Three Reasons You Should Be Using a Card Reader

Card Reader from B&H Photo

One of the most surprising things I learned about during our recent trip to Brainerd, MN was that many photographers are tethering their cameras to their computers for transferring photos over for processing.  While tethering via cable is always an option, there are many risks to doing so, and during our talk, we took a few minutes to share some reasons why it’s better to use a card reader than to import from your camera.  Since there were so many people that seemed to appreciate the insights, I thought I’d take some time to share some of those insights here:

  1. Speed – Card readers have nothing else to do other than transfer data onto and off of a card to a computer.  No camera firmware is required, no menus need to be loaded, and no power is needed.  It’s a simple plug-and-play process for practically any computer and you can increase your transfer speeds significantly by taking this route over camera direct transfers.  Seriously…with the super fast UDMA cards out there today, you can really see a decrease in transfer times, which gets you on with other things even that much quicker.
  2. Reliability – Because cameras are such advanced devices that have so many working parts and components, the process of connecting them to a computer does take a certain toll and if the cable is frayed, or a connection is lost, or even power is lost, you can risk losing and/or corrupting your images during the transfer process.  Eliminate the risk of losing those precious memories you’ve created and use a card reader!
  3. Conserving Battery drain – In Minnesota it was cold!  We were in negative temperatures for a good portion of our stay, and with lower temps comes decreased battery time.  If we had to deal with draining our camera batteries to transfer images to a laptop or desktop computer, they likely would not have lasted.  It’s important here to remember that plugging a camera into a USB port isn’t like plugging in a phone or other devices.  Plugging in doesn’t charge the batter, it discharges the battery!  Something to keep in mind when conserving your battery life.

So, what kind should you get?  The answer here (as always) starts with “It depends…”  What kind of camera and card are you using? Do you have multiple cameras and multiple card format types?  Cards range in size and format from SD, CF, to Memory Sticks, and other proprietary sizes and shares.  Formats also include the new UDMA which increases write/read transfer rates, and varying capacities from extended capacity (XC) and other older ones which may require specific types of readers.  Check these considerations before making a purchase.  My suggestion though is to get a reader that can read both standard capacity cards as well as the XC formatted ones.  These can be found for as little as $5 through sites like Newegg.com and Amazon, but the better quality ones are available through camera retailers like B&H Photo, Adorama, and Sammy’s.

There are, of course, other reasons to use a card reader over a camera for data – and I could go on with a quite extensive list here, but would really like to hear from others:  what are your reasons for using a particular transfer setup?  Do you have a reader preference?  Or are you using the camera to tether?  Sound off in the comments with your own ideas and suggestions!

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Live from the Road

Northern Lights Poster

Over the weekend I had the distinct pleasure of joining my colleague and good friend Kerry Garrison (who you probably know from Camera Dojo) out “in the wild” as we traveled to the Breezy Point Resort north of Brainerd MN (about three hours west and north if the twin cities) and spoke at their Northern Lights conference.  Through the coordination of our sponsor, Nations Photo Lab, and the conference hosts, MNNPA, we had a wonderful time.  Not only did the coordinators treat us like Rock Stars (we did give some autographs though), the attendees were quite engaging too.

The pre-conference sessions were set to start at 12, and our gig started at 5.  After a few of the logistical things were addressed that always come up with hosting conferences (they even had a live wedding going on one room next to us – what a great opportunity for a bride to get a wide range of photographers applying their trade), we got rolling.  A mere five minutes into our introduction, we paused to add even more tables and chairs to the room as more and more people started filing in.  For a regional conference to have a crowd this big during a pre-conference tech talk was quite surprising, but also very enjoyable.  So, what did we talk about?

The topic was none other than Lightroom 3!  We talked about how to navigate around, some of the benefits and tips and tricks of LR to soon realize that we are very fortunate to be in the position that we are.  It was humbling to realize that we really are on the cutting edge as so many people are using Lightroom 1, LR 2, or even earlier generations of Photoshop for their workflow.  Our discussion quickly was adapted to both demonstrate why and answer questions on what makes Lightroom 3 such a useful tool for both established and emerging photographers.

The questions raised were just wonderful ranging from very broad-ranging ones like “Why should wedding and portrait photographers care about upgrading their work flow?” to ones as detailed as “Can Lightroom manage PSD files?” and “How can I keyword photos during import?”  By the time our two hour segment was up we had barely covered the import process, a little bit on the adjustment brush, and the nuts and bolts of things like cropping, selective color, and black and white conversions.

Ours was the last segment for the day and we were then invited to the after party over in one of the adjoining houses.  Food snacks, drinks and such were all available and in abundance.  With the abundance of spirits, everyone was in great spirits themselves as we laughed and talked further with lots of people about photography stuff until the wee hours of the morning.  By 1am we were done though and needed to head back to our respective cities (myself to Denver and Kerry to Anaheim, CA).  So, during our road trip back to Minneapolis for the return flight, we decided to record this show for you.  Answers to all the questions above and more are here, as well as a few photo opp stops!  Thanks for taking the time to listen, hope you enjoy it and we’ll be back again soon with more photo goodness!

Catch up with Kerry:

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Learn more about the Northern Lights Conference and MNPPA here:

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Black and White Adjustments in Lightroom 3

As a regular contributor to the PhotographyBB magazine (which you can download for free simply bu subscribing here), I enjoy putting together articles to both educate and inspire.  In this upcoming month’s issue, I am guest-writing a tutorial on Black and White editing with Lightroom 3.  As a sneak-peak of sorts to the readership here, I’d like to share the first portion of that article…enjoy!

***

The power of Lightroom has been so well documented from various outlets across the internet and magazines, I often find it surprising that such a small amount of space is dedicated to black and white photography.  This month, I’d like to take an opportunity to delve more into the creative adjustments you can make in Lightroom to bring out more in an image than just shades of gray!

There are two areas in Lightroom where you can make creative adjustments to the color to make things pop.  The first two HSL (for Hue, Saturation, and Luminance) and Color are great resources to use when you want to massage the color palette of your image.  The Black and White “tab” though, is where it’s really at.  When you click this tab, the image will be converted to an automated black and white adjustment, where the colors are converted to shades of gray – with no color tones at all.  This is where I’d like to begin the exploration:

While this can be a powerful way to present an image, the automated method of conversion is not going to work all the time (and for my tastes rarely does the default conversion work).  So, you have to dive in and really get comfortable with adjusting color tones.  To start off, I am using a pretty basic image – a red flower, and you can see that there is absolutely nothing wrong with the colored version of the image.

Red Flower

It’s got some great black and white potential though, so let’s go ahead and take it into the BW adjustment panel tab.  When I do that, the automated adjustments will kick in:

Default Black and White Adjustments

It looks interesting, but let’s see what massaging the colors just in the panel can do.  To start, since the flower was red and made up nearly 95% of the composition, I started with the red slider to see what the extremes would do on each end.  Here’s the image with the red slider taken up to +100 and then to the opposite extreme of -100…

Red Flower +100

Red Flower -100

In both cases, for me it’s an absolutely hideous image.  Clearly, there is a balance that must be struck somewhere in the middle – the question is where?  Well, now it comes down to subjective tastes.  For me, the default adjustment had the red a bit too strong – which kind of hid the morning dew of the flower, so I dialed things back a bit, taking the red slider from +22 to -20.  The droplets are now much more visible as they are standing out from the petals!

Red Flower Conversion Progress

So, now we are getting somewhere fun!  I tested a few more sliders, and ended up with the yellows and oranges slightly higher than the default settings, just to give a bit more contrast.  Here’s what it looks like after the black and white adjustments are made:

Red Flower w/ all slider adjustments

Of course there is always a bit of sharpening and noise reduction to make in post production, as well as lens correction, and even a little bit of vignette from time to time to help draw the viewer in.  Once these are done, the final image definitely has a creative look and feel to it:

The Final Edit

It’s clearly not easy to decide both when, to make a black and white conversion, as well as how much to massage or tweak it to your tastes.  The ultimate decision is, of course, up to you as an artist and photographer, but you can’t get there by avoiding the Black-and-White panel!  Take some time to explore it!

***

There’s more to the article than that, and it has been modified somewhat to make for a better blog post, so be sure you subscribe to the PhotographyBB newsletter when you have a minute.  It is free, after all, and probably one of the best sources of a diverse set of reading material you can find.  Dave Seeram, the editor, has been quite generous with his kindness and patience in my contributions!  Please stop over and give him your thanks as well…nothing but learning and knowledge to gain!

As always though, I end up being more curious than informative!  What types of black and white adjustments do you make?  Do you prefer the neutral grays, or do you like to add a hint of color to your b/w images too?  What methods have you found useful versus not so much?  Sound off in the comments as I love to hear how others are working through their own images!  Happy shooting and we’ll see you next time right here!

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What’s Going On…

A couple fun news items to share today…including some prize additions, a webinar announcement, and more!

Comment Contest

I just got word last night from Nicole that a copy of both her 60D and 7D books will be donated to the comment contest – so there’s gonna be two winners!  All you have do to is comment on the podcast post from Monday!  Yup, that’s it – no fuss, no muss – just comment and win!  Pretty generous of her and Peachpit to donate like that!  Oh yeah, and be sure to listen to the podcast, we have a great conversation about how to strike a balance in your photographic life!  All that’s available from here.

Photoshop Cs5 Webinar

The folks over at Nations Photo Lab just keep on giving!  In addition to the monthly Flickr contest (where you get $50 certificates just for playing), they’re also the sponsors of the Live Learning Lab – a free live webinar served up on the 2nd Wednesday of every month, hosted by myself and Kerry Garrison of Camera Dojo.  We just had the February one last night, and it was quite the hit!  You can watch the archived shows for free too if you can’t be in attendance – just can’t ask questions in real time.  Anyway, the archive is here

Live Learning Lab

If you’d like to participate in the March webinar – be sure to sign up in advance as we can only take 100 people.  More details are forthcoming on that shortly.

And more…

Okay, there really isn’t much in the way of “more”, but since I like to have images for every post, here’s a quickie from my own archives just for a dose of inspiration (in hopes of a Spring thaw soon!).  Happy Shooting!

Arizona Cactus

Love is All You Need

As most of you know, we took December and January off for the holidays.  This hopefully gave everyone time to recharge, enjoy a little down time and just relax with family and friends for December and January.  Well, it’s February and we are back in full force with the first contest of 2011.  The sponsor for this month are the folks over at Nations Photo Lab.  They really have ramped things up a notch for the new year, because this not only marks the first contest of the new year, it’s also the first contest where we will have not one but two winners!

That’s right, two people will be announced the winners for the February contest and giveaway!  Each winner will receive a generous donation from Nations Photo Lab – a gift certificate worth $150 of free printing!  That’s right, $150 of free printing from Nations Photo Lab! This prize is available to anyone, regardless of whether you are a current NPL  customer or not.  The theme for February, as chosen by our always talented Sue from the Flickr group (due to her win during the non-award winning off month submission) is the applicable theme of Love!

A couple new wrinkles that are being thrown in this time for such a huge contest…first off, all previous winners are usually ineligible for consideration in the month immediately following their winning entry – we are starting with a new year, so it’s also a clean slate, so everyone is eligible!!!

The second wrinkle (and probably the most exciting), is that for February only – every entrant will receive a $50 gift card to Nations Photo Lab – just for participating! That’s right, all you have to do is submit a qualifying entry in the Flickr contest thread for February to win a $50 gift card for printing on any product of your choice at Nations Photo Lab! *   So, all that’s left to say are the criteria to qualify.  It’s super easy:

  • Make sure your image is theme-appropriate (and family friendly/work safe).
  • Make sure I am able to download your image from Flickr.  (See the explanation for how to make sure I can download it here.)
  • Each image considered must be in the contest thread.
  • Each person is entitled to submit one image for eligibility.  Multiple entries will not be considered.
  • Each image must conform to the standard guidelines in terms of dimensions (longest side must be no longer than 800 pixels or shorter than 600 pixels).
  • All images must be taken after January 1st, 2011!
  • Entrants retain full copyright and ownership of images, but allow me to display the image here on the website to display when winners are announced, and in the monthly newsletter.
  • Entries must be submitted no later than 11:59pm on Sunday, February 27th, 2011.
  • Last but not least, have fun with the images you capture!

Questions about the submission process should be addressed in either the Contest Overview Page or the Rules of Engagement Page.

Last but not least, you may be interested in how to get to, sign into and participate in the Flickr Contest thread!

Good luck to everyone and remember to have fun!

*ETA:  In the interests of full disclosure, the $50 certificate is for new customers, so if you are already an NPL customer, feel free to enter your images as well, but the goal here is to not only encourage people to take pictures, but to print them, and to consider Nations Photo Lab as your lab of choice.  I use NPL almost exclusively (except in rare cases where they don’t have what I need, like printing on aluminum) and highly recommend them.  Here is your chance to sign up for an account for free and get up to $50 worth of printing just for participating in the contest.

The Winner Is…

Ladies and gents, we have a winner!

From the comment contest last week, the winner it none other than Richard Hales – a.k.a. #4 from the Random Number Generator:

Easy Release Winner

Congrats to Richard, and thanks to the folks from Easy Release for their contribution – if you could get in touch with me via email Richard, I’ll connect you both to arrange distribution of the license or discount code for iTunes.  Thanks to all for their participation!

Did you miss the comment contest?

On Wednesday I put out a review on some very cool software that is available for both Apple and Android devices – Easy Release, which lets you take digital model and property releases out with you in the field and people can sign the release right on your mobile device, using only their finger!  You can also email the release to yourself and the model as PDF files too!  It’s pretty slick, and while you have likely read the review, perhaps you missed that there is a comment contest going on to win the app for your own phone/device!  Priced at $10, and you can win it for free, just by throwing a comment up in the post!

Live Learning Webinar

In other news, the next Live Learning Webinar that Kerry Garrison and I are heading up for the folks over at Nations Photo Lab is ready for registration.  We can take up to 100 registrations for this event.  It sold out fast last time, and we expect things to go quick for this one too.  Sign up here:  http://livelearninglab.eventbrite.com For the inaugural one we covered some great stuff on Lightroom, and this go around, we’ll be talking ‘Shop (as in Photoshop)!  It’s only for an hour and it’s completely free!, thanks to the sponsorship of Nations Photo Lab!

Last Chance Sale on 49 Photo Tips, Vols 1 and 2

This weekend is also the last weekend before the 49 Photo Tips books are pulled from the eJunkie store to be completely revamped for an entirely new product line, so get ’em while you can!  The laundry list of tips (49 Photo Tips, Volume 1) is only $2.99 and the full color photo-included list (Volume 2) is only $7.99.  Get them both and save $5  (that’s nearly 50% off…) using the coupon code FINAL !

That’s it for the Friday Freebies (and discounts) for this week.  Be sure to get your own comments in for a chance to win!  Gotta be “in it to win it”!  Happy shooting and see you back here next week!

Software Review: Easy Release! App on iTunes!

Easy Release! is designed as a model release application that lets you get model release signatures straight from your smart phone (either Android based or iPhone based, which in and of itself is pretty cool!). Some of the cooler features of the app include:

  • Includes two standard model and property releases, which are accepted by both Getty and Alamy
  • You can add your own custom releases afterward (albeit a bit clunky)
  • You can personalize the releases to include your own information including company, your name, email, phone, contact information, and even a thumbnail photo of the person for whom the release is prepared
  • You can email the release via PDF to yourself, your client, or both – all within the app
  • You can add models, properties, etc. to your contact list (or build from there)

Having said the best features of the app, it kind of needs a few minor improvements though.  In the next version, let me import pre-made release forms for specific purposes.   While Getty and Alamy outlet acceptance is huge, there are other custom needs like TFCD and TFP that would be tedious to type out into the custom function area.  Let me use a PDF of my own creation and add a signature field at the end for models to sign.  Some photographers already have custom ones on file from their attornys (yes, I have a few) that are already created in PDF, and that import function would make this just about a perfect app!  The interface for building one internally is a bit clunky, and this would make things a lot easier.

In order to appeal to a broader market, lower the price a little…$10 is a bit much for an app that only has two forms.  Right now the appeal is there for those who do only model and property shoots, but the app marketplace seems to average around $5 for a high end app, so $10 is a little pricey.  (It’s not insanely overpriced – after all I did buy this app, but I would have liked to see it lower)  Yes, I know the ROI is lower initially, but you’d likely get more buyers from a lower price.  $4.99 is about the max I’d think apps would go for unless they were super powerful or utilitarian.  If the standard model releases covered more situations, then sure, but more and more, releases for things like TFP, exchange of services, and other variations are becoming the norm, not the “old fashioned” model releases, and the price is just a smidge high for my liking.  Different strokes and tolerances for sure, so some may find this completely reasonable, while others may find the price something of a barrier.

Here’s my screen captures from installing it on my iPod:

For those that are interested in getting a copy of this app – I did contact the developers, and they were generous enough to donate a license for some lucky reader – so, here’s the deal:

Share your own thoughts on the app here in the comments below and at the end of the week – some lucky reader (as determined from the Random Number Generator, based on comment #) will win a license key for this app!   Thanks to the developers for their generous donation, and thanks to everyone who takes the time to comment.  Oh yeah, try to provide at least some value from your own comments as that is what makes dialogs fun in the first place!  I’ll announce the winner Saturday on Twitter (you are following me on Twitter, aren’t yo?) and again here on the blog on Monday!  Good luck all, and thanks again to the folks at Easy Release!

Book Review: “Captured” by Moose Peterson

It’s been a while since I’ve reviewed a book here, primarily because I’ve not had as much time to really dig into a good book.  However, since Moose Petersons Captured came out, it has been on my list of books I’d like to read for a number of reasons.  First and foremost, Moose Peterson’s reputation as a wildlife and landscape photographer is pretty well known, so it’s kind of like the EF Hutton commercial – when he talks, it’s a good idea to listen.  As I’ve established a pretty good flow for gear reviews, I’ve decided to implement something similar for reading materials as well. In giving a fully detailed account, I’ll be looking at this (and all future materials) based on 5 criteria:  1)  Readability  2)  Length  3)  Writing Style  4)  Photography  and 5)  Educational Value

Captured, by Moose Peterson

So, without further ado, let’s take a look at this book in each of the categories

1.  Readability

Certain authors and writers have a flair for language – where the point is very well made with an economy of words.  Points are made concisely, without a lot of meandering, and without losing the readers interest.  Others need the help of an outline to help keep them (and the reader) on track.  I was surprised to find that this book fell into the latter category.  It really did seem to go from gear, to theoretical, to anecdotal writing styles rather quickly, with abrupt changes coming literally with little or no transition between so it made staying focused on what he was writing about rather challenging.  This may be my background and experience in higher education, but I also found some of the grammar and sentence structures kind of awkward to read.  I got what he was trying to say, but sometimes I found myself re-reading sentences, paragraphs, and other sections more than once to try and get the point he was trying to make.  Score:  3.5

I guess I shouldn’t have been as surprised, because being a talented photographer does not necessarily make you a good writer or teacher, but with books there is so much editing that usually goes into the process, grammar and outlines are usually used to keep things on topic without much in the way of diversion.  However, it just felt like an awkward read, moving from one topic to another and not much adherence to any structure.  Nevertheless, I plowed on…

2.  Length

Books can be challenging to produce because there really is nothing stopping you (other than your editor) from going on indefinitely.  The problem here is that books (like speeches) can get too long and begin to lose reader (or listener) interest.  In order for a book to retain your interest over any extended period, the material has to be particularly engaging.  This is often the case with novels, mysteries, suspense, and other types of fiction.  However, in non-fiction, length can be an issue if you are not careful.  Here, the length did seem to go on longer than I would have expected for a book of this kind.  It wasn’t really that the material was dragging on longer, but it seemed that it could have been broken up into smaller chunks.  My idea for making this more digestible would have been to do that along the lines of something like the following:

The Moose Peterson Chronology

  • Moose Peterson – History in the Making: Learning all about technical and techniques in photography  (Volume 1)
  • Moose Peterson – Building a Reputation and Respectability in the field of Photography (Volume 2)
  • Moose Peterson – Working in a Digital World of Photography (Volume 3)

Having shorter books and compartmentalizing the topics for discussion would have made the readability much easier, and likely built in residual sales from those who purchased the first one.  But, to each their own I guess.  Score:  2.0

3.  Writing Style

It is easy to see that Moose is a technical person.  From his approach to the craft, figuring out what works and what doesn’t, to his business acumen and gear selection, the technical nature is something I can and do respect.  I wish the technical side came out more in the writing though, because for me the approach seemed more haphazard than it could have been.  There were sections where he would try to be funny, and while I got the humor, the delivery was just a bit easy to predict.  The technical areas came across well, when he described how he figured out lighting problems in caves, and timing the photography window for bird hatchings were quite insightful, but in other areas it made things drag more.  Anecdotes were a bit too dry, and could have used a more light-hearted approach, something along the lines of Joe McNally.  Score:  4.0

4.  Photography

There is a reason why Moose Peterson is such a successful wildlife and landscape photographer – he is good!  The landscapes and wildlife he shares with the reader in the book are just tremendous!  This is what all wildlife and landscape photographers should aspire to as the benchmark here is quite admirable, and the quality here is unsurpassed.  For this reason alone, I am glad the book was as long as it went, because it afforded me the opportunity to see a great deal of his portfolio.  Score: 5.0

5.  Educational Value

Captured falls into a category that I would best classify as educational, because there really are so many nuggets of wisdom and experience in these pages.  Sometimes they are well set-up, and others are buried in the text.  To get all the brilliance that resides within, you do have to read the full book, but what you come away from it with is worth the price paid for the knowledge.  You get to cut your teeth with Moose as he cut his when he began.  And while it takes a while to go through everything, the end result is worth it!  Score:  4.5

*****

Would I recommend Captured to others?  I’d give this an equivocal yes, depending on what it is you are looking for, and where you are in your own learning curve.  For beginning photographers, the finer points that exist here would likely be lost on a first read, and I could not see reading this book twice.  If you are an intermediate photographer or well along the path of photography, then this is probably more your speed because you can readily identify the nuggets and pearls of wisdom that emanate from the pages.  Averaging the scores, the summary score for Captured is:  3.8

Category Score
Readability 3.5
Length 2.0
Writing Style 4.0
Photography 5.0
Educational Value 4.5
Average 3.8

Has anyone else read this book?  What are your thoughts on it?  What about other books you are reading?  Feel free to share your own thoughts and insights in the comments below!

Pictures in the Park and other sundry stuff

One of the ways in which I make sure to stay active is to volunteer in local photography groups.  One such group is organized through Meetup.com and we affectionately call ourselves the Denver Photowalk Group.  (Pretty original eh?)

Our fearless leader has taken some pretty impressive initiative to organize several walks over the course of the next 12 months.  He’s asked us to also throw out any ideas as we move into 2011, and a few are percolating for me.  Here’s what I’ve come up with thus far:

Pictures in the Park

I forget where I saw this before but the idea is kind of fun.  Here’s whatcha do:

Step #1:  Get a bucket full of cheap candy.  Spend maybe $5-$10 at the dollar store and get some variety.

Step #2:  Create a poster or something that advertises your outing with a catchy or pithy slogan.  Something like “FREE CANDY!”  or “CLICKS FOR CANDY!”.  You get the idea, and be creative.  You want to attract people.

Step #3:  Assemble your groupies and start snapping each other.  If you want to push things a little, have some strobes around on portable light stands (that catches eyes too!).  When people approach, just say something along the lines of “We’re practicing photography, and would love to take your picture!  We’re giving away free candy for just a few minutes to practice posing and lighting.”  If you want, you can set up a download place on your website (or Flickr if you are working on the cheap) for people to visit afterward and get copies for themselves.

Step #4: Have fun!  Learn from one another and share techniques.  Collaboration and free exchange of ideas are key.  In sharing what you know, you may also learn from others.  The end result:

  • People have fun pics for free
  • You get to practice posing and lighting
  • The event may encourage others to join the group and have some fun

Other Sundry Stuff

Frequency

As you may have sensed by now, I have decided to take a step back from blogging every single day this year.  The looming deadlines of writing intensely every day for a number of years has taken its toll, and I must admit, the quality is not what I am used to producing.  Instead, I will be blogging and writing less often.

Journals

That being said, I do enjoy writing.  I really do.  And evidence indicates that people enjoy reading what I write when I take my time and produce good quality material.  So, I will be putting out one journal article each and every month.  The blog version will be an abbreviated version (think Reader’s Digest), and a longer version will be available on a subscription basis.  While I’ve not decided exactly how that portion will work, it’s something I’d like to give the dedicated readers, listeners, and supporters on a premium level.  So, look for some announcement on that soon

Podcasts

The toughest part of starting something is knowing when to say when and stop.  The podcast is a tough call, because while I love putting them together, it takes a huge chunk of time to schedule guests, record a discussion, post production, upload and host.  They will likely not disappear entirely because I think everyone enjoys them when they do happen.  But at the same time, I don’t want the quality to suffer there either.  So, when time permits, yes, these will continue.  It always helps here to have reader input – if there’s someone you’d like me to chat with, or a topic you’d like me to address, let me know in the comments or via email!  I am always open to suggestions and ideas.

Webinars

This is perhaps the most exciting thing that is forthcoming…a major sponsor and supporter of the blog is Nations Photo Lab and they have given myself and Kerry Garrison of CameraDojo.com an opportunity to publish live webinars once a month for free to share with the community.  These webinars will cover a wide range of topics, we’ll likely have guests, and basically be another venue to give back to the community that has been so generous to us.  There are several spots left, and we are assembling a waiting list as we can accommodate 100 people in the event.  To register, stop over at http://livelearninglab.eventbrite.com to register for the first Live Learning Lab sponsored by Nations Photo Lab and hosted by myself and Kerry Garrison.  It’s gonna be fun, you’ll get a great inside scoop on some of the nitty gritty on Lightroom 3, and best of all – it’s free!

Well fellow photogs, bloggers, and readers, that’s about it for today.  Let me know your thoughts on the new “agenda” for 2011.  What kinds of groups do you participate in?  Got any event ideas?  What about the podcast and journal topic ideas?  Share those as well, as moving forward, a lot of the content will hopefully be encouraged or at least initiated by you! Happy shooting and have a great weekend!  With that parting thought, here’s my parting “shot” of the week – a nice assembly of lines and shapes while waiting in Denver Airport:

Airport Shapes
Airport Shapes