The train rides again (take two)…

For today’s post you’ve got a special treat coming, because the train rides again!  If you recall, earlier this week I posted the results of a little miniature project where I tried some varying depth of field, angles, and such on a model train.  The project results didn’t yield anything breath-taking in picture, but I did learn where the best areas for focusing are on trains.  I found out what appealed to me, what appealed to others, and filed it away.

Then, as luck would have it – I had my camera with me today on the way home from work (there were some other trains I wanted to capture on my way in – but the clouds and lighting weren’t as conducive as I’d hoped – plus I would have been late…).  A now-defunct set of boxcars were sitting on an unused rail near the house, and as I was driving down the access road, I saw this scene with new appreciation. I felt compelled to stop and try my hand at a life-sized model!

The results are much better in my opinion.  The new problem – post processing.  As I always try to keep an open mind, after a little post work on exposure, sharpness and levels I said to myself “Wonder how this would look as a black and white…”  How is this a problem, you ask?  I like both!  So, it’s the new poll here – which do you like?

bwtrain

colortrain

Feel free to share your thoughts on which should be the “keeper” and why in the comments!  Meanwhile, enjoy my latest choice from WTD as we head into the weekend…

Happy Friday and Happy shooting!  We’ll see y’all back here on Monday! 🙂

Thursday Thoughts with… Rob Weiher

Hey all, here’s what’s shakin’ for this Thursday.  Another “Thursday Thoughts” edition is ready, but me and the guestk, Robert Weiher, took a little bit of a different tack on thi go around, primarily because of how I came across Robert, and what he’s doing for a current project.  See, Robert is a fellow NAPP member, and has started a 365 blog as a project for 2009.   After seeing a few of his comments appear here, my logs pointed me back to him (it always pays to watch your comment links as you never know where the next gem may come from). Robert’s space is definitely a gem, and I thought it might be fun to take the Thursday Thoughts on a different tack this week. So, without further ado, here’s the latest edition with Robert Weiher!!!

Q: Hi Robert, and thanks for taking the time to sit down with me to share your thoughts and insights here. First off, since we’re doing things a little differently, let’s start with your 365 project. Could you explain what a 365 blog is, and what was your motivation for starting this project?

A:  Hi Jason, thanks for having me. A 365 blog or project is basically just taking at least one photo a day and in my case posting and writing a little about it. My motivation to start one was to get me using my camera again. I was in a rut and had hardly used my camera in four months after coming home from a long vacation and finding very few good photos out of several hundred taken on the trip. I was finding myself spending more time in Photoshop trying to fix photos and was getting frustrated with the taking the photo part. To help get motivated I signed up for a weekend seminar on lighting and photographing artwork. The instructor happened to be a national portfolio reviewer and he did a short review of some of my work and gave me some great feedback and some tips to get going again. One was to sketch with my camera, which meant to just go out and take photos. He said to not worry about subject or lighting…just take a photo of anything of interest and then use these to refer back to for more creative ideas. This got me started down the road towards the project.

Q:  Do you look for particular themes or have specific ideas in mind for each day that you have mapped out, or do you approach each day from a “whatever comes my way” mentality?

A:  I originally started out thinking I was going to take around an old pair of my army boots and use them as a prop around the old Army base I live on. This lasted about three days when I realized if I wanted to continue on with the project I was going to need to be more flexible and that lead to a much more free form mentality.

Q:  And what kind of gear do you shoot with (Canon, Nikon, Pentax, Sony, Olympus, etc.)?

A:  Canon 30D

Q:  What about post-processing gear (Mac, PC, Linux, etc.)?

A:  PC and when I post process Photoshop CS3 and Adobe Bridge.

Q:  And of course, the Chocolate/Vanilla/Strawberry question?

A:  As a kid I loved the chocolate/vanilla swirl cones but if I had to choose it would be chocolate.

Q:  Oooh, I’d forgotten about the swirl!  I loved that too.  Anyway, back to photography – how long have you been shooting?

A:  Since October 2007 after my wife, parents and sister chipped in to buy me my first digital camera for my 40th birthday.

Q:  So, about a year and a half now – well, you’ve got a great eye, and your knack for composition is really evident!    One shot in particular that I liked was done recently, on day 83 where you not only did your daily post, but also the setup with your homemade light box.  Are there any shots in particular from the project that stand out thus far for you?  (I know the bronze leaf was a popular one…)

A:  Day 66 or Red Tulips. Pretty much the first photo that made me pause and go     “wow” that turned out nicely.

Red Tulips - Day 66

I also like Day 73 or The Day I Retired My Baseball Glove. I was a huge baseball fan as a kid and played nearly year round. As an adult I played in different softball leagues over the years but hadn’t played for about 12 years before last year. My body took a beating so decided to retire the ball and glove and even though I didn’t mention that in my blog several comments were made about the emotion of the photo and that made me feel good that I was able to get that across in my photo.

Rob Weiher

Q:  Very nice.  Both are excellent and powerful images!  So, you’re about a quarter of the way through this project – any ideas for new projects that have come up you’re going to be pursuing?

A:  Right now my focus is to finish this project but start expanding into areas I haven’t touched on yet, like portrait. Part of the project was to also find out what style interests me so I want to explore all the styles I can. Not that I feel I need to limit myself to a specific style after my project is done but would like to figure out if there’s something that interests me the most. At the moment still life has caught most of my attention.

Q:  I’ve not seen a “for sale” sign on your blog…have you considered hanging out a shingle and actually putting some prints up for sale?  If someone wanted to purchase any prints from you, would you be open to that?

A:  Sure I’d be open to selling some of my prints. It’s been on the back of my mind and have explored opening a SmugMug account to host a portfolio of my best work. I hadn’t touched on it yet but all the photos on my blog are unedited, straight from the camera so I may need a little post work.

Q:  Any final thoughts on the project, photography in general, that you’d like to share?

A:  I think in the 3 months I’ve been doing this project I’ve come to realize one thing. No matter how many books and magazines I read, podcasts I listened too or websites I visited prior to January 1, 2009 I was not going to learn to be a better photographer until I put my hands on my camera and took as many photos I could a day. Not that having all those resources available is a bad thing…I just felt like I was approaching information overload. I decided to approach my project using Shoshin, or the Beginner’s Mind, which is having an attitude of openness, eagerness, and lack of preconceptions when studying a subject.

I put away the books and picked up the camera and made it my goal to make the best possible photograph in camera as I could. No post work so all my photos posted to my blog are straight from the camera and if I have issues with the photo I write about what I would do differently and highlight mistakes I made, such as forgetting to check my white balance setting or to make sure the horizon line is straight. Things that could easily be fixed in Photoshop but also just as easy to fix in camera. I also stepped outside my comfort zone and put myself out there for critique and feedback. This has helped immensely and I’ve made some great contacts via Flickr, Twitter and the blog. I still struggle with the putting myself out there more part but I think everyone wanting to become a better photographer should search out a community they feel comfortable in and ask for some feedback. The photography and Photoshop community are about the nicest and most helpful people you’ll ever find. I just hope to be able to be as helpful one day as everyone else has been for me.

Once again thank you Jason and thank you for being part of this great community.

The pleasure is all mine Robert.  Thank you so much for agreeing to take part in the “Thursday Thoughts” series, and I’ll be keeping an eye on the project as you go forward with the rest of it from here.  It’s been quite the enjoyable approach, and I’d like to wish you all the best going forward (us Canonite’s have to stick together! 🙂 )

Please take a moment to stop over to Robert’s 365 project at Unqualified to Blog as well as his Flickr Photostream and share your thoughts with his work over there.  Then, as Robert said, reading blogs and listening to podcasts isn’t going to do it all, so don’t forget to get out there and keep on practicing for real!  Happy shooting and we’ll see you back here tomorrow.

Blur, Baby… blur!

Hey all, this week’s show is done and boy are you in for a treat!  Not only is there some pretty ground-breaking news from the computing world, but the theme for this podcast is blur!  I take a (hopefully) clear look at different types of blur you can get in your images, what can work, what will not work, and how to correct for different types.  Got some great listener questions and answers that tie in very nicely to the theme, and as, always the photo tip of the week.  Here’s the show notes:

News Links – HP Z800 Specs (listen to the show to find out why this is so amazing it’s the only news story!)

Focal Length/Crop Factor/Shutter Speed settings –

  • 50mm converts to 85 crop factor, which means a shutter speed of 1/100th
  • 100mm converts to a 160 crop factor, which means a shutter speed of 1/160th
  • 150mm converts to a 240 crop factor, which means a shutter speed of 1/240th
  • 200mm converts to a 320 crop factor, which means a shutter speed of 1/320th
  • 300mm converts to a 480 crop factor, which means a shutter speed of 1/480th
  • 400mm converts to a 640 crop factor, which means a shutter speed of 1/640th
  • 500mm converts to a 800 crop factor, which means a shutter speed of 1/800th
  • 600mm converts to a 960 crop factor, which means a shutter speed of 1/1000th

Listener Questions:

  • DOF Preview button
  • Battery Length
  • Portrait Lenses

Be sure to stop over to the good folks at PLM to get the podcast, and check out the Lensbaby Composer – a great resource for managing blur in your photos!  Happy shooting all and we’ll see you back here tomorrow!

Come on Ride the Train

It’s somewhat fitting this week that yours truly is making serious use of the mass transit in Denver because a project that has finally come to fruition is a photo-themed shoot of trains.  I’ve always found them quite interesting, and only recently did I come into possession of a very high quality model train to pose as I desired for specific types of compositional and focal impressions.  Since the podcast isn’t quite finished, I figured now would be as good a time as any to share with you a sampling of my Train project…

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So, there’s the “Train Series”.  I tried various lighting scenarios, depth of field, and compositional approaches to see the effect each has.  I know which one(s) I like the best – what about you?  Any favorites, thoughts, feedback, criqitues?  What about your own themed projects?  Any sources of inspiration?  feel free to share them in the comments section!   Happy shooting, and we’ll see you back here tomorrow!

The basement is… FINISHED!

Okay, you might be inclined to skip today’s post since it is totally a personal post, but don’t do that because it still  has something to do with photography (I took some pics of the progress, but they are not really all that great n terms of image quality – horrible on-camera flash, poor lighting, and just no lighting).  Nevertheless, in the interests of full disclosure, this is more just a Monday brag session!

Additionally, I should also note that the project was finished a while ago (two maybe three weeks), but I am just now putting all the shots together and into a photo montage and tracked to music.  YouTube compression also takes away from it to a certain degree, but you can get the gist.  Thanks go out to my brother-in-law Bill, for letting me use a track off his bands’ CD.  if you want to know more about the band, they are called Billband, the CD is called “Blurred” and the track is called Original Blend.  They can be found at www.billband.com

And now – the basement slideshow:

Like the video? Think it was horrible?  Want to learn more about how to create engaging and interesting videos and slideshows?  Already know how?  Share your ideas,feedback, suggestions, and such in the comments either over at YouTube or here on the blog.   n the meantime, Happy Shooting and be sure to stop back tomorrow for the completed presentation of another project – the weekly podcast!

I’ve got friends in snow places

Okay, it’s a lame title, but my day has been centered around the blizzard conditions in and around the metro Denver area.  With some areas near where I live experiencing whiteouts, we had a fun time of things today wit traffic, early closures, and the whole 9 yards.  Tracy actually was the one who took the day off ahead of schedule (smart gal that wife of mine) and then braved the elements to come pick me up after the mass transit shut down service to my parking place.

After a fender bender of her own – we finally got home in one piece (but not the car).  Of course, in the midst of all of this, our dog Maggie was just happy as could be frolic-ing in the snow.  Props to Tracy for having the idea to take a few snaps!

snowmoo

But, all is not fun and games in Bronco/Rocky Mountain land.  I’ve been helping a friend work through a bad time, and things just took a turn for the worse with him a few days ago.  Let me set the stage here for hyou.  Imagine you are a Photoshop/Adobe guru.  You know the crap outta all things Adobe.  Working in the industry for roughly ten years.  Now, imagine the company hiring some young gun.   You’ve been asked to train a new guy, then after four months or so of teaching a wet-behind-the-ears newb how to do things, you get laid off.

You knew that was coming right?  Well, now, imagine this:  as work becomes more and more challenging to find (despite the fact that you have practically every Adobe certification that exists), your beloved pet comes down with a time-sensitive medical issue that requires surgery to fix.  And you have no dollaz to pay it!  That, my friends, is no picnic.  Yet that is exactly what happened to my good friend David Zarzacki.  Finally, after some pushing from me, he’s set up a blog to explain the status with his pet, and Paypal links for donations.  He’s had some very generous contributions, but is still only about a third of the way to having enough for the vet bills.  (It’s surgery, after all, which isn’t ever all that cheap to begin with!)

So, please, today, take a moment and stop over to the blog to help save Mojo!  Make a contribution, even if it’s only a dollar or two.  And if you can’t contribute financially, then help spread the word by making a Twitter post, or a comment on your own blog – heck even just comments, thoughts, and prayers are welcome.  Every little bit helps!

Anyway, enough of the friends and snow places – I’ve rambled enough for the week.  I’ll leave off with the link to Mojo’s site.  Happy Shooting all and we’ll see you back here on Monday!  Have a great weekend:

Help Save Mojo


Thanks in advance to all that take the time to visit, share their thoughts, prayers, and contributions.

Thursday Thoughts with… Scott Eccleston

I am happy to report that the weekly series where I interview fellow photographers and share their thoughts and perspectives here on the blog.  This week, I’d like to welcome Scott Eccleston to the stage.  Scott has his own blog and shares his thoughts and ideas on a regular basis so be sure to stop over at his site where he shares Weekly Photo Tips!

Without further ado, here’s the latest in the revived Thursday thoughts series, with Scott Eccleston!

Q:  Hi Scott, welcome and thanks for agreeing to participate in the latest edition of the Thursday Thoughts series.  Since everyone always wants to know some of the basics, so let’s get a few things out of the way at once here…first up, ow long have you been a photographer?

A:  I got my first digital point and shoot in 2003…

Q:  So, that means you’ve been shooting digital for about 6 years now.  What kind of gear do you shoot with (i.e. Canon, Nikon, Sony, Olympus, Pentax)?

A:  Nikon, not to feed into the “Nikon vs. Canon” feud, it was because of familiarity. My first camera was a Nikon, then I upgraded to a Nikon 8700 (looking back, it was not much of an upgrade), then a D70, then to a D200, and now a D300 (but there is this persistent fantasy that involves a D3x)…

Q:  No worries about brand wars here – I think the CB readership knows it’s about the person behind the lens (and in front).  What about film?  Ever dabbled in that prior to digital?

A:  No film, never shot film – as Vincent Versace says “film is what you grows on your teeth when you don’t brush”  😉

Q:    Who’s Vincent Versace?  Just kidding!  What about post production – do you work on a mac, PC, Linux, or some combo?

A:  PC…

Q:  And let’s go completely off topic for a moment:  Chocolate, Vanilla or Strawberry?

A:  STRAWBERRY!

Q:  Nice!  Well, now that we’ve gotten the basic sundry stuff out of the way, I like to get others insights on various aspects of your work – and this often starts with the critique.  Photographers often enjoy hearing helpful and constructive critiques of their work, as we are aware of how much we can grow from it.  However, we’ve also all had the “nice shot” and “cool” comments when we’ve shared our work.   With that setup, what would you say was the singular most useful critique or comment you’ve ever had on work you’ve shared publicly?

A:  It was a critique about composition – “cinematic approach to photography”. Film makers (and film shooters) do not have the luxury of cropping; thought and planning are an important part of their image composition. Because I started shooting digital I adopted the “I’ll crop that out” that evolved into the “I’ll fix that in Photoshop” mindset that is too common with digital shooters. Confession, I began as a lazy photographer, I used Photoshop as a sledgehammer, now I use it as an emery board. I use it so infrequently now that when I do, it takes me a moment to orient myself to the workspace. And I don’t use it to “fix” an image, I use it for a black and white conversion or to edit something I had no control over at the time of the shoot (like blemish removal). I learned that if I spent more time getting it right in camera not only did I spend less time in post production, I was getting better quality images.

Sorry, I was rambling, but this is fundamental building block in my evolution as a photographer (and I could ramble on, and on, and…).

Q:  Heh, again, no worries – I’ve been known to wax on and on myself.  Speaking of waxing, just the other day I was…oh, wait, sorry, getting off topic there.  Back on the subject of critique… if someone was asking you for an honest critique of their work, what 3 factors would you look at most (excluding friendships or family relatives, we’re talking professional or fellow photographer-types here)?

A:  The first thing would be to determine if they really want an “Honest Critique”. 😉

  1. Intent
  2. Technique
  3. Execution

Q:  What happened to the rambling nature?  Again, just kidding, but I like the approach – it shows how you approach capturing your own images!  Speaking of capturing your own images, as we’ve seen the post process mature in programs like Photoshop and other software options,  new ways to create images are presenting wider options and possibilities. If you had to choose between the gear or the software as the only way to create, which would it be and why?

A:  GEAR! The software should be used to complement your work, not create it.

Q:  Heh, well, it shows in your skillwith which you execute your imagery.  Speaking of which, you’ve got a great body of work!  In that vein, if you had to pick three pictures out of your entire portfolio to represent your approach to photography, or your artistic vision, which ones would you pick and why?

A:  Each of these images represents a first for me…

Scott Eggleston

This was taken with my point and shoot and was the first image that said something to me, that evoked an emotion. It was the image that made me want to learn more about photography (and spend a ton of money on gear in the process).

Scott Eggleston

This was the first of my images that said something to others. I was new to the Portland (Maine) Camera Club and had just started submitting to print competitions, during the critique one of the judges (who is a well established professional photographer) said “this is one of the best black and whites I have seen here”.

Scott Eggleston

This is the first time I had an idea for an image that came out exactly as I had envisioned it.

Q:  Wow!  These are great ones, and I can see why you chose them.  Thanks so much for taking the time to share your thoughts, work, and input here on the blog.  Are there any final thoughts you’d like to share about the state of photography or any catch phrases that you keep in mind when shooting?

A:  There are two things about the state of photography that have drawn me in and make me want to stay:

  • When photographers discover new things, new techniques, instead of hiding it like a closely guarded secret; they share it with the rest of the world. Sites like Strobist and people like you are great examples of this.
  • In keeping with that theme, most photographers seem to have little interest or desire in being better than another photographer, they just have a desire to be a better photographer.

Thank you for inviting me here Jason.

Thank you Scott, the pleasure has been all mine (as is the same for the readers of the blog)!  Remember, you can find out more about Scott, his Weekly Photo Tips, and his professional body of work on the web too, so be sure to stop over and enjoy everything he has to offer!

How do you like to sound?

In preparation for the next podcast, due in no small part to a technical difficulty with Garage Band, I’ve set up a dedicated computer and recording space (call it my dedicated recording studio) and the audio quality is off the charts better than anything I’ve done before.  Ironically, the new topic for this weeks podcast is also about sound – the sound of shutters and how they can impact the feel of the camera, and how they can effect a moment is significant enough to warrant consideration.  Make sure you tune in for this one from the good folks over at Personal Life Media to get all the news, info, and latest from Learning Digital Photography!

Here’s the rest of the show notes:

Here’s the links from news items I talked about:

Listener Questions

  • How do you fix the Canon 99 Error?
  • What does the term “sync speed” mean?
  • What does kerning refer to in typography?

Listen in to the podcast over at Personal Life Media for the answers and full details on all the show segments.  In the meantime, what does your shutter sound like?   It doesn’t even have to be a Canon camera, listen to your camera whether it’s Canon Nikon, Olympus, Sony, Pentax, Panasonic, Leica, Hasselblad, etc! Find out why in the podcast up now over at Personal Life Media!  Thanks for stopping by the blog, and for all your kind words during the flu bug bout.  Enjoy the podcast, then go out and do y’all some shootin’!  See you back here tomorrow!

Black and White Conversion Options

About a year ago, I put together a list of my top five favorite ways to convert images to black and white.  As technology has advanced though, more options have become available, and I have learned a lot more.  So, in the spirit of keeping the blog topics up-to-date and current, I would like to re-visit this here today.  (This is also coming on the heels of the Black-and-White issue I finally finished of Rangefinder Magazine!)

  1. Camera Raw Conversion – If you aren’t working in camera raw, here is a big reason to think about it – converting images to black and white in camera raw allows you to make a conversion while retaining access and malleability to all image data. The camera raw dialogs that you should use to make conversions here include the saturation slider, then exposure and shadow sliders, followed by the Brightness slider. Don’t forget to play with the contrast slider a little to enhance the effect as desired. Last but not least, for advanced adjustments, the calibration tab can have effects similar to the Channel Mixer.
  2. Black and White Conversion – With Photoshop CS3 and now in CS4, the good folks over at Adobe have added a Black and White conversion  option in the image adjustments menu.  This is pure gold because you can duplicate the image before making adjustments and apply the effect to it’s own layer.  You can also add back in tonal values for specific b/w effects that previously were pretty much out of reach without many many edits, layer adjustments, masks and much much more.
  3. Channel Mixer – with your image open in Photoshop (7.0 or higher), you can select a specific color set you want to remove from or add emphasis to in an image. The traditional color sets or red, green and blue are available, as well as a constant (think brightness), and a check box for monochrome.
  4. Hue/Saturation Adjustment – whether as a dedicated layer, or directly to an image, the Hue/Saturation allows you to account for different intensity levels of a wide range of colors, from Red, Yellow, Green, Cyan, Blue, and Magenta. You can also adjust the range of color within one of the default ranges for each set by adjusting the left and right limiters of the color wheel at the bottom of the dialog window.
  5. Grayscale Conversions – most black-and-white images aren’t true black and whites, because a little color from a specific range is added back in for emphasis. To make an image truly a b/w, it would only have a range of black and white. This can be done using the grayscale option in Photoshop. Often, this is used as the last step in a digital approach to black and white photography so that saturation and brightness level loss is minimized.

So, what have I added and what have I removed?  The Black and White conversion method is the latest addition, and I jettisoned in-camera conversions.  While pretty much all cameras have the in-camera option to take images in black-and-white, as I have crawled my way up the learning curve, I am cognizant of the fact that if you lose image data in-camera, there is no getting it back afterward.

Well, that’s it – the new and improved post on Black and White conversion options!  If you’d like to read the original post, that can be pulled up from the archives here.  In the meantime, feel free to share your favorite techniques for black and white conversions here in the comments or via email.  As always, Happy Shooting and we’ll see you back here again tomorrow!

Urgh – thith code hath sthopped the blog

Nyquil, Robitussen, Theraflu, Zicam, Sudafed – all for nada, zip, zilch, and a big fat doughnut.

Sorry all, the fog is just too deep to come up with anything coherent.   Don’t drop me from the feed reader just yet, as I think the haze is starting to clear some.  Be sure to stop back friday for a hopefully more coherent post about something related to photography – perhaps even a podcast (if you like the sound of hacking lung, runny nose, and pregnant pauses as I try to remember what it was I wanted to say…).  In other words, today is officially a “no blog” day.

In all seriousness, I should be back to form tomorrow – just ran out of hours in the day today, and this cold is kinda kicking me out of the game early at night time due to well…the meds.  Batter up on Friday!  Happy shooting!