Hope that shopping is almost done!  If not, be sure you tune in for those last minute gift ideas!  Thanks for tuning in and we’ll see you back here tomorrow!

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P.S.  What made this week’s podcast different from any other podcast I’ve done this year?  (Other than the fact that it’s the last one of the year…)