The Terrible Truth about Photography

UPDATE:  Now that TinEye is in Beta, an invitation is no longer needed to try the service.  Still no charge, and worth the time to register (also free), so make sure you stop in and sign up for this today!

The truth?  That’s right, this post is all about the truth in digital photography.  “What? Is there a hidden truth?”  I know, that’s what you all are asking, but no, it’s not hidden, just something we don’t take into account too often and that is the use of our images either without our permission or consent.  For many photogs, the use of their photo can elicit excitement:  “Hey look, I floated up to the top of the Flickr Explore thread!”  I myself got a little excited at the possibility of having my images used in a magazine  (They never were selected, but that’s another story…)  Meanwhile, others may find their images start popping up on questionable websites, where their images are used to sell everything from cars to prescription drugs and homes, and all sorts of stuff.  I know, these trolls are just a painful part of the internet age…but we’re talking more than trolls here.  Legitimate websites are starting to use web crawlers to pull images from various sites to use in their own online marketing.

There was a well-publicized case last year I think about a cellular company in Australia that culled images from Flickr for a marketing campaign.  After some outcry, they pulled the images, and photographers were compensated.  Well, it’s now hit the U.S. too – Toyota recently caught some flack over the same issue.

So, what can we do?  Well, the efforts of the Flickr faithful kept this car company honest with the outcry, and it looks like they are coming clean – but that’s just one site.  How could you possibly troll the internet for mis-use of your images?  You can’t, but TinEye can!  What’s Tineye, you ask?  It’s pretty cool, and is the subject of this weeks software review:

TinEye is very much like the web crawlers in that it crawls the web, looking for nothing more than images.  The text on websites?  Doesn’t care…  The CSS, HTML, JS, PHP, and all of the rest of that jibberish code on websites?  Doesn’t matter…nope, it’s just images.  But, what makes it cool is that Tineye will look at those photos in comparison to ones YOU PROVIDE!  That’s right, simply upload an image to Tineye, and the beta web application will scan more than a billion images online to see if your matches any in use.

While a great idea, even a billion images is  mere drop in the bucket by todays standards, and if it grows as it could, this could become a very useful way to look up not only photo uses, but also seek out copyright violations, and et photo buyers in touch with those of us selling photos – the photographers!  Here’s how it works:

  1. Find someone that can give you an invite.  (They don’t have a lot of invites – I have 1 of two left…so you will likely have to ask someone that already has it to give you one of thiers..)
  2. Once you are invited, simply register, and then download the plugin for your browser of choice – they have them for Firefox, Internet Explorer, and Safari.
  3. Then, if you want to see your image usage online, grab a photo of yours and upload to the Tineye scanners – within seconds, they will find any other uses.

Here’s a few screenshots of what things look like once you are registered:

Login
Login

So, here’s the upper right corner of your screen once you are invited and logged in.  Now, just navigate to toe homepage, and use the dialog to upload an image and search:

Upload Diaog
Upload Diaog
Homepage Dialog
Homepage Dialog

So, basically, click the button and select a folder off your computer or use a URL to a specific image, and then click on the “Search” button…then let Tineye do the rest.

I tried two different images, and one came up as in use on the internet (my own site, so Phew!), and the other returned no results.

Screen shot 2009-11-10 at 10.43.26 PM
Photo Usage based on Tineye

Not in use
Not in use

So, this means that (for me), it seems like no one has appropriated or taken anything without permission..yet.  Do you want to put your images at risk?  With the simple addition of a browser plugin for FF, IE, or other browser of your choice:

Plugins
Plugins

So, find an invite, download today, and keep a list – it just might save (or make) you a lot of time and frustration using other techniques to protect your images online with things like copyright graphics, embedded EXIF and password information, and all that jazz.  I’d highly recommend this software even though it’s still in beta – simply because of the reward vs consequences it can offer.  Remember though, this is just my thoughts on this software – others could differ greatly so make sure you do your research and know wht kinds of limits this has (all software has limits it’s just a matter of keeping current with updates – if you are a pro photographer, you may want to consider using additional methods like watermarking and entering EXIF data).

After all, this is still in Beta and not to be used in lieu of adding copyright, exif, and contact information to your photos – actually, it’s meant to encourage it, simply because it can save you a lot of grief and headaches down the road.  Think I’m wrong?  Disagree?  Agree?  Sound off in the comments – would love to hear your thoughts as well!

In the meantime, couple contest nuggets here you:

The Scott Kelby Digital Photography Book Vol.3 book giveaway is the latest comment Contest frenzy to hit the blog so don’t miss out on our chance – make sure you enter today!  Good luck to everyone!   The other is the November Fickr Photo thread, feel free to upload here just make sure you are saving our images as low res and to the correct pix sizes!  Good luck here as well…in the meantime, keep on taking good shots  – hope all yours are good ones!  See you back here tomorrow!

Useful Resource

In the interests of giving people enough time to participate, here is the awaited review of Scott Kelby’s Digital Photography Book, Volume 3.  To be eligible to win this book, simply comment on this post – you have until Friday to make a comment – the winner will be announced then.  One entry only per person, and free shipping to anywhere in the US.  If you live outside the US you can still participate, but shipping won’t be free.  Details to follow for the winner…  Good luck all and thanks to those at NAPP and Kelby Media for sending the book out (little did they know I’d be turning around and giving it away again).  So, ready for the “review”?  Here goes:

Scott Kelby's Digital Photography Book, Vol. 3
Scott Kelby's Digital Photography Book, Vol. 3

The relatively recent release of Scott Kelby’s latest book on photography has met well with readers and reviewers so when I got an opportunity to read through it in some detail, figured this would be a good time to give a Canon-centric rundown.

First off, the book is interestingly organized.  Scott’s impressive background with Photoshop has lent itself well toward his particular writing style in that a work flow of sorts can be how reading material is organized.  With photography, a “work flow” is not as easy to adhere to because things will vary from one type of environment to another.  There are some basics that will be the same across the board, and given the layout of this third volume, I am guessing he found a flow for the first book or two.  For this third book though, it’s not typical “Kelby-esque” style writing.  Sure, the wit still comes through, and for those accustomed to his writing style, this is a welcome element.  The flow aspect being different though, takes some adjusting.  To that end, here’s how the book is laid out in its chapter organization:

  1. Flash Tips
  2. Studio Tips
  3. Lens Tips
  4. Product Photography
  5. Outdoor Photography
  6. Portrait Photography
  7. Sports Photography
  8. General Photo Tips
  9. Avoiding/Dealing with Problems

Because in previous works, I have been accustomed to reading something like a story as things easily transition from one element to the next, this was a bit more challenging at first.  Once I made the shift to this new style, it became easier – so, my recommendation, read this book more as a quick reference guide.  The tips, tricks, and pointers he gives on all subjects are spot on for the specific subject matter.  The content shifts quickly though with each tip lasting about a page (and this includes graphics).

When all is said and done though, would I recommend this as a book to read?  I can honestly say that though I’ve probably advanced past his introductory books, this is definitely a keeper.  Not only are there some great tips in here, but they aren’t just cheesy ones like “Don’t forget to take your lens cap off…”  These are real tips, true gristle that you can sink your teeth into.  Want to know how to use mirrors?  Scott tells you!  How about what to do if your flash isn’t bright enough?  Scott tells you!  There’s even nuts and bolts info on things like how to get specific effects with your photography in all genres of work.  I think what I like best is that he actually goes through some of the specifics for both Nikon (his camera gear of choice) and Canon equivalents, for camera and lighting settings.  This way no one is left out (unless you shoot Pentax, but then even there, the tips for photography still apply.)

The last element I think is worth mentioning is that while this book is not complete on any given subject matter, that it is still a good choice  because now you aren’t trying to get everything out of one book – you get nuggets and tricks and tools for any genre that can help you.  Even if you knew  everything in this book at one point in time, it would still be useful because we all need reminders every once and a while, so this is one to be sure to hold on to.  Scott gives enough detail to get you started in whatever field interests you – or even enough to take you from beginner to serious hobbyist, or even to maintain your skills as a general reference guide.  Is it too late?   Can I retract the “Comment Contest” and keep the book?  No worries – out it goes for some lucky reader.

I do feel that I should give some fair warning here though – this book is not for beginners.  If you’ve got a few things down, some of the basics of gear and lighting, and known your rules of composition, then yes, jump right in, the water is warm.  If the terms I just mentioned are somewhat new or you are still getting them down pat – you might want to start with his Volume 1 or Volume 2 book (or even just keep reading the blogs – I know a few good ones! 🙂 )

So, there you have it – thanks to Scott for putting out yet another must-read book (what’s he at, like 60 books now?).  Thanks also to Kelby media for sending this one out – I wasn’t sure if it would come or not.  And lastly, now it’s time to share your thoughts…did you like it?  Did it stink?  Needed more?  Needed less?  About right?  Should he switch to Canon and leave the Nikonians behind?  (Ok, just kidding on that last one…)  But sound off – this is your chance to win the book for free!

Happy shooting all, and thanks in advance for all that stop in to comment – don’t forget the month long contest going on over at Flickr to win a bunch of prizes including some more stuff from NAPP.  It’s in the Flickr tab up at the top, but I’ll link here again for convenience sake!  We’ll see you back here again tomorrow!

Something cool from the folks at NAPP

As you may or may not recall, Scott Kelby held the 2nd annual Worldwide Photowalk this past September in cities all over the world.  This is sure to become an annual staple for the folks at Kelby Media and NAPP due to the popularity of it, and with good reason.

Well, during this most recent one, I had the honor of having my image selected as the city’s winner, so was in the running for the grand prize which was just a prize package that no other giveaway could ever hope to compare to.  It was really insane.  No surprise though that from all the beautiful images submitted from various cities that Denver was not really high in the “cream of the crop” list.  Nonetheless, it was cool for the notoriety.

So, what makes this so cool?  Well, yes it was fun being recognized but in addition, each city winner also was to receive a copy of Scott’s Digital Photography Book, Vol. 3.  After a month or two had passed, I was reading another book about photography when it dawned on me that I never heard anything after the worldwide photowalk.  A quick chat with the walk leader and a visit to the website and I realized that addresses were supposed to be submitted by a due date so that the books could be shipped out…and I had missed it.

“But, that’s not cool….” is probably what you are thinking.  Perhaps not, but believe it or not, when I called over to the folks at NAPP with just an inquiry: “Is it too late?”, they were generous enough to not only take my address just in case, but to see the book arrive at my doorstep the other day was just another impressive feather in their cap from my perspective.  Now that is an organization that stands behind its members…!

So, in the interests of paying it forward, I did a very gentle read of the book, and took some notes so that you can get a good summary review here on the blog.  But how is that paying it forward? Well, when the book gets a review some time next week, by commenting on that post, you will be entered to win the book itself.  I promise you, it’s still in pristine condition, and you will want to read the review as there’s some good stuff to keep an eye out for..  In closing, I’d like to express my thanks and shout outs to Scott Kelby and the folks at NAPP for their generosity…truly a class act!

As we head into the weekend, here’s a little throwaway photo I thought was kinda neat from the sun as it rose this morning while out on my morning ritual with the four-legged one!

Sunrise Reflection
Sunrise Reflection

Have a great weekend all – Happy Shooting and we’ll see you on Monday!

Let Me Light the Way

It’s kind of funny how things go in circles.  As a regular reader of the Strobist website (as I am sure many of you are), I found it interesting that David was covering the RayFlash from ExpoImaging and comparing it to other styles of ringflahses over the last couple of days.  The reason for my interest – today I am actually going to share with you some thoughts on the RayFlash specifically. Continue reading “Let Me Light the Way”

November News

Another month goes into the archives as we enter November for 2009.  Here at the CB/LDP headquarters though, that means it’s announcement time for a couple of things, not the least of which is the latest contest news, the October newsletter, and something new for blog readers only!  Let’s start with the contest news:

Fellow blogger, NAPP member, and active LDP participant, Karen Stansel was the winner of the October giveaway.  She walked away with a Pro license of Noise Ninja from the folks over at Picture Code.  Congrats to Karen (a.k.a. Mitzs), and thanks to Picture Code.  With that contest closed, we are now into the November Giveaway.  This month a pretty cool bundle is being offered up.  The winner this go around will go home with the following prizes (yes, that’s plural!):

  • A free copy of one of Matthew Bamberg’s books on photography (don’t know who he is, listen to the latest podcast! 🙂 )
  • A DVD from Photoshop User TV – the best of the 11th year!
  • A $25 gift card to B&H Photo (just in time for the holidays)

The theme for the November contest is:  Winter (surprise surprise, since Fall was last month!)  The usual spate of guidelines applies, but to be sure you are getting all the latest, stop by the Flickr thread and read the first post.  Then, get ready and shoot because there’s only about 3 weeks again for getting your shots in.  Good luck to all!

Next up, the latest news from the podcast and blog is the October newsletter.  Painstakingly assembled over the last month after some really useful feedback, it’s now ready for download by clicking on the image below:

ldp02
Learning Digital Photography, Issue #2

In one final bit of photo goodness, and in keeping with what many others are doing, I am happy to announce that CB/LDP is also joining the fray of photogs that shares their images in the form of a monthly desktop calendar!  Download the November Newsletter for the links to the images, or follow these links here (only temporarily linked here in the blog – going to become a newsletter-only feature starting with the December issue!  I am offering up 3 sizes based on the analytics of monthly traffic.  If your desktop dimensions are not featured, let me know either in the comments or via email and I can customize one for you…otherwise, here’s the 3 dimensions:

Another little nugget I just was reminded of (this is why participating in forums is a good thing):  Don’t forget to adjust your in-camera settings on the date/time for the change in daylight savings in U.S.  (unless of course you never changed it forward in the Spring…)!  Doing so will keep your EXIF data accurate!  (Thanks to Dave from the NAPP forums for the reminder!)

Last, but not least, I would be remiss if I didn’t drop a hint to read the latest issue of the PhotographyBB Online Magazine.  Not only is it free, but it’s just chock full of great and useful resources.  Also on the site is an active community forum of fellow photogs, full of great shots, creativity, and useful advice.  All of it is worth your time, so be sure to stop in there and see everything Dave and crew has to offer…(oh yeah, I wrote an article for the October issue too!)

Tomorrow, don’t forget to tune in for a combo hardware/software review, the likes of which you’ll never believe until you read it!  (Okay, nothing that fancy, but worth keeping in your feed reader, right? 🙂 )  Happy shooting all, and we’ll see you back here tomorrow for the latest!

That’s why they call it a “Beta” (or RTFM)

The latest buzz to hit the photography world has been a trinity of buzz and hype.  First, Canon announced the 1D Mark IV, then, on the heels of that, Adobe announced the release of Lightroom 3 in Beta form.  To round things out, Lensbaby came out with a couple new optical shift lenses to appeal to the creatively inclined.  I mentioned the 1D Mark IV last week, and today I was going to give a rundown of what the buzz is all about with Lightroom.  We all know about the new features including exporting video (musical slideshows), and I was going to show you screenshots and share a few here on the blog.  But, rather than join the fray in a rush to point out the “cool” factor, an interesting experience illustrated exactly why you must tread carefully with betas.

See, it installed and worked perfectly well with Windows XP, but when I went to load it on my trustworthy Mac running OSX 10.4 (Tiger), got an odd error:

Lightroom 3.0 Beta Error
Lightroom 3.0 Beta Error

As those of us in IT say when we see cryptic errors like this:  “That’s not so good…”

But here, it just serves as a reminder to those of you early adopters out there – keep your existing workflow as you experiment with Lightroom 3, because after all, that’s why they call it a “Beta”!  So, any thoughts on why this would happen?  Feel free to sound off in the comments or with me via email or Twitter.  I’m not too worried about it as I’ve got my LR2 and iPhoto to work with, so am happy just acting as a tester in the Windows world.

Last but not least, I know I promised to have a winner for the October contest announced today, but time just ran away from me with several projects coming to a culmination over the past few days. (Good news for the blog and podcast though as tons of content is about to pour through the siphon here!)  That announcement will come tomorrow…and until then, keep on shooting!

ETA:  Based on the initial comments and my actually taking the time to read the docmentation, it does appear my version of OSX (Tiger, or 10.4) is not supported with Lightroom 3.0 Beta, so until I upgrade the OS, my Beta experience will be restricted to Windows XP.

It’s all fun and games until…

It’s all fun and games until you actually are working with photography – after a family photo shoot on Friday evening, Saturday morning, then two more on Sunday (Christmas/holiday seasonal portrait work is underway), on top of the regular full time IT job, I got my first taste of a 7 day work week in quite some time.  While the thrill and passion for photography is there, putting yourself out there as worthy of getting paid for the skills you have is another thing altogether. Continue reading “It’s all fun and games until…”

Software Review: Noise Ninja

With the October Contest underway where the winner will walk away with a fully licensed copy of Noise Ninja, courtesy of the folks at PictureCode, today is a great day to give everyone an idea of what makes this program one of the industry leaders.  Since I have talked about the presence of noise in your images before (read that post here), re-hashing the principles of what introduces noise and the artistic benefits and image quality downsides of it in your images isn’t really needed.

Instead, here I will simply share some of the interface, and a few before and after shots here so you can get an idea of how well this software handles noise in your images.  So, enjoy!

First up (after entering your license code), you’ll have a screen that looks like this:

Noise Ninja
Noise Ninja

You can see the yellow squares in the image on the right that shows the sections scanned to determine the noise profile for the image selected.  On the right, a closer view of what the image will look like (or at least a close approximation) after the noise reduction is run.  You see how you can make certain adjustments on one of several tabs.  On this main tab, you can see the options for Image Profile, Profile Chart and radio buttons for luminance and color values, along with the reset option.  I actually leave these alone most of the time.

On the second tab is where I vary my noise reduction adjustments (and I would venture to guess most people make their valuation adjustments based on the image used).  Here’s the options available to you:

Noise Ninja
Noise Ninja

You can see here that many more detailed adjustments can be made to the strength, smoothness, contrast, USM amount, radius, color noise, and then checking whether you want the processing done quickly (turbo) and applying the settings to coarse noise situations.  I made my adjustments to 12 for the strength, smoothness and contrast (and typically use these ones for most images with noise).

In the next tab, as shown below, you can see the noise brush, where you can apply the noise on a paint mask or an erase mask, specify the channel (luminance, chroma, or all) ad the quality of the brush trail by not only the type of edge, but also by radius and strength.  (This is very handy if you want the noise reduction faded across the image so as to leave some noise behind for artistic effect!  Normally I don’t make adjustments here either – but it is fun to play!)  Take a look at the interface:

Noise Brush
Noise Brush

The Actions tab, as shown next, defines how Noise Ninja operates when it’s loaded.  Specifically, here is where you can tell NN wither the profile is by default configured based on EXIF data or to create a profile from the image, or to use a specific profile. This can be very handy as well if you are batch processing a lot of photos that were shot under the same or similar circumstances so that a profile doesn’t have to be loaded each and every time.  The fallback, and filter policies can also be defined here as well.  Here typically I leave the default settings alone as I prefer not to batch profess since my type of work is more geared toward fine art and individual edits rather than massive quantities.  To each their own I guess – take a look at the interface:

Noise Ninja Actions
Noise Ninja Actions

The next tab is the annotations tab.  I almost never use this, as this is a place where you can add additional EXIF and metadata.  Since I prefer to take the values from camera rather than adding my own specific notations, this tab doesn’t get any use from me – but it can be handy if you want to vary settings based on things like manufacturer, Model, FIlm type Megapixel count, ISO level, etc.  A second tab lets you add even more…see the interface captures below for reference.   Noise Ninja to me is isn’t about editing exif data though – it’s about noise reduction, so I skip these tabs.  Take your pick:

Noise Ninja Annotations Tab
Noise Ninja Annotations Tab
Noise Ninja Annotations Tab 2
Noise Ninja Annotations Tab 2

I do occasionally reference the Image Info tab though, because some useful information can be obtained there as well.  Things like the manufacturer, model, and more specifically, the ISO setting at which the image was taken.  ISO settings can be an indication on the amount of noise that was introduced due to camera settings and thus, how much can be reasonably applied.

Noise Ninja Image Info
Noise Ninja Image Info

You can see that my first image, shot at ISO 3200, was subject to some pretty intense noise on the 40D.  So, I ran the process, and take a look at the before and after results:

Before

Before Noise Ninja processing
Before Noise Ninja processing

Some pretty heavy noise, as expected, so let’s just look at the image after processing:

After

After Noise Ninja processing
After Noise Ninja processing

See the difference in grain?  Yeah, I was impressed too.  But is it always the case?  I ran another couple images through NN and got the same or similar results on other objects in my print box.  (Which, by the way, is a great resource for test shots when looking into lens and gear performance on a wide variety of things like noise, white balance, macro, depth of field, and much more.)  Here’s another sample crop just to show you for comparison sake:

Before NN Processing 2
Before NN Processing 2

and after…

After NN Processing 2
After NN Processing 2

Again, some impressive results.  When push comes to shove, results is where it counts in my book and PictureCode delivers at a superb value.

Now granted, there are other noise handling programs out there, and if you ask a dozen people what they use, 5 will say one, 5 will say another, and 2 will offer up another alternative.  When push comes to shove, it really is up to personal preference on which one “works best”.  For me, it doesn’t really matter as long as you are aware of what noise is, what it can do to an image, and how to fix it.  The tool you use is up to you.  I think Noise Ninja is probably recognized well enough for a reason, and the results here seem to suggest why.

The rest I’ll leave up to personal preferences, and if you would like to contribute your own thoughts, by all means, share them here in the comments or with me via email.  If you want to try it – you can download a free copy from the folks at PictureCode here –  or simply participate in the October Contest over at Flickr and win a copy from them for free!

That’s it for today – happy shooting all, and we’ll see you back here again tomorrow!