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Shooting Shadows

August 31, 2011September 24, 2017 JasonLeave a comment

Most of the time the subject of the a photo is easy to see – whether it’s a portrait, landscape, travel, or architecture. While these subjects are easy to identify, the use of shadows in these topics is not discussed as often as it should be. We spend so much time trying to get the lit portion of our images in focus, composed to our satisfaction, making sure things are sharp, and all the rest, we sometimes miss the value of shadows in our imagery.

The shadows of an image can be just as important to the composition as the lit parts are. When talking about how to light images with strobes and studio lights, the use of shadows to give definition is often discussed, but the same discussions can be germane to naturally lit photos too. Remember, the word photography means to paint with light (photo and graphos), so even the absence of light can be significant in defining our images.

Whether you shoot portraiture, architecture, landscapes, or even abstracts, shadows can and do play a role in how you compose your images. Do you look at the shadows in your images? What story do shadows tell in your work?

Share your own thoughts on how to accomplish a story by shooting with shadows below in the comments – would love to hear others feedback. In the meantime, keep on shooting.

When is Your Creative Zone?

August 30, 2011September 24, 2017 JasonLeave a comment

We all have Circadian rhythms or body cycles that are tuned specifically to us…whether you identify that as being a morning person or a night owl. This also applies to your creative rituals too though. Because our body clocks all operate on a unique pattern of restfulness and alertness, we have different times when we are the most creative. Our mind is able to focus on creative ideas and energies, and the distractions of the rest of the world aren’t nearly as distracting. The windmills are out there and we tilt away at them with every fiber of energy! Do you know when your creative zone occurs?

For me, that time often comes right around midnight. If I am not too sleepy, or I power through the initial desire to just go to bed, my mind suddenly becomes much clearer, my vision focuses, and I get so much done from my creative space, it’s kind of eerie. Tracy woke up once to find my literally typing a million miles a minute…the thoughts couldn’t get out of my brain fast enough. After about 3-4 hours of it though, my entire body just shuts down. The exciting thing though, is that I’ve been able to identify this creative zone. I know if I need to get some writing done, or some post production work on photos, or anything creative – those are the hours when I get the most accomplished.

We’re all different though, some people have this rush of creativity in the morning, or in the middle of meals or other activities. I’ve talked to so many people who still are unsure of when they really are at their creative best. When people attend workshops and get immersed in a creative world, the ideas flow much more naturally. The same holds for conferences, seminars, and any type of learning environment. It’s like the mind knows that other creatives are around and the energy for learning and expression is much higher than what we are normally exposed to. The trick comes in being able to identify when your creative zone normally happens when you are in that daily routine. Is it right when you wake up? After that first cup of coffee? Right before you go to bed at night? Or is it on those sleepless nights at 2am when your creative juices just start flowing?

When is your creative zone?

Improve your photo workflow!

April 21, 2011 Jason4 Comments

Keyboard shortcuts are great ways to improve your efficiency when working on post production. Here’s a couple that I use in Lightroom to help improve things so I can get my processing done, and get out and back to shooting that much quicker!

CMD/CONTROL+8

This takes me all the way down the Develop Module to Camera Calibration. If I ever want to make adjustments to which profile to use (typically I use Camera Standard, but it’s always fun to experiment), this gets me there a lot quicker than scrolling with my mouse or tablet!

Yup, that’s it – just the letter R. From the Library Module, this will take you to the Develop Module, turn on the crop tool and show you how you currently have your image cropped for composition. That’s it – one letter, no fuss no muss!

Module Switching

A super slick way to move between modules is to use your Command key (CTRL Key on Windows) and the ALT key along with the number for each module. It’s super easy to remember too:

Library = CMD/CTRL+ALT+1

Develop = CMD/CTRL+ALT+2

Slideshow = CMD/CTRL+ALT+3

Print = CMD/CTRL+ALT+4

Web = CMD/CTRL+ALT+5

That’s it – 3 easy ways to improve your work flow with Lightroom shortcuts! Wawnt some more? Check out the full detailed reference guide straight from Adobe here. What ways have you found to improve your own work flow? There’s tons out there, so share your own in the comments! Thanks for stopping in and we’ll see you here again next time!

Spring Photo Projects

April 18, 2011 JasonLeave a comment

With Spring in the air (if not already sprung), many of us are out and about brimming with photo ideas after being couped up for a chilly winter. What’s that you say? No photo projects brimming yet? No problem – here’s a few to get you started:

1. The Call of the Birds: Avian photography has always been something of an art form, with many of the hard core, die hard types venturing way out into the boonies of mountains, hills, lakes, and other far-reaching places. For the rest of us though, it’s tough to find the resources (time and money) to go to the birds, so another option is to bring the birds to you! Buy some bird feeders and see what comes! My folks have several bird feeders in upstate New York, and every time I visit, there are birds flying everywhere. Pine cones with peanut butter, humming bird feeders with sugar water, and even just a plain old bird bath with feed from your local DIY store can bring a bounty of birds to your doorstep!

2. Join a photo group: We’re everywhere! From ASMP groups to NAPP groups, Meetup groups, and WPPI, you can find groups for pretty much anything ranging from professional development, to studio lighting, and just groups of photographers that like to get out and shoot together for the love of the craft and the camraderie of it all! I’m a member of several local groups, all via the site Meetup.com, and I don’t have to pay a cent to participate! (I do contribute though, just because I like supporting such efforts…)

3. Shooting in a park: Get some photographer-friends, family-friends, or just some friends to join you in a park. Set up a blanket, a few light stands, and have some park-type food available: (crackers, cheese, water, whatever). Add an ipod with some speakers for a little music. Offer gag prizes for people who dance, act silly, or pose for the camera. Process the photos and post online so they can share, download, add to Facebook, Twitter, or print! Low cost, fun, and helps to build your portfolio!

The ideas are only limited by your creativity! Got your own ideas for photographic opportunities this Spring? Sound off in the comments to share, encourage, and inspire others! Happy shooting, and we’ll see you back here next time!

P.S. Don’t forget the April photo contest on Flickr – win a BacklitBox of your favorite photo! Flickr Contest Thread

8 Megapixels…

April 14, 2011 Jason5 Comments

When I first transitioned to digital photography seriously, my camera of choice was the Canon Rebel XT. In that camera I found a whopping 3 frames per second, 8 megapixels, and a host of other features and benefits that go with SLR photography. The times, how they change…

My Droid2 smart phone bit the bullet (this was the third one of these to die prematurely), and Verizon in its wisdom decided I needed to go to a different model phone. After several logistical problems with getting the correct battery shipped for the correct model to the correct address, I finally got a battery for the new phone, powered it up and activated my number on the new line. Imagine my surprise when I found out that this new phone has…yup:

8 Megapixels!

It staggers my mind that they can fit the same number of pixels on this teensy sensor that used to fill a sensor for an SLR. My hesitancy at embracing this MP count is that there will be excess noise, and pixelation on the images. While the smart phone features (phone, email, Facebook, Twitter, etc.) look to perform adequately, the camera is always a point of contention for me as I wish these phones could adapt somewhat and figure out a way to have an adjustable aperture. If you can fit that many pixels onto that teensy a sensor, surely the aperture could be adjustable!

This could just be me ranting on quixotically though – so, here’s a sample image at full resolution (click it to see full size). Does this seem decent enough for a camera phone? Sound off in the comments with your own thoughts on cell phone cameras – what features are good, what should be thrown out, and what should be improved? (No carrier bashing please – try thinking of this as carrier agnostically as possible! 🙂

Everything Old is New Again

April 12, 2011September 23, 2017 Jason1 Comment

Let’s face it. The economy is still not the powerhouse it was five years ago. We’re all still reeling a little bit and saving money is at a premium, while spending excessively is a luxury only for those with deep pockets! Count me in the former group too, so when someone asked me recently if it’s worth saving the coin to buy used I answered…“It depends”! I know, you thought I’d say yes, but it really does depend. Here’s where and when it can be a good idea when upgrading your camera!

Buying used cameras versus new cameras

It’s no secret by now that the best place to invest the bulk of your money is in your lenses. However, you still gotta have a camera, right? So, should you opt for using last years model and risk having a client show up with better gear than you? Or, should you just step up, spend the bigger dollars and always be on the leading edge? If it’s a matter of economics, and there’s no gear limitations that stand in your way (slow shutter speed/clicks per second, etc), my answer is to always go used. There are some of the perils and pitfalls of buying used gear though, so here’s a few tips to keep in mind when shopping around for used gear:

1. Shutter count – the shutter has an expected lifecycle of clicks it is built for. If you can get the shutter count (lots of software programs to do this) make sure you have at least 50% of them left.

2. Overall camera condition – check the camera for nicks scratches, scuff marks, and the like. If it’s all beat up, that cold be indicative of interior problems.

3. Sensor and other internals – Some problems aren’t as easily determined on a visual inspection, and it’s always best to take a few shots with the camera. Check to see if the sensor is scratched, nicked, has dust spots, etc. If it’s dust, that can be easily cleaned, but nicks and/or scratches can be a deal-breaker.

There’s obviously more to it than that, but those are the basics in looking at used camera bodies. In general, my rule of thumb when buying/selling used gear is to start at retail minus 10-15%. If the price is in that ballpark, it’s likely well cared for. I also look at seller ratings whenever possible. Fred Miranda is one of the better places to buy and sell, but Craigslist can be good since they are most often local and you can go do a visual inspection before throwing money out the window… If you’d like my take on buying and selling through FM – I’ve touched on this before here

What experiences have others had with buying and selling new gear? Any places that are preferred? Places to avoid? Sound off in the comments with your own thoughts and experiences! In the meantime, remember, it’s really not about the gear – it’s who’s behind it, so keep on shooting!

One last thing to mention today – the April contest is live (I announced it over the weekend in the free newsletter blast), and the winner will get an 8×10 image of their choice printed and mounted in a pretty cool Backlitbox! Very cool prize and thanks to the folks at Backlitbox for sponsoring the April giveaway! I promise more details are forthcoming here soon in the form of a product review, but time’s a-wastin’, so be sure to get your entries in soon! Congrats also to Evelyn for her win of the March giveaway! She’s getting a very cool Tether Table from the folks over at Tether Tools – just drop me an email to claim your prize! Here’s her winning image up in lights!

Do you Have Your Torx in Order?

April 7, 2011 Jason1 Comment

So, after years and years of advice and instruction on maintaining hard drive redundancy, and the benefits of upgrading from time to time, I finally am following my own advice and upgrading my venerable Macbook Pro. After a screamingly good deal came out for laptop disk drives locally, I went out and snagged a 750GB 7200 RPM hard drive from MicroCenter and brought it home. I also picked up a copy of Mac OS X.6 since my previous upgrade came through a friends DVD who was no longer living in the area. All told, I am in for a little over $100 – not too shabby! However, as they say, the Devil’s in the Details!

I’ve changed out lots of hard drives in my time…after all, it’s no secret that I am a working IT professional – that’s my day job. I’ve been doing that for about 10 years now, so hardware upgrades are pretty routine for me by this point – and I’ve got lots of tools to do it with too…everything from magnets, to phillips heads, to flat heads, to Torx bits for unique screws, and even a pair of nylon pliers. But all of this based on a Windows background. I’d never done much with Macs. The mentality I’ve always had though is that hardware is hardware, right? I did check out a few tutorial videos on YouTube and all the tools sounded like ones I own, so I jumped right in and off I went – until I got inside the Mac and was presented with two teeny tiny screws that required a Torx bit T6. I went to my trusty toolbelt and saw my Torx bits went from T30 all the way down to T4 – awesome! Until I noticed that one slot was missing – and sure enough, it was the dreaded T6!

A trip to Wal-Mart yielded no dice (it was getting late), so this morning off to Lowe’s I went. I did find the T6 bit – but it was in a package of other bits and a nut driver – for $20:

Suffice to say, I was a bit (if you’ll pardon the expression), a bit torqued to be missing what was likely a 50 cent bit and having to spend nearly $20 to reassemble the Mac. However, the eternal optimist, I put the positive spin on it – this is a nice kit I bought and the rest will probably go to Good Will since they are showing their age a bit. Finally, of course, the educational moment for me: I finally got my Torx in Order!

So, with the Mac now flying on a 7200rpm drive with plenty of storage, my weekend will likely be spent performing a fresh install of all my favorite apps. Which ones do you think will go on there first? I’ll give you a hint – the company name starts with A and ends with dobe! The takeaway from all this – make sure you have your Torx in order – it is definitely a good motto to add to your motto book! Have a great weekend everyone – just because I wont be shooting doesn’t mean you can’t so be safe, be smart, and…(wait for it)…

Happy Shooting!

That Face!

April 5, 2011 Jason2 Comments

Last week I wrapped things up with three tips for posing your subjects better, and boy did that launch a flurry of questions…so many that I think the next podcast will be dedicated to tips on posing your subjects. There’s so much to take into account, it really shouldn’t be that much of a surprise.

However, until then a few nuggets here and there will have to do. (I am trying to coordinate with friend-of-the-blog Kevin Mullins to have a go at a podcast and this would be a great subject for him as he’s an accomplished wedding, event, and photographer from across the pond. Kevin, I promise we’ll find a date here soon!)

So, the nuggets for this week are facial features – because at the heart of the portrait photographer is bringing out the beauty in your subjects’ face! Here’s a great set of tips for bringing out the best in your subjects! When shooting subjects it helps to keep in mind the three basic facial positions: full front, 3/4 pose, and profile positions:

For subjects with round or wide faces, it helps to raise the camera angle slightly so as to look down to them just a little bit. This elongates things a little more and minimizes the width perception. It also helps to approach them with a pose that has a 3/4 look rather than a full frontal look.

For subjects with a thin face, just the opposite holds true – have their full face looking toward you with the camera and try to keep the camera at eye level with your subject. Going up or down below their eye level will only serve to elongate a thin face even more.

For subjects with a large nose, it can often help to have them also face the camera directly. By doing this, their nose will point straight into the camera to help minimize its size, and lets viewers see the rest of their pretty face!

For subjects with a smaller nose, it’s time to shift back to the 3/4 look…this will bring more depth to their face and “enhance” things a little…

Other tips I’ve picked up that are not specifically related to facial positioning include things like:

People Deep-Set Eyes – Point light into their eyes. Light coming too far from the sides will accentuate the depth.
Glasses – Bounce the light off the ceiling where possible. If not, position the subject so that glasses are pointed away from the lights.
Dark Hair – Make sure that the background provides enough contrast so hair doesn’t just blend into it. Hair lights or a light on the backdrop are extremely helpful. Also make sure the background doesn’t show through hair.
Double Chin – A slightly higher camera angle will be more flattering than straight on. It also helps to have the subject leaning forward.
Large ears – Use a ¾ face pose or a profile.

There you have it! Great ways to capture portraiture, specifically when working with facial angles. Special thanks go out to my good friend Evan Ashenhurst for sharing some of his portfolio for this article. You can see more of his work on his website at: Ashenhurst Photography

A final footnote – since I will undoubtedly get a few questions about which lenses are best to shoot portraiture with, my favorite is the nifty fifty actually. Amazingly sharp and the 1.8 depth of field is to be envied among all glass. If you’re in the market for a portrait lens, you’ll definitely want to check this bad boy out. Here’s the Canon-mount, a steal for less than $150 retail!

Three Top Tips for Posing Your Subject

April 1, 2011 Jason2 Comments

As the Spring weather comes upon us, so does the urge to get out and shoot more. Models are also more willing to brave the warmer temps, so it’s easier to get some willing subjects. As you start to venture out of the warm caves, here’s a couple tips to getting your subjects to pleasing postures:

1. Turn and Burn: So many photogs want to get facial expressions but in doing so, forget that most of the time we never see someone’s full face toward us. It’s usually more of an angled shot, and that’s why it’s often recommended to turn your model to one side. Some models will swear that one side is better than the other, but when it comes to photography, my thought is not so much shooting their best side, rather shooting an expressive side!

2. Breathe! – That’s right, so often when a model poses, the natural inclination is to “hold that pose” which subconsciously puts them in a state where they hold their breath. Help them remember by even telling them to do so. “Turn here, great, now chin up, awesome, and just a little to the right, excellent! perfect! Hold that pose….! Oh, and don’t forget to breathe! Take a deep breath and now exhale…fill those lungs with air!” Not only will it surprise the model, but you may get a more natural smile – and if you’re lucky, even a laugh!

3. Encourage the lean! – When people start to get in posing mode, there is a tendency to lean forward. Leaning into the front shoulder is common, as is leaning to accentuate cleavage for a woman. If you think about it though, the forward lean does make everything look a little bigger! That’s not always a desirable thing, so encourage your models to lean back just a tad. Not too much as you don’t want them to fall over, but at least make sure their weight is shifted to the back leg.

The other thing to remember, (kind of sneak tip for you), is that modeling rules work for both men and women, so even though the ones here are all women, many of the same rules apply! There ya have it – 3 tips to get you started with subject posing and portraiture! Got your own tips? Share ’em in the comments! Have a great weekend and happy shooting!

Hardware review: The Tether Table

March 30, 2011 Jason2 Comments

A while ago I was thinking about what would be the best way to set up all the hardware for a studio scenario and blogging about it with the reading audience. The idea of the Tether Table came to me quickly and on approaching the folks at Tether Tools, it was met with equal enthusiasm. So, in short order, one was dispatched to me for review here on the blog – this will be the one given away in the upcoming end of month finale for the March Flickr Contest. So, without further ado, I give you:

The Aero-Master Tether Table

The Tether Table is a pretty straightforward device – it comes with the table itself, made out of T6 Aerospace Aluminum (whatever that is). Regardless of what the official name is – this table is pretty solid – I have no doubts as to whether it might bend under the weight of a laptop. What I found to be really nice is that it spins onto a tripod (sans head of course) quite nicely, and just as easily fits over the top of a light stand. The stability is also pretty equal between the two once it’s locked down.

So, how does the table lock down? There’s four little Allen screws that tie the female acceptor tube to the bottom of the table through the top. Their design makes them lay seamlessly flat so no worries about your laptop getting off kilter. Here’s a few sample shots to show you the design:

The other part that bears mentioning is the additonal kit item (not included normally with a Tether Table) is the Jerkstopper – a handy little device that attaches at both the laptop and camera end to avoid getting cables tugged out of your connection points. They really help to keep equipment from falling, plugs or connectors from getting ripped or damaged, and the add-on value is well worth the $22! Here’s the product shot from Tether Tools site to give you an idea…

The first problem I found was that it does require either a light stand or a tripod. So, if your camera normally goes on a tripod (mine does) and you have an external flash that goes on the light stand (mine does), then either the flash has to become more of a portable device (enter the wireless trigger system), or you need to get another light stand. I initially lucked out in that I am/was running the triggers through their paces for my good friend Kerry Garrison over at Blackbelt Lighting for an upcoming review this Friday, but the need for another light stand has become pretty clear to me. When I am using two-light setups though, things could get complicated, but that’s a personal gear issue, nothing really to do with the Tether Table itself, so no harm no foul there.

The second problem I found was budgetary. While the sturdy construction and clean polished look and feel are certainly features I can appreciate, being on a budget, the cost of entry to obtain a Tether Table of this caliber is a little pricey for my blood. At $179 for the Table and another $22 for the Jerkstopper kit, we’re over $200 and while it’s not inconceivable, it’s certainly rich for the enthusiast blood. For most professionals it is easily justified and likely something you can itemize in an invoice if needed. So, not completely out of reach, but up there for sure. Oh well, no one ever said photography was going to be cheap!

When all is said and done, I do think it’s a worthwhile investment. These can be invaluable in a studio or on-location shoot where you need to be moving around in between shots. The benefits of both the Tether Table and the companion Jerkstopper could be invaluable in a number of environments, including macro photography, food photography, portrait photography, and most product photography where a dedicated preview monitor would be super handy to have! To that end, I will be sad to see it go, but alas, the Contest Series gets priority! Thanks to the folks at Tether Tools for their generous contribution, and best of luck to all the participants! (If you haven’t entered your photo yet, the theme is FLAT, and the contest link is both here and at the top of the page!)

Have you got an idea for a product review? Is there something you’d like to see a test drive on? Sound off in the comments and I’ll try my darndest to make things happen! See you next time here on the blog. (And don’t forget the Facebook page where the “Behind-the-Scenes” video is posted on using this very table!…”Likes” and comments there are always appreciated too!).