Wacom Bamboo Fun: Hardware Review

The good folks at Wacom were kind enough to donate a Bamboo Fun to me for review on the blog a while back.  In order to really get a full handle on it though, I wanted to use it within the context of my at-home work flow.  You see, I’m not a newcomer to tablets, as at work and through  previous experience, I’ve grown quite accustomed to their usage.  I’ve had to instruct people on how to use, configure the basics, and such on their computers. as well as used them in many of their varying sizes (most recently being the Cintiq).  Having said that, I’ve never really had the need to incorporate a tablet in my home work environment for a number of reasons.  Before I get into the reasons though, let go over some of the basics…and rather than a listing of pros and cons, I am following a slightly different format this time. I should also give fair warning that there are a LOT of pictures coming, so for the graphic avoiders in feeds, you may want to visit the site…

Installation

Installing this product can’t get much easier.  Regardless of whether you are running a Windows or Macintosh environment  (it really doesn’t matter a whole heck of a lot) the system will auto-detect the drivers for your Bamboo fun.  Still, it never hurts to go through the CD installation on their provided media, so I thought I’d share with you the process (and a few bonuses) of installation.  It’s pretty much identical, but I am showing the screen shots from Windows:

Here’s the main splash screen where you can choose what to do, ranging from installation to viewing video tutorials, or browsing the CD contents…

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I opted to do the driver installation first, and got this following message…

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Then the notice that the pen drivers were being installed…

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Then notification that installation was complete…

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After finishing that, I was offered the video tutorials on how to do different things.  For first-time users, a very useful resource…

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And finally the extras that are included on the CD.  I am not sure about files with an extension of x32, but believe this is a carry-over from Macromedia software like Flash.  Since I do not own Flash, I can only guess based on my own research…

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Ad additional CD also gives you a copy of Photoshop Elements 5, Nik Color Efex Pro 2, and Corel Painter Essentials 3.0, which also help to offset the cost the the product.  I didn’t want to open this and negate the serials or licenses of the products contained, but did scan the front side so you can see what you get in the companion CD:

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Configuration

The added buttons at the top of the tablet make for some very intuitive advancements in its usability and properties.  Rather than cover each of these in detail, screen views of each tab (there are four total) should be indicative enough of the control and customization you can get:

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Pop Up Configuration

The pop-up tab is probably the only tab that isn’t completely self-explanatory, so let me delve into a little more detail here. The reason why is because you can program common keyboard combinations (like the ones I referenced in my post last Friday) to be controlled from the tablet (provided you have “Pop-up menu” selected as on option on the tablet tab (seen next)…

Here’s how you do it:

First, click the drop-down to indicate what it is you want to program on the tablet.  For me, the biggest advantage would be in incorporating keyboard keystroke combos so I have to switch less between kb and tablet.

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You’ll get a window now where you can define the keystrokes you want simply by typing that keystroke set in the blank space…

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The tablet will detect your keystrokes and populate the fields

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Then, give your keystroke set a name…

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and Click OK.  You can see the ones I programmed below…

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Last but not least, you can also include special keystroke combinations that are unique to your system (like Printscreen on Windows), as shown next:

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So, you can see how having the pop-up tab configured with your most commonly used keyboard combinations, as you can reduce the swapping between inputs even more!  Very cool!  And here’s what the right-click menu looks like once inside Photoshop:

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But, make sure you have a button set on the tablet to “drop down” (as shown next…)

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Mechanics

Here is where your specific work flow may have an impact.  On my Windows desktop environment, I have a 19″ and a 17″ LCD, so that’s roughly 36″ of real estate that this tablet (which measures roughly 6×4″) has to cover.  What this means is that movements on a scale that size makes everything larger proportionally speaking.  You can adjust the tablet settings under the pen mode details screen to manipulate for just one monitor instead of all screens, but if I am going to use a tablet, Idon’t want to jump between that, a keyboard AND a mouse…two inputs is all I really would want to switch between, but that’s just personal preference.  But, for those that are interested, here’s how you make that adjustment in the pen settings tab of the tablet properties.  Click on the pen tab of the tablet properties, then the details button to get this screen:

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From here, change the button from “All Screens” to “Monitor”.  It will default to the monitor you have set ot #1:

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But you can use the arrows to set it to monitor two if you prefer:

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On my Macbook Pro, since I only had the one monitor, the experience was quite different as I had less real estate for the tablet to cover – with only a 15″  LCD of screen space to cover.  So the pen was much less sensitive to location on the touch pad given that less than half the real estate was needed to cover the range of the screen (and I noticed greater position control even when I did just the 19″ monitor versus the 15″ LCD of the MBP – it’s just a happenstance of the tablet size, and the only way to do that would be to increase the tablet size – at the expense of desk real estate space…pick your poison, ya know?)

Usage

Tablets rock!  Let’s just get that bias out of the way right off.  If you want the ultimate in cursor control (and when I say cursor I mean movement of your tool, whether it be a brush, a pencil, an eraser, clone stamp, whatever, it’s just amazing).  The first major difference between a mouse and a tablet is touch sensitivity.  No matter how you tap a mouse, it delivers the same intensity or strength when it paints in Photoshop.  With a tablet, this is not the case at all.  How hard you press determines the strength of the brush.  This is truly remarkable as now you can apply just a touch, or go full hog on anything you want from painting, to clone stamping, and anything you want.  To demonstrate, I created a blank document and selected some brush settings to illustrate what I am talking about.  Take a look:  from left to right are light touches to hard pressing with the pen…followed by dots of the same strength top to bottom.

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So now you can control things like jitter, hardness, and a whole myriad of options that you didn’t have before (well, at least not to the same degree anyway) with just a mouse.  I know what you’re thinking now – “Great, for graphic design that’s super cool, but how can I use this as a photographer?”  Excellent question!   Ever catch a picture where the eyes are darker and you want to brighten them up?  Well, now you can with greater ease and control both of area, intensity of the lightening (or darkening) by using the pen tool for the Bamboo Fun.  Take a look at the sample below, where I took an underexposed picture of the dog and selectively lightened the eyes and teeth, here’s the before:

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and after:

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One of the best parts is that this functionality is there in whatever application you use that incorporates brushes.  I tried it in Photoshop, Lightroom, and Corel Painter Pro (I installed a demo version of the last one for this review).  The Bamboo Fun can also expand your ability to clone things out, say a stray light pole or some telephone wires, or even the nasty -ex that you want out of that super cool shot of you in Hawaii!  The possibilities are limitless both for graphic designers and photographers.

So, this now begets the question of why I don’t have one in my home environment.  The main reason is because I’ve never had the need at home.  Most of the time I am at work, and if I need to work that requires that level of control, the work hardware has always been there for me.  Granted I’ve also gotten used to the Wacom Cintiq which has a much larger surface area, so I have even a greater degree of control over the desktop, cross-hairs, and all brushes, so it’s also a matter of being spoiled – I just can’t afford a Cintiq at home, or justify its need – I am just not that much of a re-toucher either with photos or in graphics design creation.

Additionally, for me, the use is only really there in graphic design, because I am also of the mentality of “getting it right in camera”, so I don’t like to do a lot of edits in photos.  Of course no one is perfect so I do occasionally need to do some fine tuning that requires a tablet.  In cases when I do, I just take the photo in to work and do the retouching there as the tablet does give a much greater amount of control than any mouse or trackball will.

When I’ve not been successful in camera, it’s not that my home work flow is good enough, it’s just that the tools are already there for me if needed at work, so the financial justification really hasn’t been there.   As my personal usage has been increasing lately though, I must admit that I am thinking more and more about adding a tablet to my home work flow.   So, would I would recommend this?

Yes!  This would make a great tablet for anyone who does not have access to a tablet elsewhere, or if you are looking to enter the tablet market – the Bamboo Fun is a great entry level tablet, that takes up minimal desk space while offering a maximum range of precision and control.  I think for my own personal usage, I would probably prefer a larger tablet because I do have the desk space, and have been accustomed (as I said) to the Cintiq, so perhaps the Intuous 4 would be more easily incorporated…but only time will tell!)

Finally, as prone as we are to repetitive motions, and with conditions like Carpal Tunnel Syndrome becoming much more common, the tablet does offer a much less repeated motion tendency than a mouse or a tablet.  So, if you make the move to a tablet, you are only decreasing your chances of things like Carpal Tunnel and repetitive motion problems in your wrists.

Two thumbs up (in Siskel and Ebert style) for the Bamboo Fun from the good folks at Wacom.  Many thanks for the demo product, and I am sure the listening/reading audience appreicates their generosity as well.  Happy shooting everyone, and we’ll see you back here tomorrow for an exciting software review that includes the announcement of our latest contest, which is starting in July!).

Painting with Light

About a year ago, Joe McNally gave a talk at Google where he referenced the roots of the word photography.  The two roots are photo and graphos, and the meanings are light and write.  We so often hear of people “painting with light”, and after seeing a few people demonstrating how they use flashlights to paint and write with light, I thought it might be fun to give it a whirl.  So, I set up in my den/basement room/office/man cave with the camera on a tripod and went about the goal of writing with light.

To set the scene, I put the camera on it’s lowest aperture for the lens (f3.5), and this way everything around would get thrown out of focus.  I set the shutter to 5 seconds, and the ISO to 100.  That way I would have enough time to draw each letter, and produce little noise as possible.

Next was to set a point of focus – enter my light stand as a model.  I set the focus on that (about 6 feet away), and then switched to manual focus on the lens so the point wouldn’t change.  Next step – mark the floor so I know where to stand (anything works – for me it was a USB flash drive).  Finally, I moved the light stand out of the way and started to eliminate other sources of light, as  I also wanted the surroundings to be completely dark.  So I turned off the computer (monitors give off an amazing amount of light, closed the blinds (even at night, street lights can push stray light into your image), and shut the door to the room.  Working off the handheld flashlight now, I changed the camera to start on a 10 second delay to give me time to get into position.

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The rest is in the post processing.  Since I was in the middle of re-installing Windows and freshening things up last night, I’ve not had time to composite these together, but you get the idea of where I am heading!  Give it a try yourself – painting with light can be fun!  Have a great weekend everyone, happy shooting and we’ll see you back here Monday morning!

And the winner is…

Blooming Orchid, by photographer John Dunne, of Ireland.  He’s got quite a nice portfolio of images too over on his Flickr photostream, so do stop over and give him a little kudos, pat on the back, congratulations, etc. as he’s won the Adobe Lightroom Contest here at Learning Digital Photography!  His winning image (surprise surprise) is a blooming orchid, shown below:

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Congratulations again to John for this beautiful shot.  I know I said it before but it is worth saying again that the decision was a very difficult one to make as there were so many excellent images contributed!  Thanks also to the folks over at Adobe for their generous contribution, and to all the participants for making this first contest a huge success!

Happy shooting and we’ll see you back here again tomorrow!

Grab the Feed

And then there were three…

First off, some software news that we all may want to stay abreast of – Adobe has released the latest updates for Camera Raw and Adobe Lightroom.

The ACR update applies to CS4 users, Elements 7.0 users, and Premiere Elements 7.0 users, and includes raw conversion algorithms for the Canon 500D, the Powershot XS1 IS, the Nikon D5000 and several Hasselblads, as well as some other camera updates for Olympus, Sony, and Pentax.  It’s version 5.4 and is now out of beta and available for download.  The updates for Windows and Mac are available here:

Camera Raw

For Lightroom users, the update takes you to the latest stable release of version 2.4.  So, if you are running version 2.3 or earlier, this update is a recommended one for you.  It basically is the same as the ACR update for Photoshop and other programs, but since there’s no secondary GUI for the converter portion, it’s just built into the program update.  You should be able to over-install it on top of your current installation, but as with everything else, I always recommend backing up your system and important files prior to updating things like this that can have an impact on your entire library.   The downloads for Windows and Macintosh are available here:

Lightroom

Now, onto the more exciting news…speaking of Adobe and all, as you may recall, there was a contest held here at Canon Blogger on the Learning Digital Photography podcast a while back and the winner is slated to get their very own copy of Lightroom from the folks over at Adobe.  Well, I am happy to announce here today that The Adobe Lightroom Contest has entered it’s final phase here at Canon Blogger/Learning Digital Photography!.

As you  may recall, as alluded to above,  a few podcasts back, I had the honor of sitting down with Tom Hogarty and talking shop about Lightroom, it’s purpose, development, and lots of fun stuff about photography in general.  At the end of the show, Mr. Hogarty generously donated a copy of Lightroom to some lucky listener of the podcast.  We started a photography Flickr thread, and the entries started pouring in.

After 58 entries came in that met the criteria we were looking for, the contestants were narrwoed down to 10 finalists, which were then compiled and put on display here at the blog (and you can see all of them here).  We now have narrowed the field down to three possible contenders for the grand prize of the Lightroom software.  We’ll talk a little more amongst myself and Mr. Hogarty to see which is the “best of the best”, but the three that we are now in our final phase of considering are:

Blooming Orchid


Black-and-white Magnolia Blossom


The Foggy Lighthouse

Once we have the grand prize winner determined, one of these three people will have a copy of Photoshop Lightroom arriving on their doorstep soon.  Thanks again to all the entries – we’ve actually worked quite diligently on this to really get a sense of which image captures the essence of both photography, what Lightroom processing can do for your creativity, and also purely on the artistic merit.

Again, thanks to all the entries for the contest – the latest one is still going on for another week – the winner will get a 33% discount code to FotoQuote Pro – and to enter that all you have to do is make an entry here on the blog!  (Limit one entry per person per day).  Keep on shooting and sharing – happy shooting and we’ll see you back here again tomorrow!

Software Review – Genuine Fractals 6.0

Don’t get too excited – no software giveaway on this one folks, as I’ve not had a chance to call OnOne yet and see if they’d be interested in participating in a contest.  Instead, I am working off a trial version of one of the premiere up-sizing software programs on the market – Genuine Fractals from the good folks over at OnOne software.  Available for both Mac and Windows, this product really has developed a good name for itself in the industry.  While reputation may precede it, I have been wanting to give this product a try for some time now, so here we go!

To do this review, I decided to just share the work flow on a particular image that I happen really like, but because it was a pretty heavy crop, never really had a chance to see it in print very large as the limitations of Photoshop prevented more than a 4×6 image.   The first step was to open that image:

before
Here we’ve got this heavily cropped image of a butterfly I liked – and the capture shows the image is a 600px photo.  Way to small to print – I want at least an 8×10.  So, after installing Genuine Fractals, I loaded that in Photoshop by going to the File | Automate option and it showed up in there:

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So, after selecting that, I got the GF window, which shows the current image dimensions, and the upsizing options, as shown below:

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You can see the default dimensions of 2.5×1.72 just will not work for anything useful other than a desktop background or a postage sized stamp.  I need to make this bigger.  So, I plugged in the values that would take me up to an 8×10, and in this case the aspect ratio wasn’t exactly on, so I took the short side up to 8″, and that put the long side at 11.6″ roughly.  Nothing I can’t crop out a little as I move through post, so here’s the larger sized image.

Butterfly

The little dots are the logo of OnOne software so yo can disregard that because when you purchase the software, those go away.  Instead, click on the image and zoom in on the antennae for a better idea of how it handles the up-sizing process.  I was actually pretty impressed.  Granted this image is unusable as it stands because there is too much jpg artifacting since I was working off an already processed image, but if I was going off the original raw, the results would likely be that much better – and the results are much more impressive.  Take a look at this next one.

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That”s the original file, a roughly 15×10″ image, cropped to about the same dimensions and then sized for the blog here.  I’d include a hyperlink to the re-sized version, which blew up to about 75″ on the long side, for the same approximate increase in percentages (500% – GF claims boosts up to 1000%), but it really is too huge to accommodate on the web.  Besides, since it is copyright-protected, just putting that large a file out there is like – oh I dunno – like leaving your garage door open for thieves to steal your car! 🙂 ! Think about 75 inches though!  That’s like 6 foot wide.  We’re talking billboard sized posters now, and the degradation in image quality is much less because I was working with the original file.

So, whether you are trying to recover size from an accidentally compressed image, or trying to increase an image to use in large applications – you can see how Genuine Fractals might be a route to consider.  It may be a pricey option at$300 retail, but when you sell just one billboard print – the software expense is covered.

I’d give GF6.0 a two thumbs up just because it produces such impressive results.  To me, the proof is in the pudding!  So, what do you all think of the software?  Does anyone else use it?  I’d like to hear others opinions, as well as some alternatives if you have any.  I am pretty convinced, and should I ever need to up-size, I know where I am going from here!  Happy shooting and we’ll see you back here tomorrow!

A dash of splash

First up – another web gallery of water drops – this time with a neutral black background that I developed in Lightroom.  I am tellin’ ya – this product is just too cool!  Photo management, editing, tagging, and gallery production all in one – what’s not to love?

Also up today, a little shout out to Dave Zarzacki, who owns a like new Canon XSi in mint condition, but just doesn’t need it in his gear bag (he’s trying to round out his collection with an SLR that will take all his current lenses).  It’s a great deal which includes the following:

  • XSi body (black) – $640 value from B&H
  • Canon 18-55 IS lens – $60 value as part of above kit from B&H
  • Tiffen UV filter – $7 value from B&H
  • 2 4GB SDHC cards – $25 value from Amazon
  • Gary Fong Puffer flash diffuser – $20 value from B&H
  • M-Rock Yellowstone bag ($54 value)

Individually, this would sell for over $800 easily, and Dave is only asking for $650 plus shipping.  I know the guy personally and can say that he knows how to take care of gear – this stuff will not have a scratch or scuff and will work as though new.  A great deal for someone starting out!  Any takers?  Drop me a line to get his email address and information.

Finally, for today, the Sigma lenses are in, and I can’t wait to start the review process on these this weekend!  Already found a few features that are just too cool for school!  Some other gear review items are on deck too – but I want to hear from you!  What do you want to learn more about in the way of products, gear, accessories, and such?  Sound off in the comments or with me via email!

Happy shooting all and we’ll see you back here tomorrow!

Grab the feed

Airtight Viewers – Web Gallery Options Reviewed

Initially, this week was supposed to be the second in a series of software review posts to take a more detailed look under the hood at Photoshop Elements as an alternative to Photoshop Creative Suite.  Truth be told though, the more I poke under the hood with Adobe’s Lightroom, the more hooked I get.  One of the absolute best features (in my opinion) is the web gallery options available to you in Lightroom.  The options are endless!  You can go from standard HTML, to Flash-based templates, and hybrids, with customizations galore.

One of my favorites though, is how Adobe integrated a certain type of web gallery – those from Airtight Interactive.  Not sure what the deal was, but the delivery of images via these methods is just amazing!  So amazing, that I had to visit the website of the developer a while back just to see for myself.  The best part is that this guy developed even more than what’s in Lightroom.  I literally could get lost in these viewers, and as a fan of imagery – cannot imagine anyone similarly inclined that would not just love these displays.  Easy to install, a snap to finish, and Adobe Lightroom integration – what’s not to love.  Rather than go into the nitty gritty details, I’d rather just let the products speak for themselves in a few web galleries I put together.  There are four main ones, with three having Lightroom integration:  Simple Viewer, Tilt Viewer, Auto Viewer, and Postcard Viewer.  Each holds appeal for me, and depending on the imagery I am delivering, I can see where each may be the one of choice.

Airtight Simple Viewer

For me, the go-to one is the Simple Viewer though.  Clean, simple, easy lines, and somewhat traditionalist, the simple viewer allows for intuitive and easy navigation while delivering your images with precision and clarity.  This type of display option is great for people who enjoy looking at images, but also don’t want to have to think about how to do anything.  Just click and serve up the next image.  Clean, simple,and to the point.  Artistic types and non-artistic types alike will enjoy this for the ability to rapidly peruse many images fluidly and easily.  No muss, no fuss, just photos!

Here’s a sample gallery from a little photo project I did over the weekend.

Airtight Tilt Viewer

A little tricker to manipulate for the one viewing the show, I can see why Adobe didn’t want to incorporate this one into their web presentation.  Where the Simple Viewer is easy to manipulate for even the most simple-minded, you   actually have to have a little acuity and dexterity to maneuver your mouse to control this slideshow.  I think portfolios that would work well with the Tilt Viewer are ones that are are more edgy and off the beaten path.  The grunge type look is pretty popular right now and these galleries work well in this kind of display because the viewer that comes here is more artistically inclined to begin with, so they probably enjoy the “tilted view”.

Here’s another sample gallery from that photo project I did over the weekend, as well as the preview of it in a browser:

Airtight Tilt Viewer Preview

Airtight Auto Viewer

By its own definition, the auto viewer is  “designed to display a linear sequence of images and captions”.  Photo journalists may find the chronological characteristics of their work to fit well in this viewer, as would sequential types of shots.  Event photographers would find some appeal in this also because it delivers up a single image at a time, which gest every image some “face time”, whereas the Simple Viewer is more of a mass display where the viewer can just pick out their favorites to view closer.

Here’s that same gallery viewed in this style.  Because of the nature of this project, it actually may look a little disjointed, but only because I purged out some less than desirable shots before creating each gallery, so there could appear to be gaps.  When approached from a more journalistic approach, that element could easily be managed with more inclusion.  For RSS readers, here’s a snapshot of the gallery in a web browser:

Auto Viewer Preview

Airtight Postcard Viewer

Here, the gallery has a great blend of classic photo gallery look and feel, while also incorporating a more “regular” sense to it.  The very name “postcard” suggests that anyone could look through this album and feel like they were a part of it.  Journalistic styles and event work would find appeal here again, but this style also lends itself toward the enthusiast or “prosumer” who wants to share their works with family and friends, but wants to do it with panache or style.  My only nit is that you only get one page of photos in either the LR or PS versions so images will extend above or below your page limit.  So, with this in mind, keep your galleries under the 20 count or keep the images smaller.

And finally, the photo gallery from this perspective, and a quick view:

postcard

*****

Having seen and read about each flavor, it’s your turn now.  What do you think of this approach toward web galleries?  Any particular favorites out there?  What about other web gallery options?  Any alternative approaches that people find unique or that offer an interesting way to display images?  Sound off in the comments, and let me know what you think – one may just end up getting reviewed! 🙂

In the meantime, happy shooting, and we’ll see you back here tomorrow!

Grab the Feed

The Sigma 70mm Macro

Next up in my gear bag is the Sigma 70mm Macro lens.  This is one sweet lens.  With an aperture that goes down to f2.8 this is legally classified as “fast glass”.  It’s got some super nice bokeh, and has an impressive range for it’s sweet spot – ranging from roughly f2.0 – f11.  Seriously, it’s tack sharp through that entire range.  It’s got the characteristic touch and handling of all Sigma lenses with its brushed matte black coating.

Other features include the manual on/off switch for auto-focus, which is typical for most lenses these days, but one thing I particularly enjoy is the limiter.  While this is also characteristic for macro lenses, it helps to keep you within a certain range of focus so it doesn’t have to search as long before finding that tack sharp point.  This toggle can be turned on or off any time, so it really helps when you are in Macro mode or shooting portraits.  Oh yeah, did I mention this does a nice job at portrait work?  The 70mm fixed focal length means I don’t have to get too up close and personal like you would with a 50mm lens, but I also don’t have to be as far away from the subject so it’s still fairly easy to interact with subjects.

If I had to list downsides, they would be that without the limiter on, it can take a while to focus, and that it is somewhat noisy when it is searching.  I am very spoiled by the USM features of Canon bodies, and wish I had the Sigma equivalent (HSM – Hypersonic Moter), but that was just not available in this lens at the time (and don’t think it is to date…).  Lastly, I don’t like how the lens shade prevents you from capping the lens when out in the field.  If the lens hood is on, the cap simply cannot be in place.

As with any fixed focal length lens, it forces you to compose with your feet (if you want a tighter shot, step forward a few paces, and if you want to go wider, step back).  But it does give you tack sharp results each and every time.

Here are a few sample shots I took with this lens, both in normal mode and in macro mode over the weekend for this post.  My in-laws were in town so we did the tourist-y thing.  First off, we visited the Hammonds Candy Factory where pictures are not only welcomed, but encouraged – so, my camera in ahd with 70mm attached (intentionally only went out with one lens each day…), I got some good samples of each category, except Macro (you need a tripod most times when shooting Macro work – at least I do in anything but the brightest light!):

Still Life

Candy Form Press
Candy Form Press

Some of the wonderful candies at Hammonds

Candy Swirl
Candy Swirl

Weights and Measures

Weights and Measures
Weights and Measures

Portrait

Cute as a teddy bear!
Cute as a teddy bear!

There you have it – the 70mm Macro f2.8 from Sigma – the third lens in my bag.  Coming up next week, the 70-200L f4.0.  it’s an oldie but a goodie!  What do you think?  How does the Sigma 70 Macro stack up based on what you’ve read here?  Like it?  Love it?  Hate it?  What other macro lenses do you have experience with?  Share your thoughts in the comments!  Happy shooting and we’ll see you back here again tomorrow!

Don’t forget about the Adobe Photoshop Lightroom Contest announced over on Learning Digital Photography!  Win your own copy of LR by sharing images in the Flickr thread here!

Photo Contest – Win Adobe Lightroom

Happy Saturday all.  It’s a rare weekend post here – since Friday was silent.  Two things – first off, Happy Mothers Day to all the mothers out there!  Second, as the podcast on Tuesday announced, don’t forget the first ever Learning Digital Photography Contest is under way – all during the month of May, submit your shots to the Flickr group (2 entries per person) for your chance to win a copy of Adobe Photoshop Lightroom 2.0!  Not only is it a great chance to win this wonderful program, but a great way to get increased visibility of your work and to network with others.

Information is available in the podcast, but you are welcome to just submit your entries directly to the Flickr group.  This is a prize package worth $300 retail, so definitely one worth entering!  Good luck and happy shooting!

Podcast

Flickr Pool

Comparison photos from 10-22mm

Earlier this week on the blog, the 10-22mm Canon was reviewed, and in the comments, Julie asked if I could provide some comparison shots.  So, in the interests of demonstrating the perspective change (and provide a few sample shots of things I thought came out well), here’s a plethora of photos.  First, the comparisons… all shots were done at 1/50th, f5.0 and ISO 800 from a range of 5 feet, 10 feet, and 15 feet, and pointed straight on at the door.  No post processing was done in order to preserve as “raw” a comparison as possible…

At 5 feet on the kit 18-55mm

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Now5 feet  with the 10-22mm:

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Notice how much more of a range of view the 10-22 has even at 10 feet?  So much more can be seen now both high and low (notice the tape measure I have in there for scale?)!  Moving right along…

Here’s 10 feet on the kit 18-55

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And the 10-22 at 10 feet:

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Again, even more range of view both top to bottom and left to right (see the book case?)  But as we go wider the differences get even more pronounced!

Finally, the kit 18-55 at 15 feet:

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And the 10-22mm at 15 feet:

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So, you can see why wide angle lenses work well in real estate, eh?  Wide angles are particularly useful in capturing architecture, and their prominence in this specific field is very well known!

Other genres of photography can benefit from its use though.  Remember the HDR shots I put up last week?  These were both taken with the wide angle:

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So, landscapes can also benefit from using a wide angle lens.  But what about portrait work?  Here is where the “group” mentality can come into play.  Here’s a shot from a family reunion I took after acquiring this lens (that’s me on the far side, camera right):

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You want to be careful about using it for close-up portrait work though, because distortion can work against you, producing unflattering looks (I am intentionally using a super small file size here because it’s really not flattering at all if used wrong):

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But of course, this is how the now famous “dog” pictures were developed, so you can try it yourself for unique looks:

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So, that’s the ups and downs, the los and highs, the pros and cons of the 10-22.  In closing, here’s a parting shot I took from the island in SC where we were having family photo ops and fun!

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Try getting that without a wide angle!  🙂  Happy shooting and we’ll see you back here tomorrow!