Thursday Thoughts with Kevin Mullins

For those of you that visit the blog regularly, you know that Kevin has been a regular supporter through his kind, thoughtful, and well, supportive comments for the last few months.  We all know that reading blogs of others and commenting there is a good way to not only learn but to also generate traffic for your own interests.

Well, this week I am calling Kevin out, because he definitely is worthy of your traffic.  Kevin Mullins is an outstanding photographer, based out of Malmesbury Wiltshire (that’s in England, across the pond, or the UK for the geographically challenged…)  He’s had reviews done by friend-of-the-blog, Jason Moore, and most recently has launched a photography website for his wedding photography.  So, first off, welcome Kevin, and thanks for agreeing to come on the Thursday Thoughts Series.

Thanks’ very much for inviting me on here Jason.  It’s a great privilege.

Q:  I don’t know why people keep saying that, but thanks I guess.  It’s just fun to be learning from everyone thus far that’s been willing to contribute, yourself included.  But anyway, I digress…starting things off, I’d like to talk a little about your Wedding Photography – as you stated on your blog, wedding photography is your passion, and that is evidenced by the work you have put in thus far.  With so many areas to choose from, why did wedding photography stand out for you as a career path?  Well, it kind of “just happened”. 

A:  I have been taking photographs for a long time but around two years ago I knew that I wanted to make a career from photography.  I’ve often looked at wedding photos and thought “I could do that”, or, more often “If I was taking that shot, I would do it like this…”.  The interest continued to grow and I started forming my own style of shots in my head.  Contemporary artists such as Crash Taylor and Jeff Ascough really inspire me and I am in awe of the way they deal with light and composition in a wedding shoot.  Having your own style is key, and whilst those guys inspire, its building my own style that is really important to me.  I really want to give the bride (and groom) some photographic memories that they will cherish and will become a family focus point for years to come, but don’t just look like all the other photographs out there.

Q:  You have a definite journalistic flair in how you create your images, specifically as evidenced by the series from Andrew and Katherine’s photos, as well as those from Marie’s wedding (I love that shot of her under the arched trees).  You’ve mentioned Cartier-Bresson, Crash Taylor and Jeff Ascough as inspirational sources.  Any particular insights you’ve gained from these folks?

A:  Cartier-Bresson’s imagery is just astounding.  His use of geometry and shape in photography is out-of-this-world.  I have read his biography recently and to get an insight into his thought process is intriguing to say the least.  The “modern masters”, such as Crash and Jeff are the people I look to now for inspiration and technique. Both of them run very informative blogs with great great images that people like me can look at, disseminate, and learn from.  They are somewhat different in styles themselves so I look to Jeff’s work more for the documentary and natural-light experiences, and Crash for his awesome signature portrait shots of the bride and groom.  There are so many talented photographers out there and the internet opens up such a huge avenue for learning from them.

Q:   So, how have you adapted techniques from these resources to come up with your own “look”?  Or, better yet, do you have any particular images that you feel uniquely define your approach and/or style?

I aim to develop my own style of wedding photography and the new 5D MK II helps me do that to some extent.  I’m using purely natural light (the high ISO capability of the modern cameras lends to this type of photography.) and I try and use my 85mm lens as much as possible.  This lens is so sharp and the style I am trying to achieve uses a lot of depth of field.  This lens is f1.2 at its widest point and so it really helps in that respect.  Here are a few of my favorites:

portrait

bridge

wedding-3

Q:  As a fellow member of NAPP, how much have you developed your style from the support content and materials in sites like NAPP and other photography communities?

A:  To be honest, whilst I am a member if NAPP, I don’t use their forums as much as I should.  It is a great resource though, and the magazine and techniques online are very useful – especially when new versions of Adobe software come to the market.  I do use Kelby Online Training and I think that is a great resource.  I try and put aside an afternoon a week to “train myself” – although this isn’t always practical as I also run my own web development firm.  I find the POTN (Photography on the net) forum useful when researching gear and also for keeping an eye on other peoples work.  I also find the SWPP forum in the UK extremely useful as there are a lot of very knowledgeable people there too.  I really find most of my inspiration from trawling the net and finding great wedding photography.

Q:  I already know the answer to this, but I would imagine the readers may want to know – what kind of gear do you shoot with?

A:  I was lucky enough to get a Canon EOS 5D MkII back in December last year.  It arrived on the 2nd December just in time for a big family birthday celebration which was great as I got a chance to practice with it.  I have a number of Canon and Sigma lenses too but my favorite lens of them all is the 85mm f/1.2.  It is simply magical.  I also have a 100mm macro, 16-35mm, 24-105mm and 70-200mm which hopefully covers all my bases.  I haven’t really looked at the HD video on Mk II yet, but I am beginning to see some “fusion” wedding photography out there which is a mix of video and stills and this is something I would like to look at in more depth as the technology progresses.  That said, stills will always be my No1. priority.

Q:  Since your style journalistic in nature you obviously will take a large number of photos during any event, whether pre-wedding or the actual wedding day.  What kinds of numbers do you typically return from an event with?  How do you handle your post processing? (Computer/software/etc.?)

A:    I actually did a wedding shoot recently and I took in excess of 1500 shots, of which I will probably sift down to 250-300.  I would expect the Bride and Groom to select anything between 50 and 150 for their package.  I do all my first phase processing in Lightroom now.  It’s such a good tool for cataloguing and doing bulk adjustments.  Anything more detailed such as spot removal I will still do in Photoshop.  I would love to see Adobe integrate Lightroom and Photoshop to truly marry the non-destructive workflow experience.  I am off to a two day seminar with Jeff Ascough at the end of the month and hopefully I will gain an insight into his post-processing workflow as I know he uses Photoshop heavily to create his stylized shots.

Q:  Could you also explain a little more about the idea behind the “pre-wedding” shoot you discuss on your website?

Pre-wedding shoots are quite common here (I’m not sure about in the U.S).  Typically you spend an afternoon or so with the bridge and groom a couple of months before the wedding taking some natural portraiture shots of them.  The idea, really, is to get to know the couple more.  The last thing anybody wants on the big day is for any uncomfortable scenes between the photographer and the bride and groom.  The pre-wedding shoot gives us a chance to get to know each other more and also to go through some ideas of poses and how to work in front of the camera.  It gives me a chance to identify what types of shots I can encourage them to do on the day, and what will be the limits.  Some couples are outgoing and excitable in front of a camera and some simply want to get the process out of the way so it is important to gain that knowledge well before the big day.  If we can, I intend to do the pre-wedding shoots at the venue of the wedding.  That way, we can all scout the area together and look for great places and light at the venue and, essentially, rehearse for the big day!  The pre-wedding shoot is part of the wedding package, but if the bride and groom want to buy any prints or a frame or even a mini-album after, then even better!

Q:  Oh, and since we talked about photo gear and computer/software preferences, I would be remiss if I didn’t ask this:  Chocolate, Vanilla or Strawberry?

A:  Chocolate every time.  My wife bought our nieces some Easter Eggs and they lasted less than 24 hours in our house.  We ate them and will have to buy the kids more now!

Q:  We all know you’re a regular contributor to Canon Blogger – what about other online resources?  Are there any that you find particularly useful that you’d like to share with the blogosphere?

A:  I”ve mentioned a few in the article already, but I think some of the sites that are great are:

I have quite a few blogs in my reader (such as Canon Blogger, Michael Palmer, Jen Rinaldi etc), that I like to visit each day.  I comment when I think it’s appropriate and appreciate it when people comment on my blog too.  All of these blogs are part of the fabric of my learning and I’m always on the lookout for other blogs that inspire and keep me focused.

Q:  Last but not least – any final thoughts you’d like to share on the state of the industry, thoughts on the future of photography, or other “words of wisdom”?

A:  Well, I rely on others to give me wisdom, but if I had to look to the future I would say that we will be seeing a lot more video and still fusion work going on over the next five years or so.  The latest Canon announcement (the EOS 500D) will bring HD video to the consumer level DSLRs which infers that it is here to stay.  Oh, and I definitely recommend moving out of London to the countryside!  It has a great effect on your well being  😉

Excellent advice, thanks Kevin! That about wraps things up here so don’t forget to stop over at Kevin’s blog.to see and enjoy his particular vision and style of work.  In the meantime, tomorrow might be another “no-blog” day because I am doing a little bit of travelling – depends on how soon I can get home.  So, happy shooting all, and if I don’t get home in time for another post, have a great weekend!

What do Photo walks and software cycles have in common?

Tune in to this week’s episode of the Canon Blogger Podcast Series, Episode #58, from either the blog or your feed readers today!  I also tackle a few listener questions, and offer up a photo road tip for the listening audience.  So, pick up the feed today, or stop in to the blog to not only download the show, but also to see the other content that isn’t in the daily feeds (things like the Online Photography Test, Colors and Textures Galleries, polls and more!

As I tinker a little with the audio quality of the show and try to make things more seamless and enjoyable, you’ll notice I am pushing the show out in segments, with some music to break things up in little snips between the subject material.  If you like it, chime in via the comments section of the blog.  If you don’t like it, well…chime in via the comments section of the blog.  If you are ambivalent, well…chime in via the comments in the blog.

Hmmm…seems like someone would like to hear what the listening audience thinks of the changes in the format for the audio podcast.  And it also seems that the feedback can easily be done via:  the comments section of the blog!

If you’ve listened to the show and are still yearning for more, please stop by fellow podcasters Scott Sherman and Michael Stein’s new podcast series:  Digital Photography Life.  Formerly, these guys hosted the Digital Photography Show on another network and they’ve since moved on.  Their first show on the new network mis up and ready for your listening pleasure, so do stop over and give it a listen – great to have them back on the air!  Their podcast can be found here:  Digital Photography Life

Denver Area Photowalk

Meetup Pano

As some of you may recall, Scott Kelby held a worldwide photo walk a few months ago to promote his new book that was coming out on Lightroom 2.  Well, since then several smaller photo walk clubs and groups have formed and begun their own outings.  Denver was no exception and our first official photo walk this last weekend had a really good turnout of roughly 15-20 people.  About half of us even got together afterward at a local eatery to share stories and get to know one another better.  Everyone is posting shots over on the Meetup site and at the Flickr site as well, so stop in there to see some of the talents showcased in those venues.  The shot above is a pano I stitched together from the occasion.  With more photo walks to come, this definitely has some positive energy about it.

Nitty Gritty Details

The weekly podcast that usually goes up on Tuesdays was supplanted yesterday by the Election Day message. Returning to photography topics today, the weekly podcast has been posted and is ready for your listening enjoyment. I’ll have some notes related to the podcast to include at the end of today’s post.

In the interests of keeping the “What’s This?” on schedule, we are now in week 18. Last week’s was in fact, the stained glass that a reader correctly identified rather quickly. So, I am hopefully going to make things a little more intriguing for you this week. Let’s see the first to identify this image:

What's This? - Week 18

Podcast Notes:

  1. Gadget Infinity is the site to get the Cactus Triggers from – be careful to order for the correct lights
  2. There are some great patterns inside CS3 (not available in CS4 anymore), just go to the following folder to find them: C:\Program Files\Adobe\Adobe Photoshop CS3\Presets\Patterns\PostScript Patterns
  3. Q&A – Recording Software, Crop Factors, and photo terminology

Wrap-up: Contests, Road Tip, & Polls

Happy shooting all, watch those apertures, and we’ll see you back here again tomorrow!

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Thursday Thoughts with Jason D. Moore

Jason D. Moore
Jason D. Moore

Jason D. Moore is a well known photographer and graphic designer, with ACE certifications on Adobe PS CS3, has extensive experience as a videographer, is a member of the Adobe Acrobat User Community, and also has some extensive experience in web development.  Suffice to say, he is very well-known for his Photography and Photoshop Blogroll, and has had several mentions on Photoshop User TV.  He also hosts photo walks in the Southern Tier of New York and is just a super nice guy.  Last week he and I had a chance to exchange a few emails and I learned quite a bit about him and his background from our discussion.

Q.    Everyone always wants to know some of the basics, so let’s get a few things out of the way at once here…How long have you been a photographer?
A.  I’ve been taking pictures on and off since I was a kid. When I was the editor of my high school yearbook I began to see images more in terms of their composition and how they conveyed a message when placed together in a collection. I got a lot from my dad when I would go along with him on video shoots growing up and learned how to take it from just conveying a message to telling a story.  I didn’t do much with photography in college, but rediscovered my love for it while studying abroad during my senior year with Semester at Sea (www.semesteratsea.com) and then began taking it really seriously with my first dSLR – a Nikon D50 – back in 2006.

Q.  2. Canon or Nikon?
A.  Nikon

Q.  Mac or PC?
A.  PC

Q.  Chocolate or Vanilla?
A.  Vanilla – but I also really like Black Raspberry, Peanut Butter Cup, Cookies and Cream, and Stephen Colbert’s Americone Dream.

Q.  Moving into a little more granularity, photographers often enjoy hearing helpful and  constructive critiques of their work, as we are aware of how much we can grow from it.  However, we’ve also all had the “nice shot” and “cool” comments when we’ve shared our work.  What was the singular most useful critique or comment you’ve ever had on work you’ve shared publicly?

A.  I’m not sure it’s considered a critique that I learned from but I always remember Scott Kelby telling me, “You’ve got some very inspiring work—a great eye (which is what it’s all about), and some great Photoshop skills to boot!” And when one of my shots was picked as a NAPP Editor’s Choice, Larry Becker said, “This (and many other images in this portfolio) make us want to be there. This is beautiful art.” Making viewers want to be there is a high goal to strive for and it pushes me to try harder every time I go out shooting to attain it. These comments would mean a lot no matter who said them, but because they come from men I respect and who know what they are talking about, it really touched me.

Q.  If someone was asking you for an honest critique of their work, what 3 factors would you look at most (excluding friendships or family relatives, we’re talking professional or fellow photographer-types here)?

A.  Technically speaking I look at framing/composition, color/tone, and sharpness/depth of field (not in any particular order). However, while all of those things are important, I’ve always been a believer in art trumping the technical. I look for a sense of style, individuality and a unique approach/perspective, and most of all, that the piece tells a story. If it moves me, the technical stuff doesn’t matter as much.

Q.  Got any war stories from field shoots or outings that you can or would be willing to share?


A.  It’s not a photography story, but a videography story. A few years ago at my old job I was headed out on a shoot about 4 hours away. Before I left, I checked all my gear to make sure I wasn’t forgetting anything – batteries, microphones, cables, directions, etc. – and headed out the door. I was already running a little bit late. When I got about an hour and a half into my drive, I suddenly realized that I never checked to make sure I had enough tape for the day. At the next service area I reached into the camera bag and realized that, not only did I not have enough tape for the day, I didn’t have any! So I had to drive back an hour and a half to grab the tapes that were sitting right next to where the camera bag was. At the end of the day, I was advised of a “better” route back home which actually added an extra hour or so to the trip. So I ended up spending 4 extra hours in the car.

There are also the couple of times when I was doing some live event work when, due to scheduling or technical issues of one sort or another, I had to endure 40-hour work days, including setup of a convention center’s worth of sound and video equipment and full-day sessions of conferences.

Q.  If you had to choose between the gear or the software as the only way to create, which would it be and why?
A.  I learned a lot about Photoshop before I learned a whole lot about Photography and I think you can do some amazing things when the two are working in concert. With that said, I’d have to go with the camera over the software. Photographers were creating breathtaking shots long before there was Photoshop and really, without the shot, the software isn’t much use, is it?

Q.  Any final thoughts you’d like to share about the state of photography or any catch phrases that you keep in mind when shooting?

A.  I’m a details kind of guy and I really like the phrase “get close, then get closer.” I think I heard it from Derek Story but can’t be certain. It’s a concept I’ve heard over and over but that says it really well. One of the things I strive for is to find a part that tells of the whole. Sometimes you don’t need to show all of something for your audience to get it. Sometimes just a small piece can say more than the entire subject and you will usually find that your shots are more interesting that way too!

I’d like to thank Jason for taking the time out of his busy schedule to share some of his thoughts and experiences with the readership here.  Please stop over at this website to thank him yourself and to see his portfolio of work.  He can be found at:  http://www.jasondmoore.com

Camera Profiles

So, today I had the day off work, and was catching up on a few things.  I read through most of my piled up photo magazines, caught up on some NAPP tutorials, and some overdue email replies to various asundry things.  One of the tutorials I watched was from Matt Kloskowski on installing camera profiles for ACR in both LR and CS3/CS4.  It’s pretty cool stuff.

Basically, Adobe has worked with various camera vendors to get the ACR to approximate the same colors that are shown in the vendor proprietary software (Digital Photo Professional for Canon and Capture NX for Nikon, and a whole host of others.)  Matt did a great job of showing how close it gets while even still in beta.  I was convinced enough to go ahead and download the plugin to use in CS3.  Fair warning though, you do need at least ACR version 4.5 or higher to use these profiles (I have 4.6 installed).  Since my bodies are Canon-specific my interface may look a little different, but thought I’d share the screenshot of what it looks like for me:

My thoughts are that the Camera Landscape beta is the closest to what DPP shows.  Since it’s all happening in camera raw, as Matt stated, it just gives you a better starting point with less editing to get to your final results.  I really can’t wait to see how this develops and moves out of beta.  Just hope that Adobe sees fit to release the final shipping version for CS3 owners as well as CS4.  What about others – has anyone else installed this?  How do your pictures look?  Are they close to your vendor software?  Feel free to jump in with the comments!

In other news for Friday, this is the last day to participate in the economy-photography poll from the sidebar.  You RSS readers – stop in and vote, we’re trying to break 30, and only have until midnight!  Other than that, it’s been a great day – I even got some cool shots of the dog after our walk with the sunlight glistening in her eyes.

I’ll leave with my favorite What the Duck of the Week.  Happy shooting and we’ll see you back here again on Monday – have a great weekend!

Be careful with Adobe updates!

I was just in the NAPP forums (a great place to learn by the way), and learned about the ACR update.  Since I already am good on the gear compatibility side, I went to the readme.txt file to see if there were any other updates to the programs that I should be aware of (Podpress has made me very cautious about updating too soon…)

Turns out there are some LR issues with a few tools and with XMP sidecar files versus database entries.  If this is all gibberish to you, then don’t worry you are probably fine.  For the more technically inclined though, their readme file is something to look at before you upgrade ACR this go-around.

Linked here

Proof positive that the old adage of “If it ain’t broke don’t fix it” can still apply in a modern world.  If you don’t have a specific need for the update (a very recent camera purchase), I’d hold off until the next update ships as this could break Lightroom to a degree, as well as prevent respecting of previous edits if you use the database option for XMP data.

In more CB-specific news, the last poll finally wrapped up today.  With 30 responses, here was the final tally:

The newest poll is now up on the sidebar.  2 weeks does seem to return more meaningful information as that gives people enough time to respond.  Feel free to chime in at your leisure.  The question is:  Does the current economic downturn had an impact on new photography-related purchases?  For those reading in feed readers, stop in to see the options and vote!  Let’s try to crack the 50-count this go around! 🙂

On a lighter note, the WTD series this week was really pretty darn funny.  Here’s my favorite:

Have a great weekend everyone, Happy Shooting, and we’ll see you back here Monday morning!

Finally Friday – A Week in Review

Yes, it’s finally Friday, and with a long weekend ahead of us, we can enjoy a little more down time. Mine will start about 30 seconds after I finish this post! Anyway, some updates on the Orphaned Works Act – some very passionate members of the NAPP community have been working together to get a website up to get the word out on a broader basis, so keep your browsers tuned to www.defendyourart.com over the next few days as updates, links to news items, and representative info will be going live. Additionally, posters and graphics are being compiled for people to share in their own regional communities too. So, if you participate in the arts (and you likely do if you’re reading this blog), tag the site as a bookmark: www.defendyourart.com

Brian over at Professional Snapshots got a G9 and shared some initial thoughts on that (as well as an interesting test shot), so stop over to his blog and see his feedback. Comment if you get a chance too – Brian always has fun stuff to read and share.

1001 Noisy Cameras does their latest update to the Canon SLR Market Price list indicating that prices pretty much remain the same, but now we have rebates! There’s also a link to a lengthy review of the Canon Xsi (and apparently somewhere in there a comparison between the 40D and the 450D??? I, like them, don’t understand – it’s apples and oranges. Anyway, stop over to 1001NC and read all about it – thanks guys for your info -you are on my must-read list since I learned about y’all! (Also, the TOP Test you linked to had some updates – see below for more)

Scott Kelby reminds us to back up our hard drives today (which I need to do btw…)

Ctein makes a passionate plea to avoid using music in website design over at The Online Photographer (thank you!)

Last, but not least, here’s some blog updates for CB:

  • I am almost done with the article compilations on creating your own photo website, so thanks to all for their patience.
  • The Online Photography Test has moved and now as TWO tests: Basic and Advanced! The latter still needs a few questions so stop over and take it, see your scores and share thoughts to round it out!
  • My photo shoots have been keeping me busy, but a gallery has been published here for viewer enjoyment: A Day in the Park
  • Another gallery should be forthcoming shortly too – still waiting on a model release.

Finally, lest I forget the Friday Funnies, stop over to What The Duck for a chuckle – or would it be a Duckle?

What the DUck - Friday May 23rd

Lightroom 2.0 Beta – First look at the dual monitor! (A preview video)

lrsplash.jpg

Just before I hit the sack last night, I saw that Adobe went and released Lightroom 2.0 in its beta form. I’ve already downloaded it and checked out some of the key changes. Until this release, I had used a trial version on my one desktop, and decided I’d tr it for 30 more days just a week or so ago on this main one. Well, right after recording a tutorial on creating web galleries in LR 1.x Adobe goes and does this! I shoulda known better.

The NAPP staff was clearly in on the development as they’ve got a page already set up with a first look on a lot of the key items. Great info and the features are definitely the ones I’d been waiting for – guess it’s time to buy! In my earnest to see everything I noticed though, that Matt K. does not show the dual monitor display on his first look. Was rather disappointed, so….in the interests of showing to others what I just saw, I did a little brief first look of my own. The resolution is super huge (1024×768), and it does look a little “off”. The reason here is because my one monitor is a 19″ and my other one is a 15″. So, on Windows it looks a little funny. But, it does get the gist across for those interested in seeing what’s there for the latest version. Check it out in the Quicktime download attached to this post.

As for the nuts and bolts of changes, I’ll leave those details to the pros over at NAPP and other blogging venues. Some of the more salient and interesting ones I saw today are here:

Only a few wishes…I didn’t immediately see any support for tethered shooting…but I guess that’s could go on a wish request since it’s still in beta. Also, it looks like the second monitor support means just 5 view options: loupe/grid/live loupe/locked loupe/compare/ and survey. I was hoping the 2nd monitor would be customizable with the LR panels (like Photoshop), but I’ve not figured out how to do that yet. If anyone knows whether that is something I am missing, or if it’s not been added…let me know.

Anyway, that’s the big news today – LR 2.0 beta was publicly released during the keynote at Photoshop World! With Photoshop Express, and tons of other R&D stuff coming out of Adobe – it’s a good time to be a fan! SO, without further ado, here’s my first look at LR 2.0 dual monitor setup options! Quicktime only version today (renders faster than the flash version and has wider viewing from those that visit the blog).