What is this?

What is this?

Welcome to the Wednesday walk around the web. Before throwing the web gems for this week at you, I figured it might be fun to bring in a new feature for Wednesdays: “What is this?” I’ll take a shot of something at an unusual angle, perhaps zoomed in super close, or intentionally blurred. See if you can guess what it is (use the comments). If you’re right, guess what you win? That’s right! Fame, fortune, and glory! Well, not really – but you do win the “What is this?” for the week so you can brag to all your photo peers that you won the CB “What is this” photo game. I’ll make the first one easy and give a hint – this was taken in my home office. Now, with that in mind, look at the picture above, and see if you can guess what it is! Good luck to all – and now for the Wednesday web gems.

  • This Week in Photography (TWIP) – Scott does regular photo-related posts, just like the rest of us, but he does bring a unique approach to the table. Another cool thing: he has contests, with actual prizes! Cool blog and ltos of useful info.
  • Frederick Johnson – Learned about this guy in the NAPP forums. He’s the Senior Marketing Manager for Professional Photography at Adobe – and while the title and company are impressive enough – check out his Flickr stream, and he has a blog too! Very cool stuff.
  • Jason D. Moore – His weekly P&P listing is up – everything there is of at least a first and second glance!
  • John Nack – Well known Adobe guy, and on my daily hit list. Always good info there. Actually thanks to John, I should qualify the statements that I made a few days ago about Adobe using the GPU for the next version of PS – his clarification on the subject was that it might be coming…but not sure when and as he said he “can neither confirm nor deny” it – he was just sharing possible developments.
  • Okay, it’s a bit of self-promotion, but I’ve not heard much feedback on the Advanced Online Photography Test (a.k.a. TOP Test) since migrating it. So, stop over to the TOP TEST to take your photography skills to the next level!

That should be enough for your morning surf time, now either get back to work or get out and shoot some pictures! Don’t forget to guess on the picture above, and throw a vote in on the poll. Happy shooting, watch those apertures, and we’ll see you back here tomorrow!

Custom Brushes

Custom Brush

For this weeks tutorial, I thought to take a look at custom brushes and brush sets. It can be a pretty handy thing to have some custom brushes of things you do often, or looks and styles that you apply often to your photos (such as a signature, copyright, or some other such logo). The idea came from someone in one of the photo forums (NAPP forums if I recall correctly), asking if there was a brush set out there that had a set of hash marks (like for the days of the week). We talked back and forth on a few alternatives when it dawned on me – we could make a brush to do that! You really can make brushes to do whatever you want, it’s just a matter of doing it once and then saving it, much like an action.

So, here’s a tutorial that examines how to create, save, and load custom brushes inside of Photoshop. We’ll see you back here tomorrow! Until then, Happy Shooting and watch those apertures!

Creating Custom Brushes

More coffee Monday

Judging from my soreness even today after a weekend of home improvement projects, I would imagine that tomorrow morning will be even more of the same – I will definitely be partaking of more than a few cups of joe to get me on my feet and functional.

I did take some time to do some cleanup work of the weekend on the photo gallery side of things for my website and the project side of things for the blog too though. The lucky readers (lucky possibly being a subjective term in this case) will get a sneak preview of my latest gallery addition as I ran out of time and do not have a link on the site to this yet (or the thumbnail for that matter).

On the blog maintenance, I’ve changed the notice for comments – apparently the spam flag was set a little too severely as people were making comments and it was taking up to a month in some cases before those got discovered and re-tagged. So, your comments should become visible much more quickly now. With that in mind, I thought I’d also share the latest photo gallery that I am putting up on my website with those of you who are tuning in, so now you can comment more easily! Last but not least, I had mentioned an article that was forthcoming both in the video tutorial last week, and in another one of the posts. Well, after going through several re-writes and different takes on it, I’ve decided not to publish that, as it’s just to dense of a topic for a short listen or read. If anyone is interested in it though, the subject is creative development.

I looked at an essay that came out in the most recent issue of Shutterbug Magazine, where Jack Hollingsworth looks at how photographers develop their in the essay The Ladder: In Defense of Imitation . He defines 3 stages or phases of development: imaginative, adaptive, and innovative. While both interesting and logical, it raises more questions than it answers. I found myself in similar shoes when trying to address just a few of those questions ir raised in my mind – more questions, practically all of which were subjective in nature. So, the article will likely not see the light of day here at CB. If anyone is interested in a heavy read, let me know via email and I’ll be happy to forward a copy of that article to whomever requests it directly.

That said, the blog was not a good place for it, so I discarded the idea for CB and went with the photo montage. A sneak peak was done a few weeks ago, and it’s now complete. Visit my photo site for the full gallery here

Hope everyone’s weekends were good ones. Here’s to a new week – happy shooting, and watch that ISO!

Back to Basics – Rule of Thirds Grid

After I recorded and started production on this tutorial my mind began to remember that perhaps I had covered this subject before. I reviewed the subjects I have posted over at the Tutorial Resource Center and did not see it covered there, so figure I am not repeating some tutorial I have already done. Having said that, this is kind of a return to the basics. Continue reading “Back to Basics – Rule of Thirds Grid”

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Quality versus quantity

“Okay, I’m done.”

“That’s it? You’ve only been shooting for ten minutes!”

“Yep, got about 50 shots, I should have 4-6 proofs for you from that bunch.”

“So we’re done?”

“Pretty much…I mean I can keep shooting, but there’s really no point, it’ll just be duplicates of the same stuff.”

This was the dialog I had with a co-worker a short time ago when I went to take pictures of her son for her. It is indicative of a mentality that exists in society…not only is size king, but so is quantity. If you were to take two photographers and set them side by side, who would you think is a better photographer: the one who took 40 shots or the one who took 400? Many of the general public would probably respond by saying the latter, without giving it much thought. Yeah, I took 50 instead of 40, because I have not been a pro shooter for 20 years, so I gave myself a little bit more of a margin for error. Having checked ISO, white balance and histogram settings though, I was pretty confidant that all that was left was composition – so I went with my instinct for what would make a good composition, took 3 or 4 different angles and was done.

Even photographers fall victim to this mentality of delivering a massive quantity of images. I know of several studios that just inundate their clients with hundreds of shots to choose from. They can’t understand why these clients never get any prints or very few prints from the studio. They think that people like to have a choice, and that the more choices you give them, the better. While the idea is not without merit, (because choice is a good thing) it can go to an extreme… and I think that’s where it’s going. The reason why they’re not getting prints done is because too many choices can also be paralyzing. If presented with 4 options, it is very easy to pick out which one you like best, whether it’s cars, cameras, televisions or photos. Presented with 400 cars, cameras, televisions or photos, the choice becomes more difficult and time consuming, primarily because you become concerned over picking the “wrong one”.

My perspective, in contrast, is to deliver just a select few shots. It makes the choices easier for the client. In a world where time is an increasingly valuable commodity, getting bogged down in sorting through hundreds of images trying to find one or two to print and hang can be more frustrating and lead to inaction. In essence it’s like you are transferring the process of elimination part of the work flow from your hands to the client. This has several downsides with minimal upsides. The one upside is that “Hey, the client chose this, not me.” can absolve you of responsibility for getting a bad shot framed. I would venture to ask though: why was a bad shot among the choices?

As I told a friend via email recently, it also comes to one of work flow management. Which would you rather deal with as a photographer – a work flow where you process 50 images or 500 images? The argument that “it’s digital, so what’s the big deal?” always seems to get under my skin a little bit. For me, the big deal is that some are going out there and not putting much time or thought into capturing the essence of a scene. They just lift the camera, point in the general direction of what they want and just fire away. I’ve actually heard the term “spray and pray” used for such shooters. The idea of slowing down and taking your time to both enjoy the moment and to really take into consideration all the nuances of things like lighting, shadows, and minimizing distractions has benefits. For me, the benefits far outweigh the downsides. Firstly, it is a much more enjoyable situation to be in. Not only do you have fewer images to process, but you can really take your time, pay attention to the detail, and get every nuance of the image pegged!

Secondly, you will probably find that you are less stressed yourself. You’re not worried about missing the shot because you didn’t have time to consider all the aspects – primarily because you are considering the nuances. Third, and most importantly, when you relax and aren’t stressed, your clients aren’t stressed either…a photographer and their subject often feed off each other. I have so much fun when taking pictures of subjects, I often forget that I am there for a specific reason – we’re enjoying the moment.

That’s right…we are enjoying the moment – client and photographer! We’re laughing, and having fun, and I just happen to have a camera in hand recording it. Yeah, the first shots are often always a little awkward for them, but once they see my mug grinning over the camera at them and laughing and joking around, the stress level decreases by a factor of ten! When your client is less stressed, they photograph better! They are more willing to strike goofy (in their eyes) poses! You can capture the shot!

So, that’s pretty much it: taking fewer shots will do three things for you:

  1. Cut down on post processing (both for quantity and quality)
  2. You stress less, and thus, your client stresses less.
  3. You increase your keeper percentage!

Having said this, I realize that there are some situations where you have to mass produce images. Another friend of mine talked about a basketball or softball tournament where they had to take pics of every person on every team over the course of a weekend. With 50 players per team and upwards of 30-40 teams, that is 2000 shots to process – and that’s a small regional event even if it’s only one shot per person. Take it on to a national event, and it just ratchets up another notch. While the quantity is there, it’s also a different shot every frame. This is also not a fine art or a studio environment. This is a very fast-moving, fast-paced environment and is not applicable to the type of photography I am talking about here.

I would venture to guess though that most of us do not fall in that category…we’re shooting far less than this on average, so the quality versus quantity rule does apply in most scenarios. Now, if only I could take that principle and apply it to the writing here on the blog!

Happy shooting all, and watch those apertures! (I’ll be back tomorrow with a video tutorial – had some plumbing issues today that hastened pulling from the archive for a daily post.)

Monday “McNallyisms”

Thanks to David Hobby over at Strobist for posting this on Saturday – apparently I have been missing the boat on videos lately as Google has a pretty extensive video archive of well-known people that they get to come out to the campus in CA and speak for a short while. David posted the YouTube video of Joe McNally (which was posted last Wednesday on YouTube). Normally I guess people speak for about ten minutes or so. Joe McNally’s talk – 1 hour! He naturally talks about The Moment it Clicks, but I walk away amazed every time I hear or read a little more about it. I have to get this book! Some key snippets came out of his conversation there that I took the time to write down and thought I would share these with the blogosphere. Call these “McNallyisms”:

On the big picture:

  1. “My philosophy about photography is that it’s a very open-ended profession.”
  2. “Human gesture trumps everything”
  3. “You have to have fun. If you’re not having fun, your pictures will reflect that.”

On motivation

  1. “At the end of the day, you’ve created something that didn’t exist that morning.”
  2. “I’m not driven by a particular type of photography…[but] by the love [of photography]”
  3. “I have to make a picture that conveys the emotional and visual experience I am having, and if the photograph doesn’t do that, then I’ve failed.”

On technique:

  1. “There are no secrets, no mysteries, no dark kind of ‘Keys to the Castle’ or anything…”
  2. “It only takes one ‘Awww, shit!” moment to wipe out three ‘atta boys’…”
  3. “The migration period [apertures, f-stops, shutter speeds, ISO’s, etc.]…taking all the sundry stuff and migrating it from the front of your head to the back of your head…you need to learn that stuff”
  4. “Technique is important – mechanical inputs have enormous aesthetic implications. You need to learn them and be fluid with them and it enables you to be able to speak with a louder voice.”

Yeah, it’s over an hour long, but it’s worth the listen…it can remind you of what’s really important about photography, and what doesn’t matter as much as you think it does:

And speaking of remembering what’s important, and what really matters versus what doesn’t matter so much, today you simply must stop over at Scott Eccleston’s blog for Weekly Photography Tips. That, my friends, is what really matters! Anyway, hope everyone enjoyed the weekend. Hope the coming week is just as good and keep those cameras clicking – happy shooting!

You Want Fries With That?

We live in a world of super-sizing everything:

From sodas to coffee, fries, meals, cars, and houses, bigger always seems to be better. This is no different in photography. From larger bodies, to larger bags to more Megapixels, we are constantly in pursuit of something “bigger and better.” The idea behind all of this is that the bigger the camera is, or the more megapixels you have, the larger you can print (or the more you can crop and still get a decent print). This is true for the most part. Higher MP counts translate to higher sensor resolution (note that the sensor size isn’t changing, just the resolution). The higher sensor resolution then ultimately translates to higher print sizes. Serious photo enthusiasts know though, that it’s not in the megapixels, the sensors, the cameras, or even the lenses. Truly great prints come from capturing something unique and wonderful that you see with your own eye. Having said that, we are still obsessed with creating the biggest prints we can – after all, the larger the print, the more we can “wow” our clients, right?

Sensor resolution is, by and large, the single most important determinant of how big you will be able to print a particular image. It’s a simple matter of math, native print size will vary as a function of the number of pixels on the sensor. You may get more noise has MP counts ratchet up on identical sensors, but the more pixels you can fit, the larger you can print.

So, that only makes one wonder – what are the maximum print sizes for various cameras? No one tells you that. You can read all about the Digic III sensor from Canon to Nikon’s CCD sensors, and onto the 4/3rds sensor from Olympus. You can also find out everything from the MP counts to frame rates, lens mounts, and a host of other information, but I have yet to find a vendor that publishes a maximum print size in terms we can understand. Instead, they just give us the sensor resolution. But that doesn’t help. We need to know how that resolution translates into prints! Paper sizes aren’t measured in pixels, they are measured in inches! Well, no fear, I’ve taken care of all the legwork and put together a spec sheet for all the cameras currently listed in Canon’s product line. So, without further ado, here are the current Canon cameras, replete with model, current retail price, MP count, sensor size, and max print size. Enjoy!

Canon Camera Print Sizes
Got a camera other than Canon or an older model? Well then, unfortunately it’s a little trickier for you, because you actually need to know 2 things. First, it’s helpful to know that as a general rule of thumb, your maximum print size is proportional to your sensor resolution. Second, you need to know your sensor resolution. To figure out your maximum print size, divide your sensor resolution by 200. For example, the Nikon D80 has a sensor resolution of 3872×2592. So, the max print size would be 3872/200 x 2592/200, or 19″x12″. This is, of course, only taking into account the native resolution of any sensor. Up-sizing programs can adjust for this, but that would no longer be a native measurement.

P.S. I do have this as a worksheet in a larger Excel workbook…other sheets include the Canon lens list, a sunrise/sunset calendar, and bunches of other goodies. If anyone is interested in that, drop me an email! Good stuff in there…

Digital Frames

Too often we take our work and share it out on the web in galleries, on blogs, and at various community forums to see the background colors don’t really do our shots much justice. I’ve seen forums with blue background colors, others with yellow, and much much more. This has the net effect of casting a hue across every image in that space. Your images take on that hue to a certain degree, and it can often negate an image more than many realize.

Forum administrators and bloggers are starting to realize that neutrals are the best way to go, but there are still some web outlets that hang on to some rather outlandish color schemes. To accommodate the creative (and sometimes sensitive) differences that exist, it can often help to present your images with some digital framing. That is the focus of this weeks’ tutorial, and I share a rather simple but effective technique to create a digital frame to enhance or accentuate and draw attention to your imagery.

As I mention at the end of the post, there are some automated ways to create digital frames via plugins and actions. The one I reference can be found at www.atncentral.com People labor often in anonymity and share their work with the world and give it freely for others to use. Enjoy the benefits of generous folks and for those occasional ones that ask for donations, kick in a buck or two – it always helps to keep the creative spirit alive. In the meantime, keep on shooting (happily), and watch those apertures (carefully)!

Flash Version: Digital Framing

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Day swap

I was having some issues with the post production and rather than hold off until late tonight to release the tutorial, I figured it’d be better to just swap Tuesday and Wednesday’s posts, so today is an early edition of my week around the web:

  • Jason Moore did his weekly round-up, and also saw his 600th post – congrats Jason!
  • Andrew at Visual Realia has a really great take on the theme of flowers and dewdrops – check it out for some inspiration!
  • I read up on the Copyright Law and Orphaned Works Act pending in Congress. Not good for us – good for corporations. Read up and submit your works today!
  • Thanks go out to Lisa, from Sage Family Studios, who is a fellow NAPP member for mentioning this in those forums.
  • Mark Brian, (sorry Brian, I am always wanting to call you Mark for some silly reason) from Professional Snapshots, has an image that will melt your heart (congrats again mark), and a Layers book review (by Matt K.) to make you green with envy (I want the book now).
  • The Online Photographer did an article on the sadness following the Kentucky Derby. If you are a softie like me, be warned, kind of heart-wrenching, and my heart goes out to the owners.
  • For fellow bloggers, this may be of most interest, as I finally took some time to read ProBlogger. I still have my work cut out for me! Definitely worth a read (or twenty) if you have the time – lots of ways to improve your niche, writing, style, professionalism, and much more!

Finally, it is worth noting that Dubai seems to be the hot spot lately. many of the most active and visible blogs on the web including the likes of Scott Kelby, Jeff Revell, Joe McNally, and now David Hobby, along with other notables have been visiting a growing body of budding photographers in the area. Some gorgeous and inspiring works have been posted over the last few weeks on all these guys blogs. Go check them out for a major dosage of creative inspiration here, here, here and here. If you stop in, take some time to share your thoughts with them – if you think I work hard at blogging and photography, it’s a drop in the bucket compared to these guys, both in breadth and depth! Amazing stuff out there…

Well, that should keep you tied over until the tutorial can get wrapped up tomorrow afternoon (I’ll forgo a morning post since this is going up later than normal). Until tomorrow; Happy Shooting and Watch those apertures!

Now is the month of Maying

There is an old saying that goes something along the lines of “April showers bring May flowers.” While this is generally a principle that holds true, in the photography world, it is also the time when things start really hopping. Below is a list of just some of the activities that drive the photography industry as we move into late Spring and early Summer:

  1. Wedding season kicks into high gear (wedding photographers)
  2. High school and college graduation parties are scheduled (which is great for portrait photographers)
  3. Engagements are announced (with anticipation of #1 the following year) (portrait photographers again)
  4. Family portraits are planned in conjunction with all of the above (portrait photographers yet again)
  5. A new season of sports swings into gear such as baseball, soccer, lacrosse, swimming, and countless other summer leagues (great for sports shooters)
  6. Mating seasons begin for birds (nature photographers)
  7. Rivers, streams, and waterways are teaming with new life (landscape photographers are just ecstatic)

Continue reading “Now is the month of Maying”