Lightroom 3 adds video!

Extra Extra, read all about it!  Adobe has announced the second beta release of Lighroom 3!  For the first time ever that I know of, there is a second round of beta testing for an Adobe product that it has released to the public.  With even more improvements and performance enhancements, the latest release of Lightroom 3 is very exciting!

Probably the most exiting feature is the addition of video management! Now keep in mind, you can’t edit videos in Lightroom (yet), but given the movement of photography and videography toward convergence, this is not surprising.  In fact, as I recall, Tom Hogarty alluded to this when he interviewed on the podcast last year!  Those guys at Adobe are pretty impressive, with R&D having that much lead time!  If only I had caught the innuendo then!  🙂

Here’s the full (unedited) feature set from the Adobe Labs website:

  • Improved performance throughout the application for faster importing and loading of images
  • Native tethered shooting support for select Nikon and Canon DSLR cameras
  • Luminance noise reduction has been added to the previous color noise reduction improvements available in the first public beta for outstanding overall high ISO quality
  • Support for importing and managing video files from DSLR cameras for better overall photographic workflow control
  • Improvements to the import experience in the first beta to reflect public feedback
  • Improved watermarking functionality from the first beta to reflect public feedback

Lightroom 3 beta 2 builds on the enhancements introduced in the first Lightroom 3 beta release:

  • Brand new performance architecture, building for the future of growing image libraries
  • State-of-the-art noise reduction to help you perfect your high ISO shots
  • Watermarking tool that helps you customize and protect your images with ease
  • Portable sharable slideshows with audio—designed to give you more flexibility and impact on how you choose to share your images, you can now save and export your slideshows as videos and include audio
  • Flexible customizable print package creation so your print package layouts are all your own
  • Film grain simulation tool for enhancing your images to look as gritty as you want
  • New import handling designed to make importing streamlined and easy
  • More flexible online publishing options so you can post your images online to certain online photo sharing sites directly from inside Lightroom 3 beta (may require third-party plug-ins)*

For all the details and more info, including the download link (it’s free!), visit: http://labs.adobe.com/technologies/lightroom3/

DALPUG

Denver Adobe Lightroom & Photoshop Users Group
Denver Adobe Lightroom & Photoshop Users Group

No, this isn’t spam, the blog has not been hacked, and I am not speaking in tongues here.  DALPUG refers to the Denver Adobe Lightroom & Photoshop Users Group.  Started relatively recently by a guy I know named Brian Reyman, it’s a great local resource for photographers to not only learn from one another, but also to network and get an opportunity to see some of the latest developments in the industry.

I had a chance to attend the meeting last night, and the mini-workshop that Brian ran on plugins included quick looks at things like OnOne Software, Topaz Labs, Nik, and a bunch of others.  Not only were they showing you how to use the plugins, they were offering up giveaways too!  It’s a great group, offering people opportunities to learn, share, and network with others in the field in the area.  Definitely worthy of a diversion from the regular blog schedule to give some shout outs here today.

I’ve also learned that these sorts of groups are all over the place – Adobe sponsors user groups across the globe!  So, here’s a chance to sprad the word about your area groups.  Got one you know about?  Attend any regularly?  Let me know here in the comments and link to your website or user group site so people can find you!

Short but sweet, so keep on shooting and we’ll see you back here again tomorrow!

That’s why they call it a “Beta” (or RTFM)

The latest buzz to hit the photography world has been a trinity of buzz and hype.  First, Canon announced the 1D Mark IV, then, on the heels of that, Adobe announced the release of Lightroom 3 in Beta form.  To round things out, Lensbaby came out with a couple new optical shift lenses to appeal to the creatively inclined.  I mentioned the 1D Mark IV last week, and today I was going to give a rundown of what the buzz is all about with Lightroom.  We all know about the new features including exporting video (musical slideshows), and I was going to show you screenshots and share a few here on the blog.  But, rather than join the fray in a rush to point out the “cool” factor, an interesting experience illustrated exactly why you must tread carefully with betas.

See, it installed and worked perfectly well with Windows XP, but when I went to load it on my trustworthy Mac running OSX 10.4 (Tiger), got an odd error:

Lightroom 3.0 Beta Error
Lightroom 3.0 Beta Error

As those of us in IT say when we see cryptic errors like this:  “That’s not so good…”

But here, it just serves as a reminder to those of you early adopters out there – keep your existing workflow as you experiment with Lightroom 3, because after all, that’s why they call it a “Beta”!  So, any thoughts on why this would happen?  Feel free to sound off in the comments or with me via email or Twitter.  I’m not too worried about it as I’ve got my LR2 and iPhoto to work with, so am happy just acting as a tester in the Windows world.

Last but not least, I know I promised to have a winner for the October contest announced today, but time just ran away from me with several projects coming to a culmination over the past few days. (Good news for the blog and podcast though as tons of content is about to pour through the siphon here!)  That announcement will come tomorrow…and until then, keep on shooting!

ETA:  Based on the initial comments and my actually taking the time to read the docmentation, it does appear my version of OSX (Tiger, or 10.4) is not supported with Lightroom 3.0 Beta, so until I upgrade the OS, my Beta experience will be restricted to Windows XP.

How I shot Lightning!

Today the post is going to revolve more around a set of photos I took the other day – you see while en route back to the house, I noticed that the clouds were passing over the mountains and the sun was starting to set.  It had the makings for a really nice sunset.  Never one to turn away the opportunity to capture a sunset, I hurried home and gathered my gear, and took off to my favorite spot near the house for landscape work.

Well, the clouds and the sun didn’t really cooperate so I gave up on that and starting fiddling around with some HDR kinds of things.  I saw a traffic light nearby and there wasn’t much traffic so tried to time some bracketed exposures (my shutter speed was getting near 30 seconds on the top end of the bracket).  Some possibilities developed, but nothing too earth shattering, and I was starting to feel a few drops of rain, so I packed up to head back over to the house – about 2 miles away.

As I was coming back to the house, the clouds that evaded me on the mountainous horizon were ominously hanging over the cityline of Denver (another scene I’d been meaning to shoot) and flashes of lightning were coursing through the clouds, with some pretty regular spikes coming down.  All of this was about 30 miles away, and heading away from me so i was feeling pretty safe except for the possibility of some raindrops now and then.

So, I found a nook by the open range, set up the camera on my trusty tripod, and tried to recall things I’d read about how to shoot lightning.  Apparently some of it stuck, because I came away with this:

lightning_blog
Lightning over Denver

So, how did I do this?  I kept four key things in mind:

  1. I used my tripod!  Stability was key because every single exposure was no less than 15 seconds!  When shooting lightning, you want to open the shutter for a longer time to increase your odds of catching it.  Because it was flashing so regularly I eventually dropped my shutter to 15 seconds and still managed 6 or 7 really good captures.
  2. Keep the noise Down – I dropped my ISO to 100 for all shots and made sure long exposure noise reduction was turned on in camera.  Sure it took twice as long to capture each image, but in the long run it was worth it because there was much less noise to process on the back end.
  3. Don’t touch the camera!  I set the camera to bracket exposures and put it on a two-second delay.  So, by the time the camera shutter opened I was no longer touching it, and then the second and third shots fired automatically.
  4. I made sure I was in a sweet spot of my lens.  Part of this is knowing your gear – I was shooting the 10-22mm (wide angle) from Canon, and know that when it goes below f4 it can get fuzzy.  So, I was at f11 for most of my shots.  Great depth of field and everything is sharp!

Well, a fifth one was post-processing.  After a few rather unpleasant attempts to process as HDR images, I enlisted the aide of friend-of-the-blog Terry Reinert, who you know from our podcast talk a short time ago.  Terry is wicked smart (he’s an engineer) and knows the heck out of HDR.  I asked him what I was doing wrong (because the clouds were getting blotches scattered through them and generally looking poorly).  He gave some insights, what he was finding yielded better results and sent me a low res sample via email.  I liked the path he took, but the colors were not quite where I remembered them from Sunday, so dove in again with the new-found knowledge.  I tried a few quick variations on his technique, but in the interests of time, just did a short version to post here.  Once I get my final edit done (probably this weekend, I will likely be adding the image to my portfolio, so will also post that here as well.  For now though, I wanted to share the back story and a quick version of one processed version that I found appealing.  I am not crazy about the black across the bottom, but since my time was limited here, I’ll likely be addressing that this weekend when I have more time.  For now though, the quick version and a panorama crop looked kinda cool!

Thanks go out to Terry for giving a hand.   In our discussion he also mentioned possibly doing a tutorial on blending using the images, so keep your eyes on Terry’s blog (Where Art and Engineering Collide) as I may be a featured artist!  (How cool would that be?) ETA:  On posting the link to his blog, I see he’s already put his tutorial together – thanks Terry! 🙂

In other blog/photo news, as you all know from yesterday, the OnOne Giveaway concluded with Pete Petersheim being the big winner.  The new contest is underway though, with a new thread up at the Learning Digital Photography group on Flickr, so be sure to stop in there and share your images in the new thread (the theme this go around is “Fun” since the price is a Wacom Bamboo Fun!)  Good luck to everyone and don’t forget to have some fun!

Happy shooting and we’ll see you back here again tomorrow!

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Teaching to Learn…

For those of you that don’t know – there is a cool little feature available for iPhone and iPod Touch users called AudioBoo, where you can record up to three minutes of audio soundbites and share online.  It’s a pretty neat little feature, and allows for short bursts of ideas.  I shared just such a recording (they are called “boos”) this evening after I left the Exposure Denver photo club meeting.  You can listen to the recording here or continue reading below my thoughts on the Exposure Denver experience!

Speaking of which, the gang from the group was so cool – everyone was so welcoming!  They asked me to come in and share some tips and insights on Lightroom, which I was quite flattered but honored to do. If you want to learn more about Exposure Denver, follow the link to their blog where they have news of upcoming events, activities and more.  These folks take it to the next level with regular galleries, themes, critiques, reviews, and yes, you can sell prints at the shows!  A lot of thought, time and preparations go into the group and everyone contributes!  It was quite an energizing and motivating dynamic and has me very excited in ways that I have not even explored yet photographically and creatively.  My head is literally bursting with possibilities.  And why is this?

Because I was thrust into a teaching role, on a subject I am (or was) admittedly not an expert in!  I have no idea how it all started anymore, but this further confirms what I’ve known from prior experience in another field – the best way to learn about something is to try and teach it to someone else.  It forces you to get up to speed, get current, and learn more than you did before.  This happens in three ways:

You do research to prepare your class note, talking points and handouts.  I learned so much just from pulling all these resources together.

Others in the class will know things you don’t.  Without fail, this always happens.  There is no way you can expect to know more than everyone else on a subject you are teaching unless you have 20 years of age and experience over the audience.  But I was not in front of kindgarteners this evening – these were peers (and several were even a few steps ahead of me).  We each brought value to the table and while some probably learned a lot from me – others schooled me!  (But in a good way!)

So, if you want to really get your fingernails dirty, dig into something and know it better than you ever did before:  try teaching it!  I did and learned more than I ever have before about Lightrooom.

Full Review: Apple iPod Touch 2G


Mac Madness (Mac Systems)

Having had the Touch now for about a week, I’ve had a fair amount of time to look at all the features, bells, whistles, and nuances of it to give a more thorough review.  As this review begins, you surely must be asking, “How does this relate to photography?”  An excellent question, so let me begin with the benefits relating to photography:

photo_icon

Photo Albums – this is a great way to take a portable portfolio with you where ever you go.  Say you are in a grocery store, restaurant, or somewhere and a discussion starts about any good photographers.   “Funny you should ask – I am a photographer…would you like to see a little bit of my portfolio?”  Then whip out that Touch and pick an album to show them – the ooohs and ahhs could make the difference between landing the gig and having them respond with “We’ll let you know…”  Having the extra advantage of being able to show at least a pocket-sized portfolio could make the difference between getting a gig or not.  Interesting food for though…

networking

Networking – the Touch has built in wi-fi, so you can stay up to date as long as you are connected to a wifi network.  Here in Denver there is a free wifi network downtown so as long as you are within range, you can check email, update status on Facebook, and network the latest developments on Twitter or Friendfeed.

Applications – bar none, the best feature in my opinion.  From here I was able to download an FTP client, a photo editor (very light in function, i.e. cropping brighten, darken, saturate, desaturate, etc.) and voice recorder.  Other utilities include sunrise/sunset calculators, light meters, word/excel editing apps, etc.  As the saying goes, if there’s something you want to do, there’s an app for that.  With these utilities I can do things like record audio snippets for the blog, upload said content to the blog or other website, do quick photo edits, or even review documents on the fly.  The built in email service is also very handy.

podcast

Music/Podcasts – Just like other ipods, you can listen to music, podcasts, and because of the nice glossy screen, watch videos, including TV shows and movies (pretty much anything the Apple Store offers).  As a blogger and podcaster, for me it is particularly useful because I can listen to what others are doing, and either ensure that I am keeping up, or ensure that I am producing original content that is enjoyable to my viewers and listeners.  If you are a fan of podcasts and other such learning resources to increase your experience and knowledge base, this can also be useful as there are many good podcast resources out there for aspiring and learning photographers.  What I am not a fan of in this regard though, is the fact that with the ability to install “applications”, the Touch still requires connection to a computer in order to manage your content.  You have to delete apps, music, podcasts, pics and such from the iTunes application on your computer and not from your ipod.  What’s up with that?  You’d think Apple would build their own applications into something this robust…but more on the cons in a moment…

Having started with the negatives a little bit, let me go into some of the drawbacks.

Software I – the iPhone user is very fortunate because when the software update from 2.0 to 3.0 came out, the upgrade was free.  Touch users saw no such benefit.  I bought this a week ago, and had to pay for the privilege of getting the OS update to 3.0.  Because of the benefits of it though, as well as the low cost (it was only $10), I went ahead and bit the bullet, but seeing as I had just spent over $200 for something brand new, in principle it seems that it should have shipped with OS 3.0 already on it.

Software II – A couple of the built in applications seem quirky, like the iTunes music.  There is a neat feature called Shuffle where you shake the Touch and it creates a random playlist for you from your library of music.  The problem is that it will keep generating new playlists randomly any time there is a little bit of shake unless you turn it off manually (say for your morning jog).  There must be a better way to toggle this on and off – but I am not a software designer, so not sure how to even go about doing this.

Photo Albums – One of the advantages of the Apple setup over Windows (I had always thought this anyway) is that you don’t have the same pyramid of files and folder structures where things can get lost.   Not really.  If you want to create multiple albums within your Touch (or any other iPod for that matter), the best method is to create a sync folder on your computer, then sub-folders within there and then connect the iPod and let it sync to that folder.

Deleting stuff – As mentioned above, I don’t like that you have to sync the iPod to the computer, then un-check the apps in iTunes on the computer to remove from the iPod.  Lastly, you have to then remove the applications from iTunes before they will be gone completely.  Give me an option to remove from the iPod directly.  The same goes for podcasts, music, photos, and the like – give me a way to delete (triple tap or something) from the iPod without having to resync.  Reason:  If I am on the go and a new podcast for Photoshop User TV comes out, I’ve got to have a fair amount of disc space available to download that from the wi-fi.  If I don’t have an iTunes instance on an available laptop or PC to connect up and delete manually, I am S.O.L.

Music – It’s similar to, but tangential enough from the delete/sync issue above that I thought the music portion warranted its own discussion.  This is not so much that I want to be able to delete music files, but I would like the ability to create playlists depending on what’s going on.  On the photo walk over the weekend, I actually did have about 20 minutes where there was no one in my immediate vicinity to talk to, so I was shooting around and decided to listen to some music to help with inspiration.  If the music isn’t right for the mood though, it can be distracting, so let me do that w/out having to re-sync back to iTunes to create another playlist – that’s just silly.

Camera – This is the only hardware element I have a complaint with – why did you not include a camera with the iTouch?  It seems rather odd that given the preponderance of built in cameras in things like phones, PDA’s, and Blackberries, Apple would say “no, just for the iPhone folks”.  Come on now…the TOuch seems like the more appropriate device for the camera than the iPhone.  After all, the phone has a utilitarian function, why would you bundle a camera into that and not the more accessory nature of the Touch?  Just seems like backward logic to me.

Accessories – The headphones for the iPhone have a built in microphone, and I can understand why they have always been included by default, but with the Touch 2G, and the new OS 3.0, the ability to record audio seems to becoming more and more standard as a way to make notes, deliver content to others.  Wit that, I think Apple should have included the headphones with built in mic wit the Touch.  It was a $30 investment, which I reluctantly paid, and am now glad I have, but really think Apple just wanted their extra little bit of my wallet in that scenario.  *sigh*

Of course I would be remiss if I didn’t at least mention the gaming and entertainment aspect of the device as many people do find the diversions an enjoyable activity.  For me though, I have other venues for distraction and don’t find as much benefit in them, but if you are of that particular ilk, then by all means, check out the App Store part of iTunes for whatever strikes your fancy.

Overall though, the nits I have with the Touch are minor.  It’s a great device that can give me content to listen to, the ability to create my own content, and stay connected with family, friends, and colleagues.  The ability to listen to music while surfing the internet, catch up on Twitter, check email, and even record some audio content for the blog makes the Touch a valuable addition to my belt.

Well, that’s about it for today, as I can’t think of any additional feedback to give on the Touch – I’d give it one and a half thumbs up.  Until tomorrow, keep the energy going from the Worldwide Photowalk and keep on shooting!  We’ll see you back here again tomorrow!

Mask Pro 4.1

Okay, I know the folks from onOne have been very generous with their contribution of a copy of the OnOne Plugin Suite for the latest giveaway here at Canon Blogger/Learning Digital Photography, but I have to say that I am literally blown away by this offer even more.  As I delve into each tool more and more, I am totally amazed at the functionality and how easily it really makes things.  For those of you that watch Photoshop User TV, you’ve seen what I’ve seen – ads from OnOne claiming that masking is made so super easy that you can swap backgrounds and composite images together in a snap – it’s a breeze, right?

Well, we all know that ads only show you the quick and flashy parts of things, not the nitty gritty.  Let me tell you here and now – the Mask Pro really has no nitty gritty – it really is that easy.  Take a look at these sequences:

First off, an image I merged together during a trip to SC last summer.  It looked like it could make for a nice HDR, so I did some tone mapping and got this result:

originalhdr

Needless to say, it didn’t really have the “wow” factor I was looking for.  (I should also throw a mention in for the folks at HDRsoft that produce Photomatix, the HDR software utility that I was testing at the time I originally put this HDR together – still working on a review of that – I lost the trial version after re-installing XP, but will get that back shortly.)  Anyway,  given the success I’d had with some other images in HDR and the background I tried, figured it was worth the effort to blend in a different background.  Here’s the results.

hackjob

Keep in mind, this was after literally hours and hours of painstakingly selecting branches, twigs, and  what not literally zoomed in to almost the pixel level.  Still, not that flattering a result and clearly a less than “stellar” job.  I relegated that to the “learn from your mistakes” folder and had not really touched it since.

So, this was my test for the Mask pro – could it do what I couldn’t after at least ten hours of agonizing masking selections and duping to repeated layers to start up the following day?  Well, let’s see, here’s what happened.

After installing Mask Pro, I loaded the tone-mapped HDR image into Photoshop.  Then, rather than taking any time to tweak, I went straight to Mask Pro (after all, it should do the work for me, right?).  After a short 7-slide presentation on the tools, my first screen looked like this:

maskpro1a

Before I go on, let me explain how the tools on the right ended up how they were.  You see, Mask pro gives you eye dropper tools to select the colors you want to keep and the ones you want to subtract.    So, I went and selected the green eye dropper to define the colors to keep.  I clicked a few parts of the branches and signage, which took the better part of 5 seconds.  The end result was this color set:

keep

Then I switched to the red eye dropper to define the colors to drop.  I clicked a few parts of the sky.  This took another 5 seconds or so.    The end result was this color set:

drop Lastly, I clicked the Magic Brush tool, from the Mask Pro tool panel maskpro_palette

and just started painting around the sky.  I certainly did not take my time, as I was running on my Windows desktop which has a single core 2.3 Ghz celeron processor (it chugs when I load my browser fer Pete’s sake).  So, I dealt with about 5 minutes of a magic brush tool as it calculated the mask to apply as I painted impatiently across the image.  (After all, I wrote these blog posts after dinner, so time = sleep here.)

So, after about 5 minutes and 10 seconds, I have a mask that looks like this:

maskpro2

Yes, that was after 5 minutes!  I could already tell this was a wickedly intuitive and powerful tool (and I mean that in the best of ways), so I just stopped there and decided to take it back to PS for final cleanup and adding the new background.  To do that, I simply clicked the File menu, then “Save/apply” (another 2 seconds)…

Now back in Photoshop with the original image.  It looks the same, but take a look at the layers palette:

layers2

I know the low-res and smallness of captures for the blog make this hard to tell, but at this point I am pretty much ready to bring in the new background.  My only last step in PS is to duplicate the layer I just created from mask Pro to clean up the big blotch in the upper right, and a few specks in the rest of the sky on the third layer.   So, now I am ready to bring in my starry background again.  I place the object in the PS document to get this (for the record, I went with a different starry background to go for a more realistic effect rather than the Harry potter look of my swimming pool shots):

layers3

Finally, I just pulled the stars layer to sit below the Mask Pro layer and here’s the resulting layout in Photoshop:

layers4

The last bit took all of another minute, tops (remember, I am working off a slow processor.  The final result, which took literally less than 10 minutes (the first took over 10 hours):

finalhdr

Such is the power of the OnOne mask Pro – just one of the multiple plugins that are available in this Suite.  If you want this kind of power and malleability in minutes, then enter the giveaway today.  it can literally save you hours, if not days, of post processing!  Here’s the Flickr page for photo entries and here’s the link to the rules.

What can I say – OnOne rocks!  Just to give you a true frame of reference – it took me about an hour and a half to write this post – and that includes getting the screen captures, then sizing them for the blog.  I also interspersed some Twitter time and surf time as well, so it’s not like I was really in any kind of “zone” or anything.  It was just another task in an evening of multi-tasking.  The original one took me over ten hours of processing and that was with no other apps running, seriously.  I was restarting the computer just to free up the RAM for usage only by PS every evening.

This feature alone can save you days of time in the digital darkroom.  Don’t delay and enter to win today! Happy shooting and we’ll see you back here again tomorrow.

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Creative Composition – Vignetting Photos

In general we learn that placing your subject dead center in the frame is something to avoid – creatively speaking it can kill a picture.  While this holds true as a general rule, I was walking into work yesterday morning and the sky was a brilliant blue, with the capitol bulding of Denver right dead center in front of me, and I thought that might make an interesting attempt at breaking the rules if only I had my camera….and then it dawned on me, I did have a camera.  Granted, not my trusty 40D, but the smaller Powershot As500 IS.  So, on a whim out it came and I snapped off a few frames of it.  The vertical came out the best compositionally speaking, but it still lacked something to bring it into what I would consider the “creative” realm.  After all, it is a rather mundane shot, and something you would expect the typical tourist to capture.  So, how could I create interest…and then it dawned on me:  vignette!  That would bring the eye in more, focus attention where I want it to go. So, into Lightroom I went, and sure enough it did create a little more visual interest.  I thought I’d share that view with you here today:

vignette

Granted this is still something that I would probaby personally consider a snapshot from my library of countless snapshots, but it does serve to illustrate that post processing in software can create more visual appeal and vignetting is one way to achieve those ends.  So, the next time you are about to toss a shot, ask yourself:  Could I improve this with a little vignette?  Give it a whirl – you never know whegn a little vignette might surprise you!

On that note, it’s always helpful to remember that post production work can make or break a shot.  Yes, the better your images are to start with, the less work you have to do in post, but that is not to say that post processing is a bad thing…so regardless of whether it’s a little dodging here, burning there, perhaps a litle vignette, or even applying some plugin processing from your OnOne Plugin Suite 4.5, always be willing to explore!

Oh wait – you don’t have the OnOne Plugin Suite 4.5?  Well, go figure, just the luck – today starts the July photo contest here on the blog, and entries are now being accepted in the Flickr thread here for some lucky reader to win their very own copy of the Plugin Suite from OnOne!  Pretty cool as this is a retail value of $500 for this package, so you can imagine the creative possibilities!  Feel free to capture away, and share your favorite shot in the contest.  You can find all the rules from the announcement post yesterday, but get out and shoot for your chance to wina free copy of this great software suite!

For those of you expecting the podcast today – year-end in state work means processing financials so we were working late today to get a lot of T’s crossed and I’s dotted before the clock struck midnight – so the podcast did not roll out today, but I promise it will roll out tomorrow and I’l be talking more about the photo contest then too, as well as answering viewer and reader questions, so if you have any to throw out in the mix, now’s your last chance to get questions in before the show goes live tomorrow!  Got a questio about photography, gear, software, tips, tricks, techniques?  Share it in the comments or with me via email.  Happy shooting for now and we’ll see you back here tomorrow for the podcast.

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Wacom Bamboo Fun: Hardware Review

The good folks at Wacom were kind enough to donate a Bamboo Fun to me for review on the blog a while back.  In order to really get a full handle on it though, I wanted to use it within the context of my at-home work flow.  You see, I’m not a newcomer to tablets, as at work and through  previous experience, I’ve grown quite accustomed to their usage.  I’ve had to instruct people on how to use, configure the basics, and such on their computers. as well as used them in many of their varying sizes (most recently being the Cintiq).  Having said that, I’ve never really had the need to incorporate a tablet in my home work environment for a number of reasons.  Before I get into the reasons though, let go over some of the basics…and rather than a listing of pros and cons, I am following a slightly different format this time. I should also give fair warning that there are a LOT of pictures coming, so for the graphic avoiders in feeds, you may want to visit the site…

Installation

Installing this product can’t get much easier.  Regardless of whether you are running a Windows or Macintosh environment  (it really doesn’t matter a whole heck of a lot) the system will auto-detect the drivers for your Bamboo fun.  Still, it never hurts to go through the CD installation on their provided media, so I thought I’d share with you the process (and a few bonuses) of installation.  It’s pretty much identical, but I am showing the screen shots from Windows:

Here’s the main splash screen where you can choose what to do, ranging from installation to viewing video tutorials, or browsing the CD contents…

install1

I opted to do the driver installation first, and got this following message…

install2

Then the notice that the pen drivers were being installed…

install3

Then notification that installation was complete…

install4

After finishing that, I was offered the video tutorials on how to do different things.  For first-time users, a very useful resource…

install5

And finally the extras that are included on the CD.  I am not sure about files with an extension of x32, but believe this is a carry-over from Macromedia software like Flash.  Since I do not own Flash, I can only guess based on my own research…

install6

Ad additional CD also gives you a copy of Photoshop Elements 5, Nik Color Efex Pro 2, and Corel Painter Essentials 3.0, which also help to offset the cost the the product.  I didn’t want to open this and negate the serials or licenses of the products contained, but did scan the front side so you can see what you get in the companion CD:

bamboofun0021

Configuration

The added buttons at the top of the tablet make for some very intuitive advancements in its usability and properties.  Rather than cover each of these in detail, screen views of each tab (there are four total) should be indicative enough of the control and customization you can get:

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Pop Up Configuration

The pop-up tab is probably the only tab that isn’t completely self-explanatory, so let me delve into a little more detail here. The reason why is because you can program common keyboard combinations (like the ones I referenced in my post last Friday) to be controlled from the tablet (provided you have “Pop-up menu” selected as on option on the tablet tab (seen next)…

Here’s how you do it:

First, click the drop-down to indicate what it is you want to program on the tablet.  For me, the biggest advantage would be in incorporating keyboard keystroke combos so I have to switch less between kb and tablet.

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You’ll get a window now where you can define the keystrokes you want simply by typing that keystroke set in the blank space…

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The tablet will detect your keystrokes and populate the fields

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Then, give your keystroke set a name…

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and Click OK.  You can see the ones I programmed below…

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Last but not least, you can also include special keystroke combinations that are unique to your system (like Printscreen on Windows), as shown next:

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So, you can see how having the pop-up tab configured with your most commonly used keyboard combinations, as you can reduce the swapping between inputs even more!  Very cool!  And here’s what the right-click menu looks like once inside Photoshop:

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But, make sure you have a button set on the tablet to “drop down” (as shown next…)

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Mechanics

Here is where your specific work flow may have an impact.  On my Windows desktop environment, I have a 19″ and a 17″ LCD, so that’s roughly 36″ of real estate that this tablet (which measures roughly 6×4″) has to cover.  What this means is that movements on a scale that size makes everything larger proportionally speaking.  You can adjust the tablet settings under the pen mode details screen to manipulate for just one monitor instead of all screens, but if I am going to use a tablet, Idon’t want to jump between that, a keyboard AND a mouse…two inputs is all I really would want to switch between, but that’s just personal preference.  But, for those that are interested, here’s how you make that adjustment in the pen settings tab of the tablet properties.  Click on the pen tab of the tablet properties, then the details button to get this screen:

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From here, change the button from “All Screens” to “Monitor”.  It will default to the monitor you have set ot #1:

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But you can use the arrows to set it to monitor two if you prefer:

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On my Macbook Pro, since I only had the one monitor, the experience was quite different as I had less real estate for the tablet to cover – with only a 15″  LCD of screen space to cover.  So the pen was much less sensitive to location on the touch pad given that less than half the real estate was needed to cover the range of the screen (and I noticed greater position control even when I did just the 19″ monitor versus the 15″ LCD of the MBP – it’s just a happenstance of the tablet size, and the only way to do that would be to increase the tablet size – at the expense of desk real estate space…pick your poison, ya know?)

Usage

Tablets rock!  Let’s just get that bias out of the way right off.  If you want the ultimate in cursor control (and when I say cursor I mean movement of your tool, whether it be a brush, a pencil, an eraser, clone stamp, whatever, it’s just amazing).  The first major difference between a mouse and a tablet is touch sensitivity.  No matter how you tap a mouse, it delivers the same intensity or strength when it paints in Photoshop.  With a tablet, this is not the case at all.  How hard you press determines the strength of the brush.  This is truly remarkable as now you can apply just a touch, or go full hog on anything you want from painting, to clone stamping, and anything you want.  To demonstrate, I created a blank document and selected some brush settings to illustrate what I am talking about.  Take a look:  from left to right are light touches to hard pressing with the pen…followed by dots of the same strength top to bottom.

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So now you can control things like jitter, hardness, and a whole myriad of options that you didn’t have before (well, at least not to the same degree anyway) with just a mouse.  I know what you’re thinking now – “Great, for graphic design that’s super cool, but how can I use this as a photographer?”  Excellent question!   Ever catch a picture where the eyes are darker and you want to brighten them up?  Well, now you can with greater ease and control both of area, intensity of the lightening (or darkening) by using the pen tool for the Bamboo Fun.  Take a look at the sample below, where I took an underexposed picture of the dog and selectively lightened the eyes and teeth, here’s the before:

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and after:

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One of the best parts is that this functionality is there in whatever application you use that incorporates brushes.  I tried it in Photoshop, Lightroom, and Corel Painter Pro (I installed a demo version of the last one for this review).  The Bamboo Fun can also expand your ability to clone things out, say a stray light pole or some telephone wires, or even the nasty -ex that you want out of that super cool shot of you in Hawaii!  The possibilities are limitless both for graphic designers and photographers.

So, this now begets the question of why I don’t have one in my home environment.  The main reason is because I’ve never had the need at home.  Most of the time I am at work, and if I need to work that requires that level of control, the work hardware has always been there for me.  Granted I’ve also gotten used to the Wacom Cintiq which has a much larger surface area, so I have even a greater degree of control over the desktop, cross-hairs, and all brushes, so it’s also a matter of being spoiled – I just can’t afford a Cintiq at home, or justify its need – I am just not that much of a re-toucher either with photos or in graphics design creation.

Additionally, for me, the use is only really there in graphic design, because I am also of the mentality of “getting it right in camera”, so I don’t like to do a lot of edits in photos.  Of course no one is perfect so I do occasionally need to do some fine tuning that requires a tablet.  In cases when I do, I just take the photo in to work and do the retouching there as the tablet does give a much greater amount of control than any mouse or trackball will.

When I’ve not been successful in camera, it’s not that my home work flow is good enough, it’s just that the tools are already there for me if needed at work, so the financial justification really hasn’t been there.   As my personal usage has been increasing lately though, I must admit that I am thinking more and more about adding a tablet to my home work flow.   So, would I would recommend this?

Yes!  This would make a great tablet for anyone who does not have access to a tablet elsewhere, or if you are looking to enter the tablet market – the Bamboo Fun is a great entry level tablet, that takes up minimal desk space while offering a maximum range of precision and control.  I think for my own personal usage, I would probably prefer a larger tablet because I do have the desk space, and have been accustomed (as I said) to the Cintiq, so perhaps the Intuous 4 would be more easily incorporated…but only time will tell!)

Finally, as prone as we are to repetitive motions, and with conditions like Carpal Tunnel Syndrome becoming much more common, the tablet does offer a much less repeated motion tendency than a mouse or a tablet.  So, if you make the move to a tablet, you are only decreasing your chances of things like Carpal Tunnel and repetitive motion problems in your wrists.

Two thumbs up (in Siskel and Ebert style) for the Bamboo Fun from the good folks at Wacom.  Many thanks for the demo product, and I am sure the listening/reading audience appreicates their generosity as well.  Happy shooting everyone, and we’ll see you back here tomorrow for an exciting software review that includes the announcement of our latest contest, which is starting in July!).

And the winner is…

Blooming Orchid, by photographer John Dunne, of Ireland.  He’s got quite a nice portfolio of images too over on his Flickr photostream, so do stop over and give him a little kudos, pat on the back, congratulations, etc. as he’s won the Adobe Lightroom Contest here at Learning Digital Photography!  His winning image (surprise surprise) is a blooming orchid, shown below:

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Congratulations again to John for this beautiful shot.  I know I said it before but it is worth saying again that the decision was a very difficult one to make as there were so many excellent images contributed!  Thanks also to the folks over at Adobe for their generous contribution, and to all the participants for making this first contest a huge success!

Happy shooting and we’ll see you back here again tomorrow!

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