And then there were three…

First off, some software news that we all may want to stay abreast of – Adobe has released the latest updates for Camera Raw and Adobe Lightroom.

The ACR update applies to CS4 users, Elements 7.0 users, and Premiere Elements 7.0 users, and includes raw conversion algorithms for the Canon 500D, the Powershot XS1 IS, the Nikon D5000 and several Hasselblads, as well as some other camera updates for Olympus, Sony, and Pentax.  It’s version 5.4 and is now out of beta and available for download.  The updates for Windows and Mac are available here:

Camera Raw

For Lightroom users, the update takes you to the latest stable release of version 2.4.  So, if you are running version 2.3 or earlier, this update is a recommended one for you.  It basically is the same as the ACR update for Photoshop and other programs, but since there’s no secondary GUI for the converter portion, it’s just built into the program update.  You should be able to over-install it on top of your current installation, but as with everything else, I always recommend backing up your system and important files prior to updating things like this that can have an impact on your entire library.   The downloads for Windows and Macintosh are available here:

Lightroom

Now, onto the more exciting news…speaking of Adobe and all, as you may recall, there was a contest held here at Canon Blogger on the Learning Digital Photography podcast a while back and the winner is slated to get their very own copy of Lightroom from the folks over at Adobe.  Well, I am happy to announce here today that The Adobe Lightroom Contest has entered it’s final phase here at Canon Blogger/Learning Digital Photography!.

As you  may recall, as alluded to above,  a few podcasts back, I had the honor of sitting down with Tom Hogarty and talking shop about Lightroom, it’s purpose, development, and lots of fun stuff about photography in general.  At the end of the show, Mr. Hogarty generously donated a copy of Lightroom to some lucky listener of the podcast.  We started a photography Flickr thread, and the entries started pouring in.

After 58 entries came in that met the criteria we were looking for, the contestants were narrwoed down to 10 finalists, which were then compiled and put on display here at the blog (and you can see all of them here).  We now have narrowed the field down to three possible contenders for the grand prize of the Lightroom software.  We’ll talk a little more amongst myself and Mr. Hogarty to see which is the “best of the best”, but the three that we are now in our final phase of considering are:

Blooming Orchid


Black-and-white Magnolia Blossom


The Foggy Lighthouse

Once we have the grand prize winner determined, one of these three people will have a copy of Photoshop Lightroom arriving on their doorstep soon.  Thanks again to all the entries – we’ve actually worked quite diligently on this to really get a sense of which image captures the essence of both photography, what Lightroom processing can do for your creativity, and also purely on the artistic merit.

Again, thanks to all the entries for the contest – the latest one is still going on for another week – the winner will get a 33% discount code to FotoQuote Pro – and to enter that all you have to do is make an entry here on the blog!  (Limit one entry per person per day).  Keep on shooting and sharing – happy shooting and we’ll see you back here again tomorrow!

Coulda beena contenduh

Actually, all 53 of the images that were submitted to the Lightroom Giveaway I’ve been taking entries for on the blog were contenders.   Truly some great images were submitted to the Flickr Thread for the giveaway I’ve been hosting for the past month.  Some really great images.

The rules were simple:  Take any two pictures you like in May, share them on Flickr thread (& be family/work-safe) and you are eligible to win a copy of Adobe Lightroom – courtesy of the good folks over at Adobe (especially Tom Hogarty who was kind enough to make an appearance on the podcast to talk about the product and to take so many listener questions!

Anyway, I said that after the close date (end of May), I would pick the ten images I thought were best and forward those on to him for a grand prize winner decision (not that there’s a 2nd place, runner-up, or anything like that).  well, in perusing the images Monday and Tuesday, I really couldn’t decide on ten.  There were just too many images that I felt deserving.  Such is the case of contests and giveaways though – and the role of judge is a lot harder than I thought it would be.  But, I did winnow the entries down though – just couldn’t go lower than 14.  So, without further ado, here are the 14 finalists!

Lightroom Giveaway Finalists

Naturally, rather than display the images in the blog, I figured it’d be appropriate to do so in a web gallery, created at the hands of Adobe Lightroom!  Hopefully, this will also give people a little more insight into not only Lightroom, but into critiquing your own work and prepping contest submissions.

That’s it for today – congrats to all the finalists, ant thanks to everyone who participated – it was a lot of fun to see everything.  We’ll see you back here again tomorrow, and hopefully I’ll hear from Tom soon on who the lucky winner is for the free copy of Adobe Photoshop Lightroom!  Keep on shooting, and we’ll see you back here tomorrow!

Grab the feed

Super Sigmas, photo walks and seminars!

Lame teaser alert, but that’s the title for the podcast over at Learning Digital Photography.  Make sure to stop over to the podcast and download the show today!  Here’s the show notes (I may add to these as I remember link references – if any are missing, let me know in the comments so I can be sure to add them…)

  • The last day to enter your photos for the Lightroom giveaway is super close – so get your shots in the Flickr thread here pretty soon!
  • Adobe updated the ACR to 5.4 (still in beta), and is downloadable here
  • Canon announced some firmware updates and break/fix news on some of its SLR lines.  Tune into the podcast for details.
  • My Pick of the Week:  Photoshop Insider
  • Scott Kelby’s Worldwide Photowalk
  • Chuck Conder’s Flickr Thread (listen to find out why…)
  • Wireless USB Dongle from Engadget

Seriously folks, don’t miss out on your chance for a free copy of Adobe Photoshop Lightroom!  Get your photos in today!  A $30o retail value and free from the folks over at Adobe – in this economy we could all use a little help and Adobe is being very generous here.

Well, that’s about all for this week.  Thanks for tuning in and we’ll see you back here on Monday – as we head out for the weekend, don’t forget to have fun out there.  With that in mind, here’s my favorite WTD from this past week – so fitting for my job in IT!

denial

Happy Shooting!

ETA:  Thanks to reader Don for reminding me about the link to the PhotographyBB magazine article.  You can download the full magazine here

Grab the feed

A video short on HDR and bracketing

One of the more popular posts here on the blog has been two that consisted of explanations on how to bracket multiple exposures in camera in order to capture a wider range of exposure values than is typically permitted in a single frame.  Typically, these various exposures are then seamed together in some editor like Photoshop, Photomatix or other that is available to produce an effect called HDR – high dynamic range.  You can get some impressive results with various techniques that appeal to different subjective perspectives.

Here at the blog though, rather than take sides on such post processing methods, it’s more fun to show people how to do things, and then let you all take your own liberties either with the approach or with your processing afterward, or both to get results that appeal to you!  With that in mind, the feedback I’ve received from the previous discussions included a large number of people that asked for visuals of the process (I guess they are all visual learners).

Well, rather than take several dozens of images showing all the various settings and then explaining how I got toeach, a video seemed a more appropriate approach.  So, here’s the video short for those of you that requested visual aids.  It’s not the most professional but you should be able to get the gist.

This would also be a good time to remind everyone that we are in the dwindling days of the Adobe Lightroom contest.  You can win your own free copy of Adobe Photoshop Lightroom, courtesy of the folks at Adobe, simply by entering images you’ve taken in May over at the LDP Flickr thread.  Limit two images per person, but there’s still room for many more entries (no limit on the number of PEOPLE that can participate!)  just join the group for free and post your images.  Good luck to all and may the best photo win!  (Final results will be posted in June – I’l send my top ten picks back to Tom Hogarty for final judging when he’ll pick the winner!)

That’s it for today – I should have the podcast up tomorrow, but as always, no promises as my schedule has been fluctuating at work lately.  Happy shooting, and I will be back with more news, information, insights, tips and tricks tomorrow, whether in written or audio form.  Thanks for tuning in and we’ll see you back here again tomorrow!

Grab the Feed

Photo walks, news, and a visit from Scott Kelby

So, as many of you know, Scott Kelby, president of the National Association of Photoshop Professionals (NAPP), Kelby Media Group, Kelby Training Live, and leader of the pack of Photoshop guys over at Photoshop User TV, was in Denver yesterday on his Adobe Photoshop Lightroom tour.  He led a seminar yesterday that, despite several technical difficulties, was pretty rockin’ when it comes to establishing a work flow in Lightroom.

Scott is also known for his annual worldwide photo walks that he started last year.  This year response has just been enormous to the walks, with several cities (including Denver) filling up within the first 24 hours.  Well, on his blog this last Monday, he wrote a Q&A post describing the photo walks, what they are, how they work, and all that stuff.  One question he snuck in though was that he would be in Denver and did anyone know of any good places to shoot in the downtown area.

Since I work downtown, (pretty close to the Convention Center I might add), I have a fairly good understanding of where things are, and what’s fun to shoot.  So, I posted a comment on his blog of where he could go and what might be fun.  To my astonishment, he actually wrote me back via email, asing if I’d be interested in going on a photo shoot with him to kinda show him around!  Not give him a few locations, not recommend a restaurant – he invited me on a photo shoot!  With him!  My jaw about hit the floor, but I did respond that it’d be my pleasure to show him around the area.  He sent me some info on where he’d be staying and to come on over after work on Tuesday!  My jaw hit the floor again.  But, regaining my composure, on Tuesday after work, I walked over to his hotel to meet him.  Knocked on the door and sure enough – Mr K. himself!  The maker of the Kelby Kool-Ade!

For the next 2 hours, we walked around the downtown area –  talking shop, and all that stuff.  I was silent for about the first 30 minutes, afraid I would say something utterly stupid to embarrass myself, but as I walked and we talked, found that he’s just a regular guy (despite his amazing base of knowledge, and…well, the fact that he’s Scott Kelby!)  After a few hours of shooting, I then enjoyed an amazing dinner with him and his crew – names like Bert, Ben, Moose, Matt, Corey, etc., etc., were bandied about in the regular conversation.  Needless to say, I kept quiet for most of it, trying to keep my jaw off the floor.  I know, I know – they are all people too, but every time someone’s name was mentioned, I just kept thinking to myself, “Yup, I read their blog too!”  Oh, and then for the next day’s seminar – he reserved a front row seat for me!  It was an incredible day, and I just wanted to take a day here on the blog to give a nod to Scott for being so open and friendly, and just – so, well….cool!

My shots from the day were pretty much lousy as I totally wasn’t paying attention to my technique or anything – just trying not to look like an idiot.  Nevertheless, in honor of his visit to Denver, and in hopes of his return:

Photoshop CS3 vs Elements 7.0 – Part One

Ever since Tom Hogarty came on the podcast and I’ve had some time to dive into Lightroom, I am thinking more and more that this is a much better solution for managing all of my photo assets.  Since I’ve found myself spending more time in LR and less time in PS CS3 (Extended), I started debating if I really needed so much horsepower under the hood.  After all, CS3 Extended is quite the workhorse, from performance, to functionality, to footprint, and of course, price. It left me wondering about my upgrade path.

In all honesty though, I think the term “upgrade” may be a misnomer – after all, am I really using all the features of the full version of Photoshop Cs3?  If not, what’s the point in upgrading?  Perhaps I should be looking at a downgrade.  After all, I really do spend less time post processing these days.  So, what are the differences between CS3 and this thing called Elements?  Well, for the loyal readers of this blog, I decided to find out.

First up, I downloaded a trial version of Elements 7.0 from Adobe’s website.  The download is about half the size  of the Photoshop Cs4 download (400+ MB for Windows Elements, and over 800 MB for Photoshop Creative Suite on Windows).  To the geek in me, that means a smaller footprint on my hard drive, and less consumption of system resources.   Something to consider…

Anyway, I decided to really do a side by side comparison, and loaded CS3 and Elements in their default work spaces, then compared notes.  Here’s what I found (CS3 is first, Elements is second):

Photoshop CS3 Default Workspace
Photoshop CS3 Default Workspace
Default Elements Workspace
Default Elements Workspace

Wow!  Quite a difference.  I first noticed the much darker color of the work space for Elements.  Not that big a deal in the grand scheme of things, but something that I would necessarily have to adjust to.  So, what else is there?  Well, rather than go over each painstaking difference of the two applications, I decided to just give a quick overview here.  And, with the quick overview, I figured the best place to start would be the toolbars, since that’s what we really need to use in either of these anyway, right?  So, let’s look at them side-by-side:

Photoshop CS3 Extended Toolbar
Photoshop CS3 Extended Toolbar
Photoshop Elements Toolbar
Photoshop Elements Toolbar

They actually don’t look too diferent when you look at them side by side, do they?  I didn’t think so, and I set out to count the various tool bars.  Know what?  On a quick overview of the 22 tools in CS3, I counted 17 commonalities between CS3 and Elements 7!  That’s a lot of overlap!  Are there more buried tools in CS3?  Most likely.  On quick count, I found 60 tools throughout the CS3 Toolbar.  In elements, 48!  Even still, not a lot extra.  From a percentage perspective, that is 20% additional functionality in CS3 Extended versus Elements 7.0  My guess is CS3 Regular would have less of a difference still.

The question is though – how often do you go searching for some buried tool in CS3?  As a photographer, in all honesty, not that often.  If you think about it, as photographers, we crop, re-size, perhaps straighten an occasional horizon, add some sharpening, and if we want to get really serious with a photo, we’ll do some dodging and burning.  All of these functions are present in Elements 7.0

So, why would you want to go with the CS3 or CS4 version of Photoshop – truly if you want to take your photos to the Nth degree, or do serious work like graphic design, web design, or photo restoration, I can totally see the need for some of the more advanced tools in the Creative Suite.  But more and more, I find myself using CS3 less and less.  Take a look at the commonalities listed below – these are identical features in both applications!  It took me a little by surprise when I noticed the similarities even in tool names.  See if you can find the common tools from the listing below:

Common Tools between CS3 and Elements
Common Tools between CS3 and Elements

So, what other important factors go into an image editing program for me?  Well, having been working in the Creative Suite for a long time – I do enjoy the benefits of layered files for different purposes.  Well, guess what – Elements does that too!  That means you can edit and save files as PSD’s!

I also like using actions to automate my work flow.  Uh Oh…from my initial glance, it does not appear that Elements 7.0 has this functionality built in.  But, can it be added?  Well, a Google search on the topic of “Elements Actions” says yes, so I think I could probably figure it out enough to eek the process to my needs.

The other major functionality I have an interest in is the ability to edit and manage raw files from my camera.  Can I see the raw files?  Sure enough, the ACR converter has made its way into Elements as well!

Adobe Camera Raw Converter in Elements
Adobe Camera Raw Converter in Elements

In fact, a lot of the preferences settings seem to have migrated over from Photoshop CS3…look at the same screen from there:

Photoshop CS3 Preferences Settings
Photoshop CS3 Preferences Settings

As similarities continue to mount, the last major thing to consider is price.  Retail, CS4 runs at $700 for the full price, an upgrade runs $200.  Elements?  Well, I think y’all know where this is headed:  Retail $139 and upgrade for $119.  I don’t know about you, but that is a HUGE cost savings.  It almost seems too good to be true, and given my penchant for not taking things at face value – I will take a look at the image processing capabilities in greater detail next week.  We’ll take a look at noise handling, speed, performance, and see how it does with a variety of images from my Canon 40D.

The biggest downside that I can see is that you don’t have the color management capabilities in Elements that you have in the Creative Suite – I like making some LAB adjustments from time to time, and filters may suffer in availability too – but more on that next week.

For the time being though, given the similarity in apparent functionality, the reduced price for Elements, and the proportionate footprint on my computer – Elements is definitely a contender.  For all I know – as I learn more about Lightroom after the workshop from Scott Kelby and NAPP on Wednesday, the idea of a separate application for image editing may go by the wayside too, especially when the cost for the CS product is 400% that of Elements.

So, what do you think?  Anyone out there using Elements?  Any other downgraders care to share their thoughts?  Have you enjoyed downsizing?  Found things you missed?  Workarounds?  Add-ons?  Tell me more as I continue to explore Elements next week – I’ll add reader observations there too!  In the meantime, happy shooting, and we’ll see you back here tomorrow after the NAPP workshop!

Hardware Review: The 70-200L f4.0

In keeping with the last few weeks of hardware reviews, I am taking a look in my own bag one more time to bring you this weeks’ hardware review: the 70-200mm L lens from Canon.  Canon has several variants on this lens, with different minimal apertures both with and without Image Stabilization (IS).  So, in the interests of full disclosure, this is a non-IS lens, and the aperture range is the standard one, 4.0 to 5.6.  So, with that distinction being made, we’re off and running:

Canons 70-200mm f4.0 lens
Canon's 70-200mm f4.0 lens

The “L” distinction is one that bears discussion right off – Canon only gives this out to lenses that it deems have superior optics – which means a wider range for it’s sweet spot, tack sharp focus, and better sealing against the elements.  This naturally means that this lens will, by definition and categorization, be sharper than a comparable “non-L” lens.  However, for this particular range of zoom, Canon doesn’t make a non-L lens, so one would have to make a comparison with a 3rd party brand such as Sigma or Tamron.  Even there though, comparisons are tricky primarily because vendors are moving toward faster glass (in the 2.8 category) and IS features.

In that regard, the 70-200 f4.0 really is in a class by itself.  As a result of its unique status in the field of available lenses, comparisons are rather arbitrary as no other lens out there has the same specs.  Rather than making those comparisons though, I’ll just say that this lens does deliver superior performance for its’ category.

So, how is this a review?  Well, it’s not just a question of performance, it’s also a question of price.  Anything can be stellar, but whether it’s worth the price is another story.  I know of luxury cars that exceed 6 figures for their cost, however, most cannot justify the expense, either because of their financial situation or the expected need.  So, how does the 70-200 fit when it comes to cost?  Pretty well actually.

The cost for this lens at B&H Photo is $600 right now (technically $599.95) after a $50 rebate.  Considering the next step up is twice the price for either an f2.8 or an IS lens, this is actually a steal!  I was able to find mine second hand from a fellow photographer when I lived in SC, so got it for considerably less.  Included in my package was a lens hood, and a collar for mounting to a tripod (which I definitely would recommend given the weight).  The previous owner was also nice enough to leave the Tiffen filter on it that provided protection for the lens.  All told, the lens and accessories would run around $700 for the lens, lens hood, UV filter, and tripod collar.

When looking at comparable other lenses from Canon, this is where you really see the bang for the buck.  Take a look at the most recent prices from B&H for similar lenses:

  • 70-200L f2.8  = $1250
  • 70-200L f2.8 IS = $1600
  • 70-200L f4.0 IS = $1025

So, you can save at least $425 if IS isn’t important to you, or $650 for the next fastest version of this lens

At a smidge over 1.5 lbs, the weight does balance the mid-grade SLR’s quite nicely, although on the Rebel line I recall it being a tad heavy.  As a general rule of thumb, with larger and heavier lenses, you’ll want to carry this by the lens itself rather than the camera as you don’t want to put undue tension on the mount.

Overall though, for the price and range, I would highly recommend this lens.  It’s tack sharp at both 70 and at 200 with a sweet spot ranging from f5.6 to f16.  Kind of hard to say no to that kind of quality when it’s offered at such an affordable price.  Here’s some sample shots to show what I’m talking about:

Here’s a sample from 70mm at f9.0

The Rocky Mountainsfrom a distance
The Rocky Mountainsfrom a distance

And the same scene from 200mm at the same aperture:

The Rocky Mountains
The Rocky Mountains

Then, just to give you an idea of the sharpness, here’s some shots at f4.0 (a little noiser because I was at ISO 3200)…first the 70mm shot:

What time is it?
What time is it?

And now at 200mm:

What time is it?
What time is it?

And the 200mm shot:

Okay, so that’s about it for the day.  Hope you found it useful and informative (as always).  Don’t forget the Lightroom Contest going on over at the Flickr Thread – only about 12 more days left and still not a lot of entries.  Great chance to win a free copy of Adobe Photoshop Lightroom (retails for $300)!  If you have ideas, suggestions, comments, feedback or other insights on future gear you’d like reviewed, feel free to share those in the comments below or with me via email.

One last little nugget to share today…Scott Kelby announced his 2nd Annual Photowalk early this morning, so be sure to register in your city.  I’m already registered in the Denver group and that’s rolling early (7:45ish am) in the Lodo area.  More details to come on route, eating place, etc. , but mark your calendars now for July 18th!  Here’s the link for more info if you’re not in Denver:  Worldwide Photowalk Have a great day, Happy Shooting, and we’ll see you back here again tomorrow!

Photo Contest – Win Adobe Lightroom

Happy Saturday all.  It’s a rare weekend post here – since Friday was silent.  Two things – first off, Happy Mothers Day to all the mothers out there!  Second, as the podcast on Tuesday announced, don’t forget the first ever Learning Digital Photography Contest is under way – all during the month of May, submit your shots to the Flickr group (2 entries per person) for your chance to win a copy of Adobe Photoshop Lightroom 2.0!  Not only is it a great chance to win this wonderful program, but a great way to get increased visibility of your work and to network with others.

Information is available in the podcast, but you are welcome to just submit your entries directly to the Flickr group.  This is a prize package worth $300 retail, so definitely one worth entering!  Good luck and happy shooting!

Podcast

Flickr Pool

Win a copy of Adobe Lightroom 2.0!

box_lightroom2_150x150

Just last week, I had the distinct honor of interviewing Tom Hogarty, Senior Product Manager for Adobe Lightroom.  Needless to say, I postponed the podcast for a few more days so I could include the interview.  He really gave a good breakdown of the function of Lightroom, what to expect from it, how to incorporate it into your work flow, and what (in general) we can likely expect to see in the future of image processing development.    We spent a good deal of time going over the nuts and bolts, so under the general heading of Software discussions today, I’d like to introduce you to Adobe’s Lightroom.

Lightroom is a very different way of handling your images.  Rather than taking a single image at a time through something like Photoshop, Adobe Lightroom allows you to not only address single image edits, but also manage an entire library of images.  The key here is management, because that’s what Lightroom really does – it takes the idea of asset management and incorporates it into a program so that you don’t even have to think about it!  Rather than belabour the point here though, it would probably be best to encourage everyone to just download the podcast and give it a listen.  Not only do we discuss Lightroom, but we also take a lot of listener questions, both specific to Lightroom and general photography questions too – and, oh yeah, a contest!

That’s right – Adobe was kind enough to donate a copy of Photoshop Lightroom 2.0 to some lucky listener.  At an estimated retail value of almost $300 ($299), this is by and large, the best contest I’ve could ever come up with!   It’s very exciting!  I’d love to share the details here, but if I did that, you wouldn’t listen to the podcast.  So… want to know the details?  Listen to the podcast! In the meantime, here’s the show notes on the things we discussed and where to get the latest and greatest info on the product:

Be sure to stop over at Twitter and start following these folks, because they are the ones who you can really learn a lot from!  Then don’t forget to listen to the podcast for your chance to win a copy of Adobe Photoshop Lightroom 2.0!  Happy Shooting and good luck one and all!

Oh yeah, here’s the teaser link for the contest:  Learning Digital Photography Flickr Group

When it rains, it pours!

Well, yesterday I had a great conversation with Tom Hogarty, senior Product Manager for Adobe Photoshop Lightroom for inclusion in the upcoming podcast.  In my excitement to finish the post production side, I came downstairs at 3am to my man-cave, and found that Jason Moore had finished an article I sent him for possible inclusion in his “Workflow Friday” series, and posted that out there.  Egads!  Thanks to Jason for that outlet as well.

What’s kind of exciting about that article, is that not only did Jason find it interesting enough to include with the collection of folks that have been featured thus far on his blog, but the good folks (Hi Dave!) over at Photography BB have released their latest free online magazine, and the article was included in there as well!  (I must be doing something right!  *grin*)  Be sure to download that magazine as well, because there really are some talented writers and photographers sharing their perspectives.  I’m also honored that Dave has included the CB Learning Digital Photography podcast in his list of favorite online media sources for photography (we’re #1 in the audio section – woOt!).

When it rains, ir really does pour!  However, because of the interview with Mr. Hogarty, the podcast is thus delayed again, because the two themes of Listener Questions and Answers and Questions with Adobe seamed together pretty well.  I may have it compiled early enough to post before the weekend, but don’t expect any miracles there.  More likely that will be published next week Tuesday under the software heading of the new schedule (since it’s about Lightroom – there’s also some great links you’ll want in the show notes).

For today though, I do have a little maintenance announcement as well: for those of you picking up the blog via Feedburner, you will likely be getting a double dose of images, because as promised, I am also uploading the images from yesterday’s post to share on Flickr, so you will likely see some repetition there.  It’s also a little exciting to share that the feedburner subscription hit an all time high not once but twice this week of 691 listeners/readers.  So, thanks to everyone that has signed up – it really means a lot that so many have found the CB resource useful!

That’s about it for this first Friday in May – have a great weekend everyone!  Happy Shooting and we’ll catch you back here on Monday for the latest in the hardware reviews.  I’ll leave you with one of my favorite selections from this past week in the What the Duck series:

wtd398sun