Photo News, Interviews, and Contest News

As you may have guessed, the podcast that was delayed Friday is now compiled and ready for your listening pleasure.  I would like to take another moment to thank Terry Reinert of TKR Photo for taking the time to participate in the interview series – not only is he full of useful information, but a great guy to boot.  We literally could have B.S.ed on Skype for another couple hours if time permitted.

This does mean the hardware review was supplanted for this week, due to the dentail fiasco from Friday.  On that note, I would also like to clarify that it ended up not being the crown, rather a filling next to it (my mouth is a mess – surprise surprise), that was hitting a nerve.  So, it looks like another root canal is headed my way.  Fun stuff!

So, without delay, here’s the show notes for this weeks episode of LDP, which you can listen or subscribe to from the PLM site here (it’s also linked in the header up top):

Photo News

Contest News

  • OnOne Software Contest currently underway (make sure you submit your images in the next couple weeks – time’s a’wastin’!)
  • Congrats to Fred for winning the discount coupon for Fotoquote Pro
  • Wacom Contest is coming up next month – details TBD

Interview with Terry Reinert

Listener Questions and Answers:  Exposure Triangles, Filters, and Hair Lights

Thanks for subscribing, and have a great day all.  Happy shooting and we’ll see you back here tomorrow!

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Win, Listen, and Bang!

This week’s show is a doozy – I talk about the latest contest, (#3 for 2009), have a fun conversation with Jason Loucks, then tackle some tips on photography fireworks.  Of course the show always takes care of a couple listener questions and answers, so it’s 45 jam-packed minutes of photography fun.  Here’s the show notes:

The Third Photo Contest, sponsored by OnOne software.  Rules and entry information are posted on Tuesday’s blog, and you can enter your photos here.

Here’s the sites and twitter folk we talk about during the show:

  • www.freelanceswitch.com
  • www.smashingmagazine.com
  • www.tutsplus.com
  • www.css-tricks.com & Chris Coyer on Twitter
  • www.w3schools.com

Shooting Fireworks

  • Use a tripod
  • Make sure you have spare batteries (and fully charge all batteries)
  • Shoot with a low ISO
  • Set your shutter between 4-8 seconds for best results
  • Try adjusting the zoom in or out for attention grabbing light trails

Enjoy the show, hosted by the folks over at Personal Life Media!  Happy shooting, and be sure to share your own tips and tricks for shooting fireworks by tomorrow and I’ll try to put all of them together along with some (hopefully) inspiring photos for enjoyment.  In the spirit of the show, don’t forget the trailing question:  What was your first camera?

Creative Composition – Vignetting Photos

In general we learn that placing your subject dead center in the frame is something to avoid – creatively speaking it can kill a picture.  While this holds true as a general rule, I was walking into work yesterday morning and the sky was a brilliant blue, with the capitol bulding of Denver right dead center in front of me, and I thought that might make an interesting attempt at breaking the rules if only I had my camera….and then it dawned on me, I did have a camera.  Granted, not my trusty 40D, but the smaller Powershot As500 IS.  So, on a whim out it came and I snapped off a few frames of it.  The vertical came out the best compositionally speaking, but it still lacked something to bring it into what I would consider the “creative” realm.  After all, it is a rather mundane shot, and something you would expect the typical tourist to capture.  So, how could I create interest…and then it dawned on me:  vignette!  That would bring the eye in more, focus attention where I want it to go. So, into Lightroom I went, and sure enough it did create a little more visual interest.  I thought I’d share that view with you here today:

vignette

Granted this is still something that I would probaby personally consider a snapshot from my library of countless snapshots, but it does serve to illustrate that post processing in software can create more visual appeal and vignetting is one way to achieve those ends.  So, the next time you are about to toss a shot, ask yourself:  Could I improve this with a little vignette?  Give it a whirl – you never know whegn a little vignette might surprise you!

On that note, it’s always helpful to remember that post production work can make or break a shot.  Yes, the better your images are to start with, the less work you have to do in post, but that is not to say that post processing is a bad thing…so regardless of whether it’s a little dodging here, burning there, perhaps a litle vignette, or even applying some plugin processing from your OnOne Plugin Suite 4.5, always be willing to explore!

Oh wait – you don’t have the OnOne Plugin Suite 4.5?  Well, go figure, just the luck – today starts the July photo contest here on the blog, and entries are now being accepted in the Flickr thread here for some lucky reader to win their very own copy of the Plugin Suite from OnOne!  Pretty cool as this is a retail value of $500 for this package, so you can imagine the creative possibilities!  Feel free to capture away, and share your favorite shot in the contest.  You can find all the rules from the announcement post yesterday, but get out and shoot for your chance to wina free copy of this great software suite!

For those of you expecting the podcast today – year-end in state work means processing financials so we were working late today to get a lot of T’s crossed and I’s dotted before the clock struck midnight – so the podcast did not roll out today, but I promise it will roll out tomorrow and I’l be talking more about the photo contest then too, as well as answering viewer and reader questions, so if you have any to throw out in the mix, now’s your last chance to get questions in before the show goes live tomorrow!  Got a questio about photography, gear, software, tips, tricks, techniques?  Share it in the comments or with me via email.  Happy shooting for now and we’ll see you back here tomorrow for the podcast.

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Let me count the ways…

The age old phrase of “let me count the ways” seemed like as good a theme as any to announce the newest contest from the blog here for the Learning Digital Photography podcast.  I just got word from the folks at OnOne software that they really liked the post on Genuine Fractals – so much that they would like to participate in a giveaway!  Can you guess the prize?  Yup, that’s right, the entire OnOne Plug-in Suite:  4.5!   This is an amazing offer, as the package normally retails for $500!  That’s five hundred big ones!  I don’t know about you, but if I had an opportunity to win a software package worth $500, I’d certainly stand up and listen…so, since we’ve got this contest announcement for the month of July that involves software, there will be no software review today.

Oh yeah, so anyway, that’s the prize package.  How do you enter?  Easy – just like the last couple of contests – it just requires a little participation.  A new thread will be set up on Flickr for people to contribute photos.  (It’s already live but entries will not be accepted until midnight Mountain time tonight.)  Here’s the rules:

  1. Since the contest sponsor is onOne – then the theme shall be Numbers.  I am not going to interpret or give any ideas here, but if your photo incorporates something to do with numbers (any number, multiple numbers, use of numbers, whatever), then it will be accepted.
  2. Join the Learning Digital Photography Flickr Group – the images will be shared in there anyway, and this is a great way to see other inspirational images from people that are regularly contributing to the common pool…just make sure you post your images in the thread titled Numbers Contest (easily linked for you right here)
  3. Photos will only be accepted for the month of July (and that are uploaded during that month, so no archived images will be accepted)  Only 31 days to enter so get clicking! 🙂
  4. One photo limit per participant.  Sorry all, but with a prize package this huge, I know there’s going to be a lot of entries, so in order to make judging easier one entry per person.
  5. Photo manipulation is acceptable – after all, it’s for a prize that encourages massaging those pixels, so edit away!  However, you just be the original copyright owner of the photo used – no “borrowing” the work of others.  People found using others images will be removed from consideration.
  6. Images should be no larger than 800 pixels on their longest side, and no shorter than 600 pixels on the longest side.  If you need to upsize a photo, use the onOne Genuine Fractals trial!  🙂  On that note, please also refrain from using digital frames to increase image dimensions – images with frames that advance will be cropped.
  7. By submitting images, you agree to allow your photos to be featured in the web gallery and here on the blog without expectation of compensation.  The three finalists will have an opportunity to have their photos link back to their Flickr Stream, website, or blog if they like as the finalists will be notified of their advancement one day in advance of being featured on the blog.
  8. The product is being offered by the folks from onOne on the basis that it is NFR – not for resale.  The prize cannot be re-sold to someone else.
  9. Judging will be done by myself and I have one representative from onOne who will also assist with making the determination.  Decisions of the judges are final.
  10. There will be three rounds of judging:
    1. As in the past, the initial pool will be whittled down to ten and the images collated into a web gallery for display here on the blog.
    2. Three finalists will then be pulled and featured here on the blog for a final day or two of consideration.
    3. Last, the grand prize winner will be declared after even more careful determination from all participating judges.  OnOne has generously donated their time for judging as well, so we’ll compare notes and come to a mutual consensus to determine the winner.

Good luck to everyone and have a Happy month of Shooting!  Thanks especially go out to the good folks at OnOne for their generous contribution of the Plugin Suite 4.5 Software for some lucky reader/listener/participant.  Happy shooting and we’ll see you back here tomorrow!

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A dash of splash

First up – another web gallery of water drops – this time with a neutral black background that I developed in Lightroom.  I am tellin’ ya – this product is just too cool!  Photo management, editing, tagging, and gallery production all in one – what’s not to love?

Also up today, a little shout out to Dave Zarzacki, who owns a like new Canon XSi in mint condition, but just doesn’t need it in his gear bag (he’s trying to round out his collection with an SLR that will take all his current lenses).  It’s a great deal which includes the following:

  • XSi body (black) – $640 value from B&H
  • Canon 18-55 IS lens – $60 value as part of above kit from B&H
  • Tiffen UV filter – $7 value from B&H
  • 2 4GB SDHC cards – $25 value from Amazon
  • Gary Fong Puffer flash diffuser – $20 value from B&H
  • M-Rock Yellowstone bag ($54 value)

Individually, this would sell for over $800 easily, and Dave is only asking for $650 plus shipping.  I know the guy personally and can say that he knows how to take care of gear – this stuff will not have a scratch or scuff and will work as though new.  A great deal for someone starting out!  Any takers?  Drop me a line to get his email address and information.

Finally, for today, the Sigma lenses are in, and I can’t wait to start the review process on these this weekend!  Already found a few features that are just too cool for school!  Some other gear review items are on deck too – but I want to hear from you!  What do you want to learn more about in the way of products, gear, accessories, and such?  Sound off in the comments or with me via email!

Happy shooting all and we’ll see you back here tomorrow!

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A video short on HDR and bracketing

One of the more popular posts here on the blog has been two that consisted of explanations on how to bracket multiple exposures in camera in order to capture a wider range of exposure values than is typically permitted in a single frame.  Typically, these various exposures are then seamed together in some editor like Photoshop, Photomatix or other that is available to produce an effect called HDR – high dynamic range.  You can get some impressive results with various techniques that appeal to different subjective perspectives.

Here at the blog though, rather than take sides on such post processing methods, it’s more fun to show people how to do things, and then let you all take your own liberties either with the approach or with your processing afterward, or both to get results that appeal to you!  With that in mind, the feedback I’ve received from the previous discussions included a large number of people that asked for visuals of the process (I guess they are all visual learners).

Well, rather than take several dozens of images showing all the various settings and then explaining how I got toeach, a video seemed a more appropriate approach.  So, here’s the video short for those of you that requested visual aids.  It’s not the most professional but you should be able to get the gist.

This would also be a good time to remind everyone that we are in the dwindling days of the Adobe Lightroom contest.  You can win your own free copy of Adobe Photoshop Lightroom, courtesy of the folks at Adobe, simply by entering images you’ve taken in May over at the LDP Flickr thread.  Limit two images per person, but there’s still room for many more entries (no limit on the number of PEOPLE that can participate!)  just join the group for free and post your images.  Good luck to all and may the best photo win!  (Final results will be posted in June – I’l send my top ten picks back to Tom Hogarty for final judging when he’ll pick the winner!)

That’s it for today – I should have the podcast up tomorrow, but as always, no promises as my schedule has been fluctuating at work lately.  Happy shooting, and I will be back with more news, information, insights, tips and tricks tomorrow, whether in written or audio form.  Thanks for tuning in and we’ll see you back here again tomorrow!

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Exporting Lightroom slideshows to the web

After yesterday’s post to Youtube of my photo walk with Scott Kelby, and the fact that I mentioned that it was created first in Lightroom – I’ve gotten many emails asking me how I created it. The answer was quite simple – if you own a Mac.  Here’s how you can export Lightroom slideshows to the web is less than twenty steps:

  1. Create your slideshow as you normally do in Lightroom.
  2. Export the show to jpg files in a folder of your choosing.
  3. Close Lightrooom
  4. Open Garage Band
  5. Mix a track of audio music that will fit the theme of your slideshow
  6. Export that audio track to the folder with the pictures.
  7. Close Garage Band
  8. Open Photoshop CS3 (or your favorite pixel based image editor)
  9. Create an intro and closing image for your slideshow and save as jpgs to the folder
    *Hint* Make sure you keep the dimensions consistent with your previous images so you don’t get pixelation
  10. Close Photoshop
  11. Open iPhoto
  12. Import the photos from the folder you created earlier with the jpgs to a new album
  13. Create a slide show from said album
  14. Rehearse timings and check for image/audio quality
  15. Export to desktop (it will export as a Quicktime movie file by default)
  16. Take said movie file and upload to YouTube
  17. Add titles, descriptions as needed…
  18. Voila!

The key to this is iPhoto.  You don’t necessarily need Garage Band to make a legal audio track.  Many open sourced audio files are available for use, though a lot of that content is classical.  iPhoto has the built in ability to export slideshows as a movie than other applications like Lightroom, Powerpoint, Photoshop, and others.  Lightroom is also rather key too though as the backgrounds and text effects for the titles and everything were done in there.

On Windows, it’s a whole different story – you can do the Lightroom thing, but then you have to go out and buy a slideshow program to accomplish this for you.  While there are many options, and at varying levels of price entry, the ones that I’ve used that are good are Proshow Gold and Camtasia, from Photodex and Techsmith respectively.  The former prices out at $80 while the latter runs for a pricey $299 but allows you to also do screen captures, and lots of other stuff.  Either way, shelling out additional money to do something that is native on the Mac gives just another reason to consider the bundled functionality that Apple brings to the table with it’s computer lines.  (And this is coming from someone who has worked in Windows almost exclusively for the better part of ten years… as I tell people these days though, I work in Windows and play on my Mac!)

Finally, as we head into the weekend, there’s a couple fellow photographer/blogger types that are hosting contests and seminars in the upcoming weeks and months.  So, if you’re interested in improving your craft, there’s no better way than to either participate in a seminar and learn something new, or submit to a juried contest…and that’s just what Rob Jones of Towner Jones Photography is doing and Scott Eccleston, of Weekly Photo Tips!  Rob is hosting an impressive summer photo contest, and Scott is runing a Maine Photography Workshop that is sure to ignite the creative energies.  Act soon on Scott’s as registration is almost over!  Make sure you take these guys into consideration when planning out your summer activities!

That’s it for this week – I am off Monday for the holiday, so there may not be a blog post then.  Next week is the last week for the Lightroom giveaway contest though, so be sure you are getting your entries in to the Flickr page to win your own free copy of Adobe Photoshop Lightroom – a $300 value!  Happy shooting and we’ll see you back here on either Monday or Tuesday!

Say Cheese?

Ever wonder why we’ve heard photographers say that when taking your picture?  Think about what happens when you do – your facial features open up, your mouth opens slightly, and you get a little upward curvature in the corners of your lips.  (Unless of course you concentrate on specifically not doing that.)  Whoever thought this up eons ago was well ahead of the curve, because knowing how to take good portraiture encompasses entire volumes of books on the subject.

Volumes exist on what lenses to use, how to light, depth of fieldand much much more, but perhaps the most valuable information on how to take great portraits comes not just from technical awareness, but from personal interactions, and how to get people to act natural yet emotive and to let that come through in your work.  While no blog post could entirely exhaust the subject, here are ten quick tips on taking better portraits:

  1. Establish a connection – portraiture is about connecting with someone through the image.  If you don’t connect with them through the camera, then there will be no connection in the print.  Make sure you connect with your subjects in some way.  Get to know about them, because that knowledge can transform your vision into really beautiful works of art.
  2. Relax the subject – Connecting with your subject means they feel comfortable around you – now the key is to get them to feel comfortable in front of the camera.  Many times this is much easier said than done, but when you do get them to relax, the poses will come more fluidly, and you’ll get better results.  One way I do this is to just start taking pictures of things around us as we talk and connect.  The whole idea of hearing the shutter can be scary to some people, so by hearing it almost to excess and know it’s not on them can mitigate the “scary” factor.
  3. Choose a background – if you are in a studio environment, this is fairly easy, but if you are on location, keep your eyes out for backgrounds that provide contrast to the subject.  Are they wearing light clothes?  Look for a dark background.  What about props to give a little more meaning.  Are they sports fans?  Have them hold a football, or stand by a basketball hoop.  Backgrounds can help give more definition to your subject.
  4. Have a purpose – try to think of reasons why you are taking the picture.  Is it to record an event, or is it for a model?  What about a head shot for a business executive?  If you think of why you are taking the picture in the first place, that can help give you ideas for how to compose it.  For the event, it’s about the moment, while the portrait it’s about just the person, so give some thought to how to enhance their best qualities and minimize flaws.
  5. Create separation – this is crucial to giving definition to your subject while minimizing distractions.  In the on-location areas, look out for things like power lines, nearby light sources and other objects that may detract from the subject.  Here it also helps to keep a wider aperture so that any distractions can be effectively blurred out of focus to minimize their impact.
  6. All about the angles – Some people have great profiles.  Striking features can be accented from certain angles and can give greater impact and meaning.  Shooting from below can suggest power and strength (for the business executive), while shooting from above can minimize a body style that is more robust.  Even profile shots can be stunning if done right (hint:  try shadows there).
  7. Lights, lights, lights – photography is all about painting with light, so portraiture is no exception.  Whether it be modifying existing light with reflectors, diffusers and shoot throughs, or creating your own light with strobes and flashes positioned off to the side or from above, lighting can create a wide variety of moods and bring images to life, especially in portraiture!
  8. Watch the eyes – for any subject, whether human or animals, we like to have the eyes in focus.  It’s just the nature of people to look at the eyes in a subject, so make sure the eyes of yours are tack sharp.  Seeing a persons eyes have often been said to be a mirror to their soul.  You can get playful eyes, soulful eyes, sad eyes, sparkling eyes, weepy eyes, tear-stained eyes, angry eyes, hungry eyes, passionate eyes… (you get the eye-dea!)
  9. Clean that skin tone – this means make sure that you are keeping the tones in check.  If the skin is too orange or too blue, add or remove some flash or ambient light.  Here the key is in white balancing your images.  Take along a grey card (even something as small as a 3×5 card can work) and you can set your white balance off that – your skin tones will be spot on if you do – and save you tons of post processing time.
  10. Less is not always more – let’s all just admit it, it’s a digital world.  Those pictures are really just data packets and with data being as cheap as it is, we can afford to take more shots.  This can help with blinkers, and if you want to try several poses or wardrobe changes, or lighting changes, or location changes, or group changes (think weddings). or weather changes (think sunlight versus rain, versus cloudy), or….I think the gist is clear again here.

So, there’s ten nuggets.  I tried to be brief yet have some detail, but you can never have enough time or space to really cover something with so much to talk about in a short blog post.  With that in mind, what about your thoughts on portraiture?  Add to the pool!  Got any ideas, DIY tricks or nuggets that work for you?  Share them in the comments or via email.

Before signing out for the day, I’d like to give some special thanks to a few people.  First to Derrick Story for the helpful link from his blog post today about the tethered shooting write-up.  It’s always nice to get what I like to call “a nod from the Gods”, but not only did he write a post about my write-up, he also submitted it to the Imaging Insider, who subsequently included the write up on their site.    Second up, I’d also like to throw some NAPP-Love back to Karen from “Pursuing Photoshop” (a.k.a. Mitzs in the blogosphere, also a member of NAPP) for her link back to the Adobe Photoshop Lightroom contest currently running here on the blog – thanks Mitzs!

Oh yeah, and finally, don’t forget the Photoshop Lightroom contest I announced in last week’s podcast – it’s running over in a thread on Flickr, and the images are starting to come in.  Some really nice ones so far, but there’s plenty of time left in May to enter!  Good luck to everyone!  Well, enough content for one day, so happy shooting and we’ll see you back here tomorrow.

The Sigma 70mm Macro

Next up in my gear bag is the Sigma 70mm Macro lens.  This is one sweet lens.  With an aperture that goes down to f2.8 this is legally classified as “fast glass”.  It’s got some super nice bokeh, and has an impressive range for it’s sweet spot – ranging from roughly f2.0 – f11.  Seriously, it’s tack sharp through that entire range.  It’s got the characteristic touch and handling of all Sigma lenses with its brushed matte black coating.

Other features include the manual on/off switch for auto-focus, which is typical for most lenses these days, but one thing I particularly enjoy is the limiter.  While this is also characteristic for macro lenses, it helps to keep you within a certain range of focus so it doesn’t have to search as long before finding that tack sharp point.  This toggle can be turned on or off any time, so it really helps when you are in Macro mode or shooting portraits.  Oh yeah, did I mention this does a nice job at portrait work?  The 70mm fixed focal length means I don’t have to get too up close and personal like you would with a 50mm lens, but I also don’t have to be as far away from the subject so it’s still fairly easy to interact with subjects.

If I had to list downsides, they would be that without the limiter on, it can take a while to focus, and that it is somewhat noisy when it is searching.  I am very spoiled by the USM features of Canon bodies, and wish I had the Sigma equivalent (HSM – Hypersonic Moter), but that was just not available in this lens at the time (and don’t think it is to date…).  Lastly, I don’t like how the lens shade prevents you from capping the lens when out in the field.  If the lens hood is on, the cap simply cannot be in place.

As with any fixed focal length lens, it forces you to compose with your feet (if you want a tighter shot, step forward a few paces, and if you want to go wider, step back).  But it does give you tack sharp results each and every time.

Here are a few sample shots I took with this lens, both in normal mode and in macro mode over the weekend for this post.  My in-laws were in town so we did the tourist-y thing.  First off, we visited the Hammonds Candy Factory where pictures are not only welcomed, but encouraged – so, my camera in ahd with 70mm attached (intentionally only went out with one lens each day…), I got some good samples of each category, except Macro (you need a tripod most times when shooting Macro work – at least I do in anything but the brightest light!):

Still Life

Candy Form Press
Candy Form Press

Some of the wonderful candies at Hammonds

Candy Swirl
Candy Swirl

Weights and Measures

Weights and Measures
Weights and Measures

Portrait

Cute as a teddy bear!
Cute as a teddy bear!

There you have it – the 70mm Macro f2.8 from Sigma – the third lens in my bag.  Coming up next week, the 70-200L f4.0.  it’s an oldie but a goodie!  What do you think?  How does the Sigma 70 Macro stack up based on what you’ve read here?  Like it?  Love it?  Hate it?  What other macro lenses do you have experience with?  Share your thoughts in the comments!  Happy shooting and we’ll see you back here again tomorrow!

Don’t forget about the Adobe Photoshop Lightroom Contest announced over on Learning Digital Photography!  Win your own copy of LR by sharing images in the Flickr thread here!

Photo Contest – Win Adobe Lightroom

Happy Saturday all.  It’s a rare weekend post here – since Friday was silent.  Two things – first off, Happy Mothers Day to all the mothers out there!  Second, as the podcast on Tuesday announced, don’t forget the first ever Learning Digital Photography Contest is under way – all during the month of May, submit your shots to the Flickr group (2 entries per person) for your chance to win a copy of Adobe Photoshop Lightroom 2.0!  Not only is it a great chance to win this wonderful program, but a great way to get increased visibility of your work and to network with others.

Information is available in the podcast, but you are welcome to just submit your entries directly to the Flickr group.  This is a prize package worth $300 retail, so definitely one worth entering!  Good luck and happy shooting!

Podcast

Flickr Pool